|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Philip_Roth
gptkb:Nicole_Kidman
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
gptkb:The_Human_Stain_(film)
Philip Roth's novel
|
|
gptkbp:artist
|
gptkb:Nick_Dudman
|
|
gptkbp:author
|
gptkb:Philip_Roth
|
|
gptkbp:awards
|
gptkb:award
Pulitzer Prize nomination
Nominated for 1 Academy Award
Pulitzer Prize nominee
|
|
gptkbp:based_on
|
The Human Stain (novel)
|
|
gptkbp:box_office
|
$7.5 million
|
|
gptkbp:character
|
gptkb:Coleman_Silk
gptkb:Faunia_Farley
gptkb:Lillian_Silk
gptkb:Nathan_Zuckerman
Miriam Silk
|
|
gptkbp:character_appearance
|
gptkb:Ann_Roth
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:John_Bailey
|
|
gptkbp:composer
|
gptkb:Philip_Glass
|
|
gptkbp:conflict
|
internal conflict
personal and societal
internal and external
societal conflict
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
discussions on identity
discussions on race
discussions on secrecy
|
|
gptkbp:design
|
gptkb:David_Gropman
|
|
gptkbp:director
|
gptkb:Robert_Benton
|
|
gptkbp:distributor
|
gptkb:Lions_Gate_Entertainment
|
|
gptkbp:editor
|
gptkb:John_Bloom
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Philip_Glass
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Massachusetts
|
|
gptkbp:filmography
|
gptkb:John_Bloom
gptkb:Anthony_Hopkins
gptkb:Nicole_Kidman
gptkb:Gary_Sinise
|
|
gptkbp:followed_by
|
gptkb:Everyman
gptkb:The_Dying_Animal
|
|
gptkbp:genre
|
gptkb:High_School
literary fiction
|
|
gptkbp:home_media_release
|
gptkb:2004
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Human Stain
|
|
gptkbp:influences
|
gptkb:James_Baldwin
gptkb:Richard_Wright
gptkb:Ralph_Ellison
gptkb:Jewish-American_literature
American literature
|
|
gptkbp:inspiration
|
gptkb:historical_figure
real-life events
personal experiences of the author
|
|
gptkbp:is_critical_for
|
American culture
social commentary
identity politics
|
|
gptkbp:isbn
|
978-0-395-72563-2
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:University
gptkb:Coleman_Silk
Jewish
|
|
gptkbp:motif
|
gptkb:Magic:_The_Gathering_set
gptkb:betrayal
gptkb:loss
gptkb:military_operation
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
symbolism
flashbacks
post-war America
characterization
|
|
gptkbp:notable_quote
|
“ The past is never dead. It's not even past.”
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
A college professor's life is turned upside down when his past is revealed.
|
|
gptkbp:preceded_by
|
gptkb:American_Pastoral
gptkb:Sabbath's_Theater
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Lions_Gate_Films
|
|
gptkbp:published_by
|
gptkb:2000
|
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin_Harcourt
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
controversial
engaging
thought-provoking
|
|
gptkbp:release_date
|
gptkb:2003
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:2003
|
|
gptkbp:runtime
|
106 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Nicholas_Meyer
|
|
gptkbp:setting
|
gptkb:United_States
1990s
|
|
gptkbp:significance
|
character study
reflects societal issues
explores race and identity
|
|
gptkbp:sound
|
gptkb:Richard_King
|
|
gptkbp:starring
|
gptkb:Anthony_Hopkins
gptkb:Nicole_Kidman
gptkb:Gary_Sinise
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
gptkb:TV_series
gptkb:vacuum_cleaner
gptkb:species
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Love
gptkb:Betrayal
gptkb:Secrets
gptkb:species
Regret
secrecy
|
|
gptkbp:visual_effects
|
MPC
|
|
gptkbp:year
|
1990s
|