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gptkbp:instance_of
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gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
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gptkb:film_adaptation
gptkb:film_adaptations
gptkb:theater
gptkb:film
gptkb:The_Human_Stain_(film)
Philip Roth's novel
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gptkbp:author
|
gptkb:Philip_Roth
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gptkbp:awards
|
gptkb:National_Book_Award
Pulitzer Prize nomination
Nominated for 1 Academy Award
Pulitzer Prize nominee
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gptkbp:based_on
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The Human Stain (novel)
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gptkbp:box_office
|
$7.5 million
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gptkbp:character
|
gptkb:Coleman_Silk
gptkb:Faunia_Farley
gptkb:Lillian_Silk
gptkb:Nathan_Zuckerman
Miriam Silk
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gptkbp:character_development
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gptkb:complex
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gptkbp:cinematography
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gptkb:John_Bailey
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gptkbp:conflict
|
internal conflict
internal and external
societal conflict
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gptkbp:costume_design
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gptkb:Ann_Roth
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_analysis
|
American culture
social commentary
identity politics
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gptkbp:critical_reception
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Mixed reviews
mixed reviews
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gptkbp:cultural_impact
|
discussions on identity
discussions on race
discussions on secrecy
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gptkbp:design
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gptkb:David_Gropman
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gptkbp:director
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gptkb:Robert_Benton
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gptkbp:distributor
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gptkb:Lions_Gate_Entertainment
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gptkbp:editing
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gptkb:John_Bloom
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gptkbp:film
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gptkb:Anthony_Hopkins
gptkb:Nicole_Kidman
gptkb:Gary_Sinise
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gptkbp:film_editing
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gptkb:John_Bloom
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gptkbp:film_festival
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gptkb:Berlin_International_Film_Festival
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
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gptkbp:film_score
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gptkb:Philip_Glass
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gptkbp:film_series
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gptkb:N/_A
|
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gptkbp:filming_location
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gptkb:Massachusetts
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gptkbp:followed_by
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gptkb:Everyman
gptkb:The_Dying_Animal
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gptkbp:genre
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gptkb:drama
literary fiction
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gptkbp:home_media_release
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gptkb:2004
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Human Stain
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gptkbp:influences
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gptkb:James_Baldwin
gptkb:Richard_Wright
gptkb:Ralph_Ellison
gptkb:Jewish-American_literature
American literature
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gptkbp:inspiration
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gptkb:historical_figures
real-life events
personal experiences of the author
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gptkbp:isbn
|
978-0-395-72563-2
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gptkbp:language
|
English
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gptkbp:literary_significance
|
character study
reflects societal issues
explores race and identity
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gptkbp:main_character
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gptkb:Coleman_Silk
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gptkbp:makeup_artist
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gptkb:Nick_Dudman
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gptkbp:motif
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gptkb:betrayal
gptkb:loss
gptkb:deception
gptkb:memory
|
|
gptkbp:music_composer
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gptkb:Philip_Glass
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gptkbp:narrative_focus
|
post-war America
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gptkbp:narrative_style
|
stream of consciousness
third-person
symbolism
flashbacks
characterization
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|
gptkbp:notable_quote
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“ The past is never dead. It's not even past.”
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|
gptkbp:page_count
|
gptkb:368
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|
gptkbp:plot
|
A college professor's life is turned upside down when his past is revealed.
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|
gptkbp:preceded_by
|
gptkb:American_Pastoral
gptkb:Sabbath's_Theater
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Lions_Gate_Films
|
|
gptkbp:protagonist
|
gptkb:Professor
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|
gptkbp:protagonist's_background
|
Jewish
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|
gptkbp:protagonist's_conflict
|
personal and societal
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|
gptkbp:published
|
gptkb:2000
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gptkbp:publisher
|
gptkb:Houghton_Mifflin_Harcourt
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gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
controversial
engaging
thought-provoking
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2003
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
Theatrical
|
|
gptkbp:release_year
|
gptkb:2003
|
|
gptkbp:runtime
|
106 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Nicholas_Meyer
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:setting_time
|
1990s
|
|
gptkbp:sound_design
|
gptkb:Richard_King
|
|
gptkbp:starring
|
gptkb:Anthony_Hopkins
gptkb:Nicole_Kidman
gptkb:Gary_Sinise
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
gptkb:race
gptkb:cosmetics
gptkb:identity
|
|
gptkbp:theme
|
gptkb:Love
gptkb:race
gptkb:Betrayal
gptkb:Secrets
gptkb:identity
Regret
secrecy
|
|
gptkbp:visual_effects
|
MPC
|
|
gptkbp:year
|
1990s
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|
gptkbp:bfsParent
|
gptkb:Nicole_Kidman
|
|
gptkbp:bfsLayer
|
3
|