|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
Grim and realistic.
|
|
gptkbp:audience
|
Thought-provoking.
Mixed audience reviews.
|
|
gptkbp:awards
|
Nominated for several awards.
|
|
gptkbp:based_on
|
gptkb:The_Last_Duel:_A_True_Story_of_Trial_by_Combat_in_Medieval_France
|
|
gptkbp:box_office
|
$30 million
|
|
gptkbp:budget
|
$100 million
|
|
gptkbp:character
|
gptkb:Jacques_Le_Gris
gptkb:Jean_de_Carrouges
gptkb:Marguerite_de_Carrouges
Deep and meaningful.
|
|
gptkbp:character_arc
|
Redemption and honor.
|
|
gptkbp:character_development
|
Complex characters.
|
|
gptkbp:character_motivation
|
Desire for honor.
|
|
gptkbp:character_relationships
|
Complex and layered.
Power struggles.
Personal and societal.
|
|
gptkbp:cinematic_experience
|
Intense and immersive.
|
|
gptkbp:cinematography_by
|
gptkb:Dariusz_Wolski
|
|
gptkbp:costume_design
|
gptkb:Janty_Yates
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
Explores themes of masculinity.
|
|
gptkbp:critical_reception
|
Mixed reviews from critics.
|
|
gptkbp:cultural_impact
|
Discussion on gender roles.
Discussion on gender and justice.
|
|
gptkbp:cultural_references
|
Medieval chivalry.
|
|
gptkbp:cultural_significance
|
Reflects on contemporary issues.
|
|
gptkbp:design
|
gptkb:Arthur_Max
|
|
gptkbp:directed_by
|
gptkb:Ridley_Scott
|
|
gptkbp:distributor
|
gptkb:20th_Century_Studios
|
|
gptkbp:edited_by
|
gptkb:Claire_Simpson
|
|
gptkbp:film_technique
|
Use of practical effects.
Cinematography and editing.
|
|
gptkbp:filming_location
|
gptkb:France
|
|
gptkbp:follows
|
The story of the last legally sanctioned duel in France.
|
|
gptkbp:genre
|
Historical Drama
|
|
gptkbp:historical_context
|
Medieval France.
Set during the Hundred Years' War.
|
|
gptkbp:historical_figures
|
Jean de Carrouges, Jacques Le Gris.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Duel (2022)
|
|
gptkbp:influenced_by
|
Historical texts.
|
|
gptkbp:influences
|
Historical dramas.
Medieval literature.
|
|
gptkbp:inspired_by
|
Historical events.
|
|
gptkbp:is_portrayed_as
|
Authentic and nuanced.
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
Rich and engaging.
|
|
gptkbp:makeup_artist
|
gptkb:Nadia_Stacey
|
|
gptkbp:modern_relevance
|
Explores themes of justice.
|
|
gptkbp:motif
|
Honor and betrayal.
|
|
gptkbp:music_by
|
gptkb:Harry_Gregson-Williams
|
|
gptkbp:narrative
|
Based on a true story.
Non-linear storytelling.
|
|
gptkbp:narrative_theme
|
Truth and perspective.
|
|
gptkbp:performance
|
Based on true events.
Well-researched.
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Ridley_Scott
gptkb:Jennifer_Fox
gptkb:Mark_Huffam
|
|
gptkbp:production_company
|
gptkb:20th_Century_Studios
gptkb:Scott_Free_Productions
gptkb:Dune_Films
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
October 15, 2021
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:released_on
|
October 15, 2021
|
|
gptkbp:runtime
|
152 minutes
|
|
gptkbp:screenings
|
gptkb:Venice_Film_Festival_2021
|
|
gptkbp:screenplay_by
|
gptkb:Ben_Affleck
gptkb:Matt_Damon
gptkb:Nicole_Holofcener
|
|
gptkbp:set_in
|
14th century France
|
|
gptkbp:sound_design
|
gptkb:Michael_Keller
|
|
gptkbp:starring
|
gptkb:Adam_Driver
gptkb:Jodie_Comer
gptkb:Ben_Affleck
gptkb:Matt_Damon
|
|
gptkbp:theme
|
Honor and betrayal.
|
|
gptkbp:themes
|
Justice and morality.
|
|
gptkbp:visitors
|
Cinematic.
|
|
gptkbp:visual_effects
|
MPC
|
|
gptkbp:bfsParent
|
gptkb:Jang_Hyuk
|
|
gptkbp:bfsLayer
|
6
|