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gptkbp:instance_of
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gptkb:Film_Director
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gptkbp:active_years_end
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gptkb:1971
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gptkbp:active_years_start
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gptkb:1917
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gptkbp:affiliation
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gptkb:American_Film_Institute
gptkb:Directors_Guild_of_America
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gptkbp:associated_act
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gptkb:Henry_Fonda
gptkb:John_Wayne
gptkb:Maureen_O'_Hara
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gptkbp:associated_with
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gptkb:John_Wayne
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gptkbp:award
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gptkb:Academy_Award_for_Best_Director
gptkb:Golden_Globe_Award_for_Best_Director
gptkb:Golden_Globe_Award
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gptkbp:awarded_to
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gptkb:Golden_Globe_Award_for_Best_Director
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gptkbp:awards
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gptkb:Academy_Award_for_Best_Director
gptkb:Golden_Globe_Award
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gptkbp:birth_date
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February 1, 1894
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gptkbp:birth_place
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gptkb:Cape_Elizabeth,_Maine,_USA
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gptkbp:born
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February 1, 1894
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gptkbp:born_in
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gptkb:Cape_Elizabeth,_Maine
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gptkbp:born_on
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February 1, 1894
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gptkbp:children
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gptkb:John_Ford_Jr.
gptkb:Eleanor_Ford
gptkb:Patrick_Ford
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gptkbp:collaborated_with
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gptkb:James_M._Stewart
multiple films
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gptkbp:collaborator
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gptkb:Henry_Fonda
gptkb:John_Wayne
gptkb:Maureen_O'_Hara
gptkb:James_M._Stewart
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gptkbp:death_date
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August 31, 1973
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gptkbp:died
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August 31, 1973
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gptkbp:died_in
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gptkb:Palm_Desert,_California
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gptkbp:died_on
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August 31, 1973
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gptkbp:directed
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gptkb:Two_Rode_Together
gptkb:Young_Mr._Lincoln
gptkb:Fort_Apache
gptkb:Mister_Roberts
gptkb:She_Wore_a_Yellow_Ribbon
gptkb:They_Were_Expendable
gptkb:The_Fugitive
gptkb:The_Grapes_of_Wrath
gptkb:The_Informer
gptkb:The_Iron_Horse
gptkb:The_Last_Hurrah
gptkb:Cheyenne_Autumn
gptkb:The_Long_Gray_Line
gptkb:How_Green_Was_My_Valley
gptkb:The_Long_Voyage_Home
gptkb:The_Man_Who_Shot_Liberty_Valance
gptkb:The_Searchers
gptkb:The_Rising_of_the_Moon
gptkb:The_Battle_of_Midway
gptkb:The_Quiet_Man
gptkb:Stagecoach
gptkb:The_Horse_Soldiers
The Sun Shines Bright
The Wings of Eagles
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gptkbp:education
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gptkb:University_of_Southern_California
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gptkbp:film
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gptkb:1958
gptkb:The_Last_Hurrah
gptkb:Columbia_University
gptkb:University_of_Southern_California
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gptkbp:film_technique
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gptkb:Symbolism
gptkb:Realism
Epic storytelling
Character-driven narratives
Mise-en-scène
Long takes
Use of landscape
Deep focus
Cinematographic innovation
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gptkbp:filmography
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gptkb:Two_Rode_Together
gptkb:Fort_Apache
gptkb:She_Wore_a_Yellow_Ribbon
gptkb:The_Grapes_of_Wrath
gptkb:The_Informer
gptkb:The_Last_Hurrah
gptkb:Cheyenne_Autumn
gptkb:The_Long_Gray_Line
gptkb:How_Green_Was_My_Valley
gptkb:The_Man_Who_Shot_Liberty_Valance
gptkb:The_Searchers
gptkb:The_Rising_of_the_Moon
gptkb:The_Quiet_Man
gptkb:Stagecoach
gptkb:The_Horse_Soldiers
The Sun Shines Bright
The Wings of Eagles
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gptkbp:genre
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gptkb:drama
War film
Western
War Film
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gptkbp:has_child
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gptkb:John_Ford_Jr.
gptkb:Patrick_Ford
Barbara Ford
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|
https://www.w3.org/2000/01/rdf-schema#label
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John Ford
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gptkbp:influence
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gptkb:American_cinema
Western genre
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gptkbp:influenced
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gptkb:Martin_Scorsese
gptkb:American_cinema
gptkb:George_Lucas
Western genre
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gptkbp:influenced_by
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gptkb:David_Lean
gptkb:John_Wayne
gptkb:Frank_Capra
gptkb:Sergei_Eisenstein
gptkb:D._W._Griffith
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gptkbp:is_associated_with
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gptkb:United_Artists
gptkb:20th_Century_Fox
gptkb:Warner_Bros.
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gptkbp:is_known_for
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epic storytelling
cinematic landscapes
collaboration with John Wayne
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gptkbp:is_married_to
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gptkb:Mary_Ford
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gptkbp:is_recognized_for
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his use of color
his storytelling style
his character-driven narratives
his adaptations of literature
his historical films
his innovative camera techniques
his use of black and white
his war films
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gptkbp:is_remembered_for
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one of the greatest filmmakers
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gptkbp:known_for
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Cinematography
Film production
Screenwriting
Western films
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gptkbp:legacy
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gptkb:Cultural_impact
Film preservation efforts
Influence on filmmakers
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gptkbp:main_actor
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gptkb:Gregory_Peck
gptkb:Lee_Marvin
gptkb:Henry_Fonda
gptkb:John_Carradine
gptkb:John_Wayne
gptkb:Maureen_O'_Hara
gptkb:Richard_Widmark
gptkb:Victor_Mc_Laglen
gptkb:Ward_Bond
gptkb:James_M._Stewart
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gptkbp:nationality
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gptkb:American
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gptkbp:notable_work
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gptkb:The_Grapes_of_Wrath
gptkb:How_Green_Was_My_Valley
gptkb:The_Man_Who_Shot_Liberty_Valance
gptkb:The_Searchers
gptkb:Stagecoach
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gptkbp:place_of_birth
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gptkb:Cape_Elizabeth,_Maine
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gptkbp:place_of_death
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gptkb:Palm_Desert,_California
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gptkbp:posthumous_recognition
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gptkb:National_Medal_of_Science
gptkb:AFI_Life_Achievement_Award
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gptkbp:quote
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“ The best thing about a picture is that it never changes, even when the people in it do.”
“ When the legend becomes fact, print the legend.”
“ You can’t be a filmmaker without being a storyteller.”
“ A film is a lot like a marriage.”
“ I make Westerns because I like Westerns.”
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gptkbp:received
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gptkb:Presidential_Medal_of_Freedom
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gptkbp:resting_place
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gptkb:Holy_Cross_Cemetery,_Culver_City,_California,_USA
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gptkbp:signature
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John Ford's signature
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gptkbp:spouse
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gptkb:Mary_Colum
gptkb:Mary_Ford
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gptkbp:style
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Cinematography
Storytelling
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gptkbp:was
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a member of the American Academy of Arts and Letters
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gptkbp:website
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johnford.org
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gptkbp:won
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gptkb:Academy_Award_for_Best_Director
gptkb:Golden_Globe_Award_for_Best_Director
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gptkbp:won_award
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gptkb:Academy_Award_for_Best_Director
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gptkbp:works_with
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gptkb:John_Wayne
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gptkbp:bfsParent
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gptkb:Shirley_Temple
gptkb:award
gptkb:John_Wayne
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gptkbp:bfsLayer
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3
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