|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Ana_de_Armas
gptkb:John_Ford
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Harry_Brown
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Informer by Harry Brown
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:character_arc
|
tragic
redemption
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
naivety
strained
man vs. society
volatile
tense
|
|
gptkbp:cinematography
|
gptkb:Pawel_Pogorzelski
|
|
gptkbp:climax
|
confrontation
|
|
gptkbp:conflict
|
internal conflict
moral dilemma
|
|
gptkbp:contains
|
action sequences
dramatic tension
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced crime genre
|
|
gptkbp:cultural_significance
|
reflects societal issues
|
|
gptkbp:directed_by
|
Lance Daly
|
|
gptkbp:director
|
gptkb:Ken_Hughes
|
|
gptkbp:distributor
|
gptkb:football_club
|
|
gptkbp:edited_by
|
gptkb:John_Gilbert
|
|
gptkbp:features
|
drug trafficking
police corruption
|
|
gptkbp:filming_location
|
gptkb:Ireland
gptkb:United_States
|
|
gptkbp:filmography
|
gptkb:Rod_Steiger
gptkb:John_Mills
gptkb:Samantha_Eggar
|
|
gptkbp:follows
|
a former convict
|
|
gptkbp:genre
|
gptkb:Detective
gptkb:Police_Department
gptkb:High_School
|
|
gptkbp:has_awards
|
gptkb:battle
|
|
gptkbp:has_backstory
|
troubled past
|
|
gptkbp:has_gameplay_element
|
the informer
|
|
gptkbp:has_sequel
|
gptkb:battle
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:justice
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:survival
gptkb:Police_Department
gptkb:Saint
gptkb:Trust
gptkb:military_operation
gptkb:family
morality
family ties
redemption
trust issues
violence
moral dilemmas
survival of the fittest
consequences
undercover work
law enforcement challenges
struggle for power
personal sacrifice
the impact of choices
the nature of justice
survival instinct
the duality of human nature
redemption arc
betrayal of trust
consequences of crime
the consequences of betrayal
the struggle for redemption
loyalty to family
the fight for survival
redemption through sacrifice
drug war
the cost of loyalty
impact of crime on families
loyalty versus morality
the complexity of trust
the price of survival
the reality of crime
|
|
gptkbp:historical_context
|
post-war Britain
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Informer
|
|
gptkbp:influenced_by
|
real-life events
|
|
gptkbp:influences
|
noir fiction
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:involves
|
undercover operations
|
|
gptkbp:is_motivated_by
|
gptkb:survival
|
|
gptkbp:isbn
|
978-0-00-720000-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Terry
informer
|
|
gptkbp:mood
|
dark
|
|
gptkbp:motif
|
gptkb:military_operation
|
|
gptkbp:music_by
|
gptkb:Jóhann_Jóhannsson
|
|
gptkbp:narrative_style
|
third-person
foreshadowing
omniscient
|
|
gptkbp:notable_quote
|
" You can't trust anyone."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
linear
flashbacks
|
|
gptkbp:plot_twist
|
unexpected betrayal
|
|
gptkbp:portrayed_by
|
first-person
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Brett_Ratner
Lance Daly
|
|
gptkbp:published_by
|
gptkb:1960
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
high
adult
thought-provoking
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:released_in
|
gptkb:2019
|
|
gptkbp:resolution
|
unresolved
ambiguous ending
|
|
gptkbp:role
|
gptkb:superhero
|
|
gptkbp:runtime
|
98 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Matthew_Cirulnick
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
1950s
urban
|
|
gptkbp:starring
|
gptkb:Ana_de_Armas
gptkb:standard
gptkb:Rosamund_Pike
gptkb:Joel_Kinnaman
|
|
gptkbp:style
|
gritty
|
|
gptkbp:symbolism
|
gptkb:Trust
|
|
gptkbp:thematic_element
|
gptkb:justice
|
|
gptkbp:theme
|
gptkb:betrayal
|
|
gptkbp:themes
|
gptkb:loyalty
|
|
gptkbp:user_reviews
|
mixed
|