|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
not adapted
The Dying Animal (film)
|
|
gptkbp:age
|
sixty
|
|
gptkbp:author
|
gptkb:Philip_Roth
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Dying Animal (novel)
The Dying Animal (novel) by Philip Roth
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:character
|
gptkb:David_Kepesh
gptkb:George
Consuela
Kepesh's father
Kepesh's mother
|
|
gptkbp:character_arc
|
static
redemption
self-discovery
regret
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
romantic
mentor-mentee
familial
|
|
gptkbp:cinematography
|
gptkb:Jürgen_Jürges
|
|
gptkbp:conflict
|
external
internal
ambiguous
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
generally positive
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
notable
influenced other works
discussed in academia
|
|
gptkbp:directed_by
|
gptkb:Bradford_Morrow
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:editor
|
gptkb:Yves_Deschamps
|
|
gptkbp:ends_at
|
open-ended
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:followed_by
|
gptkb:Everyman
|
|
gptkbp:follows
|
gptkb:The_Human_Stain
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
|
|
gptkbp:historical_context
|
gptkb:post-9/11_America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dying Animal
|
|
gptkbp:influenced_by
|
gptkb:modernism
gptkb:postmodernism
|
|
gptkbp:influences
|
gptkb:existentialism
Freudian theory
|
|
gptkbp:is_criticized_for
|
analyzed extensively
|
|
gptkbp:isbn
|
978-0618126964
978-0-375-72563-0
978-0-618-21780-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:literary_work
irony
allusion
|
|
gptkbp:main_character
|
gptkb:University
gptkb:David_Kepesh
|
|
gptkbp:motif
|
gptkb:loss
gptkb:cemetery
gptkb:artwork
love
sexuality
|
|
gptkbp:music_by
|
gptkb:Gabriel_Yared
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
|
|
gptkbp:page_count
|
192
|
|
gptkbp:precedes
|
gptkb:Everyman
|
|
gptkbp:produced_by
|
Michele Camdese
|
|
gptkbp:production_company
|
gptkb:Cineplex_Odeon_Films
gptkb:Magnolia_Pictures
gptkb:concert_tour
gptkb:Cineworld_Group_plc
gptkb:Cineworld_Group_Holdings
gptkb:Cineworld_Group_Holdings_Limited
gptkb:Cineworld_Group_Holdings_plc
gptkb:Cineworld_Group_Limited
|
|
gptkbp:published_by
|
gptkb:2001
|
|
gptkbp:published_year
|
gptkb:2001
|
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin
gptkb:Houghton_Mifflin_Harcourt
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
emotional
controversial
challenging
thought-provoking
|
|
gptkbp:related_works
|
gptkb:The_Plot_Against_America
gptkb:American_Pastoral
gptkb:Sabbath's_Theater
gptkb:Everyman
gptkb:The_Human_Stain
|
|
gptkbp:relationship
|
complicated
|
|
gptkbp:release_date
|
October 5, 2007
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
theatrical
|
|
gptkbp:release_year
|
gptkb:2007
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Philip_Roth
|
|
gptkbp:setting
|
gptkb:Borough
late 20th century
early 21st century
|
|
gptkbp:starring
|
gptkb:Ben_Kingsley
gptkb:Penélope_Cruz
gptkb:Dennis_Hopper
|
|
gptkbp:style
|
lyrical
introspective
conversational
|
|
gptkbp:symbolism
|
gptkb:mythological_figure
gptkb:artwork
relationships
sexuality
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:loss
love
aging
mortality
desire
|
|
gptkbp:themes
|
gptkb:nihilism
hedonism
|
|
gptkbp:viewpoint
|
subjective
|
|
gptkbp:bfsParent
|
gptkb:Philip_Roth
|
|
gptkbp:bfsLayer
|
3
|