gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film
|
gptkbp:author
|
gptkb:Harry_Brown
|
gptkbp:awards
|
gptkb:none
|
gptkbp:based_on
|
The Informer by Harry Brown
|
gptkbp:box_office
|
$1.2 million
|
gptkbp:character_arc
|
tragic
redemption
|
gptkbp:character_development
|
gptkb:complex
|
gptkbp:character_motivation
|
gptkb:survival
|
gptkbp:character_relationships
|
naivety
strained
man vs. society
volatile
tense
|
gptkbp:cinematography_by
|
gptkb:Pawel_Pogorzelski
|
gptkbp:climax
|
confrontation
|
gptkbp:conflict
|
internal conflict
moral dilemma
|
gptkbp:contains
|
action sequences
dramatic tension
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
influenced crime genre
|
gptkbp:cultural_significance
|
reflects societal issues
|
gptkbp:directed_by
|
Lance Daly
|
gptkbp:director
|
gptkb:Ken_Hughes
|
gptkbp:distributor
|
gptkb:Lionsgate
|
gptkbp:edited_by
|
gptkb:John_Gilbert
|
gptkbp:element
|
the informer
|
gptkbp:features
|
drug trafficking
police corruption
|
gptkbp:film
|
gptkb:Rod_Steiger
gptkb:John_Mills
gptkb:Samantha_Eggar
|
gptkbp:filming_location
|
gptkb:Ireland
gptkb:United_States
|
gptkbp:follows
|
a former convict
|
gptkbp:genre
|
gptkb:drama
gptkb:detective_fiction
gptkb:crime
|
gptkbp:has_awards
|
No
|
gptkbp:has_backstory
|
troubled past
|
gptkbp:has_prequel
|
No
|
gptkbp:has_rating
|
gptkb:R
|
gptkbp:has_sequel
|
No
|
gptkbp:has_themes
|
gptkb:betrayal
gptkb:justice
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:survival
gptkb:deception
gptkb:identity
gptkb:sacrifice
gptkb:family
gptkb:trust
gptkb:crime
morality
family ties
redemption
trust issues
violence
moral dilemmas
survival of the fittest
consequences
undercover work
law enforcement challenges
struggle for power
personal sacrifice
the impact of choices
the nature of justice
survival instinct
the duality of human nature
redemption arc
betrayal of trust
consequences of crime
the consequences of betrayal
the struggle for redemption
loyalty to family
the fight for survival
redemption through sacrifice
drug war
the cost of loyalty
impact of crime on families
loyalty versus morality
the complexity of trust
the price of survival
the reality of crime
|
gptkbp:historical_context
|
post-war Britain
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Informer
|
gptkbp:influenced_by
|
real-life events
|
gptkbp:influences
|
noir fiction
|
gptkbp:inspiration
|
real-life events
|
gptkbp:involves
|
undercover operations
|
gptkbp:is_portrayed_as
|
first-person
|
gptkbp:isbn
|
978-0-00-720000-0
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Terry
|
gptkbp:mood
|
dark
|
gptkbp:motif
|
gptkb:deception
|
gptkbp:music_by
|
gptkb:Jóhann_Jóhannsson
|
gptkbp:narrative
|
omniscient
|
gptkbp:narrative_style
|
third-person
foreshadowing
|
gptkbp:notable_quote
|
" You can't trust anyone."
|
gptkbp:page_count
|
256
|
gptkbp:plot
|
linear
flashbacks
|
gptkbp:plot_twist
|
unexpected betrayal
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
gptkbp:produced_by
|
gptkb:Brett_Ratner
Lance Daly
|
gptkbp:protagonist
|
informer
|
gptkbp:published_in
|
gptkb:1960
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
gptkbp:reader_demographic
|
high
adult
thought-provoking
|
gptkbp:release_year
|
gptkb:1966
|
gptkbp:released_in
|
gptkb:2019
|
gptkbp:resolution
|
unresolved
ambiguous ending
|
gptkbp:reviews
|
mixed
|
gptkbp:role
|
gptkb:antagonist
|
gptkbp:runtime
|
98 minutes
|
gptkbp:screenplay_by
|
gptkb:Matthew_Cirulnick
|
gptkbp:set_in
|
gptkb:New_York_City
|
gptkbp:setting
|
gptkb:London
urban
|
gptkbp:setting_time
|
1950s
|
gptkbp:starring
|
gptkb:Ana_de_Armas
gptkb:Rosamund_Pike
gptkb:Joel_Kinnaman
gptkb:common
|
gptkbp:symbolism
|
gptkb:trust
|
gptkbp:thematic_element
|
gptkb:justice
|
gptkbp:theme
|
gptkb:betrayal
|
gptkbp:themes
|
gptkb:loyalty
|
gptkbp:writing_style
|
gritty
|
gptkbp:bfsParent
|
gptkb:2013_The_Next_Day_Tour
gptkb:Max_Steiner
gptkb:Ana_de_Armas
gptkb:Donovan's_Reef
gptkb:RKO_Pictures
gptkb:John_Ford
gptkb:Mark_Strong
|
gptkbp:bfsLayer
|
4
|