Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:alsoKnownAs |
gptkb:The_Last_Laugh
|
| gptkbp:cinematography |
gptkb:Karl_Freund
|
| gptkbp:countryOfOrigin |
gptkb:Germany
|
| gptkbp:director |
gptkb:F._W._Murnau
|
| gptkbp:distributedBy |
gptkb:UFA
|
| gptkbp:format |
black-and-white
|
| gptkbp:genre |
drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
Der letzte Mann
|
| gptkbp:language |
Silent film
|
| gptkbp:musicBy |
gptkb:Giuseppe_Becce
|
| gptkbp:notableFor |
innovative camera techniques
use of subjective camera |
| gptkbp:productionCompany |
gptkb:UFA
|
| gptkbp:releaseYear |
1924
|
| gptkbp:runtime |
91 minutes
|
| gptkbp:screenwriter |
gptkb:Carl_Mayer
|
| gptkbp:setIn |
gptkb:Berlin
|
| gptkbp:starredActor |
gptkb:Maly_Delschaft
gptkb:Max_Hiller gptkb:Emil_Jannings |
| gptkbp:bfsParent |
gptkb:The_Last_Laugh
|
| gptkbp:bfsLayer |
6
|