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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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5
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gptkbp:bfsParent
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gptkb:Pietro_Germi
gptkb:Nino_Manfredi
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gptkbp:art_style
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black and white
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|
gptkbp:audience
|
cult following
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gptkbp:awards
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gptkb:Cannes_Film_Festival_Award_for_Best_Director
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gptkbp:box_office
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gptkb:unknown
|
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gptkbp:character_arc
|
redemption arc
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gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
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gptkb:Sergei_Urusevsky
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|
gptkbp:country
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gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
influential in film studies
|
|
gptkbp:cultural_significance
|
reflects Soviet society
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gptkbp:director
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gptkb:Mikhail_Kalatozov
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gptkbp:distributor
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gptkb:Mosfilm
|
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gptkbp:edited_by
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gptkb:M._A._Koval
|
|
gptkbp:film_festival
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gptkb:Cannes_Film_Festival_1961
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|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:filmography
|
gptkb:M._A._Koval
symbolism
long takes
deep focus
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
Cold War era
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https://www.w3.org/2000/01/rdf-schema#label
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The Last Judgment (1961)
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gptkbp:influenced
|
gptkb:film
future filmmakers
modern Russian cinema
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
gptkb:Soviet_cinema
|
|
gptkbp:inspired_by
|
gptkb:philosopher
gptkb:literary_work
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
gptkb:Author
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:music_by
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gptkb:Vladimir_Shainsky
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:plot
|
A story about a man who faces moral dilemmas.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Mosfilm
|
|
gptkbp:release_year
|
gptkb:1961
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:screenplay_by
|
gptkb:Vladimir_Tendryakov
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Tatyana_Samoylova
gptkb:Vladimir_Vysotsky
gptkb:Innokenty_Smoktunovsky
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|
gptkbp:themes
|
morality
redemption
human condition
|