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gptkbp:instance_of
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gptkb:musical
|
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gptkbp:adaptations
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gptkb:film_adaptations
television adaptations
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|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Revival_of_a_Musical
|
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gptkbp:based_on
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gptkb:Anna_and_the_King_of_Siam
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gptkbp:box_office
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successful
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gptkbp:cast
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gptkb:Ken_Watanabe
gptkb:Ruthie_Ann_Miles
gptkb:Ashley_Park
gptkb:Kelli_O'_Hara
gptkb:Conrad_Ricamora
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gptkbp:choreography
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gptkb:Christopher_Gattelli
|
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gptkbp:composer
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gptkb:Richard_Rodgers
|
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gptkbp:costume_design
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gptkb:Catherine_Zuber
|
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gptkbp:country
|
gptkb:United_States
|
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gptkbp:critical_reception
|
positive
|
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gptkbp:cultural_impact
|
gptkb:significant
|
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gptkbp:design
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gptkb:Michael_Yeargan
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gptkbp:director
|
gptkb:Bartlett_Sher
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gptkbp:first_released
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gptkb:The_King_and_I_(1951)
|
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gptkbp:genre
|
gptkb:musical_theatre
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The King and I (revival 2018)
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|
gptkbp:influences
|
Western culture
Asian culture
|
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gptkbp:inspiration
|
gptkb:historical_figures
|
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gptkbp:language
|
English
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gptkbp:leadership
|
gptkb:Anna_Leonowens
gptkb:King_of_Siam
|
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gptkbp:lighting
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gptkb:Donald_Holder
|
|
gptkbp:lyricist
|
gptkb:Oscar_Hammerstein_II
|
|
gptkbp:music_video_director
|
gptkb:Ted_Sperling
|
|
gptkbp:notable_song
|
gptkb:Shall_We_Dance?
Getting to Know You
Hello, Young Lovers
Something Wonderful
I Whistle a Happy Tune
|
|
gptkbp:opened
|
June 30, 2018
April 16, 2015
|
|
gptkbp:premiered_on
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gptkb:2018
|
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gptkbp:production_company
|
gptkb:Lincoln_Center_Theater
|
|
gptkbp:revival
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gptkb:Broadway
|
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gptkbp:runtime
|
2 hours 30 minutes
|
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gptkbp:set_in
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gptkb:Siam
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gptkbp:sound_design
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gptkb:Scott_Lehrer
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gptkbp:theater
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gptkb:Lincoln_Center_Theater
|
|
gptkbp:themes
|
gptkb:cultural_exchange
gptkb:education
gptkb:colonialism
love
tradition vs modernity
|
|
gptkbp:time_period
|
gptkb:19th_century
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gptkbp:bfsParent
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gptkb:Cameron_Mackintosh_Limited
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gptkbp:bfsLayer
|
6
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