Statements (135)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Vanessa_Redgrave
gptkb:Diana_Rigg gptkb:Henrik_Ibsen |
| gptkbp:activities |
five acts
|
| gptkbp:adaptation |
gptkb:theatre
gptkb:radio_station gptkb:opera gptkb:film theatre productions The Lady from the Sea (original play) |
| gptkbp:author |
gptkb:Henrik_Ibsen
|
| gptkbp:character |
gptkb:Dr._Wangel
gptkb:Lyngstrand gptkb:The_Stranger Bolette |
| gptkbp:character_development |
Bolette's aspirations
Dr. Wangel's conflict Ellida's struggle for autonomy Lyngstrand's ambitions The Stranger's role in Ellida's life Dr. Wangel's struggles Ellida's journey The Stranger's influence |
| gptkbp:character_relationships |
gptkb:Ellida_and_the_Sea
Bolette and Lyngstrand Ellida and Dr. Wangel Ellida and Lyngstrand |
| gptkbp:conflict |
internal conflict
external conflict personal vs societal expectations |
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
performed worldwide
influenced feminist literature inspired adaptations translated into multiple languages inspired discussions on gender roles studied in literature courses explored in academic studies influenced playwrights adapted into various languages influenced feminist movements performed in adaptations |
| gptkbp:famous_for |
exploration of psychological themes
|
| gptkbp:filming_location |
gptkb:Christiania
gptkb:Copenhagen |
| gptkbp:first_performance |
1888
|
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:historical_context |
feminist movements
realism in literature 19th century Norway |
| https://www.w3.org/2000/01/rdf-schema#label |
The Lady from the Sea
|
| gptkbp:influence |
feminist literature
modern drama psychological drama |
| gptkbp:inspiration |
Ibsen's own life
Ibsen's own life experiences |
| gptkbp:inspired_by |
Ibsen's own experiences
|
| gptkbp:language |
gptkb:Politician
|
| gptkbp:main_character |
gptkb:Dr._Wangel
gptkb:Ellida_Wangel gptkb:Lyngstrand Bolette |
| gptkbp:motif |
gptkb:tank
gptkb:item nature isolation |
| gptkbp:music_style |
monologues
dialogue-driven symbolic props |
| gptkbp:notable_production |
gptkb:The_National_Theatre_of_Norway
gptkb:The_Hålogaland_Theatre gptkb:The_Nordland_Theatre gptkb:The_Norwegian_Theatre gptkb:The_Rogaland_Theatre gptkb:The_Teater_Ibsen gptkb:The_Trøndelag_Theatre gptkb:The_Gate_Theatre gptkb:The_Melbourne_Theatre_Company gptkb:Royal_Dramatic_Theatre gptkb:theatre gptkb:The_Abbey_Theatre gptkb:The_Lyric_Hammersmith gptkb:The_Old_Vic gptkb:The_Royal_Court_Theatre gptkb:The_Royal_Exchange_Theatre gptkb:Bergen_National_Opera gptkb:The_Sydney_Theatre_Company gptkb:The_Donmar_Warehouse gptkb:The_Chichester_Festival_Theatre gptkb:The_Edinburgh_Festival_Fringe gptkb:The_Young_Vic gptkb:Danish_Royal_Theatre The Oslo Nye Teater |
| gptkbp:notable_quote |
" I am not a part of the sea."
" I want to be free." " I am not a plaything" " I want to be free" " I am not a creature of the sea." |
| gptkbp:official_language |
gptkb:Politician
|
| gptkbp:performance |
naturalism
performed worldwide naturalistic acting |
| gptkbp:plot |
involves a love triangle
explores themes of choice features a mysterious stranger centers on a woman's struggle for autonomy culminates in a decision about freedom |
| gptkbp:premiere_date |
1888
|
| gptkbp:published_by |
gptkb:Gyldendal
1888 1889 |
| gptkbp:setting |
gptkb:Norway
|
| gptkbp:significance |
explores complex characters
addresses societal norms examines personal freedom contributes to modern theatre reflects Ibsen's style |
| gptkbp:style |
realism
|
| gptkbp:symbolism |
freedom
isolation the sea the lighthouse the boat |
| gptkbp:thematic_element |
the nature of love
the role of women conflict between duty and desire the impact of the past the search for self |
| gptkbp:theme |
gptkb:TV_series
love freedom nature |
| gptkbp:written_by |
gptkb:Henrik_Ibsen
|