|
gptkbp:instance_of
|
gptkb:book
|
|
gptkbp:adaptation
|
gptkb:Mrs._Dalloway
gptkb:stage_adaptation
|
|
gptkbp:adaptation_year
|
gptkb:2002
|
|
gptkbp:author
|
gptkb:Michael_Cunningham
|
|
gptkbp:awards
|
gptkb:Pulitzer_Prize
|
|
gptkbp:cast
|
gptkb:Julianne_Moore
gptkb:Stephen_Daldry
gptkb:Meryl_Streep
gptkb:Nicole_Kidman
|
|
gptkbp:character
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:cover_artist
|
gptkb:David_A._Johnson
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced literature
influenced film
influenced theater
|
|
gptkbp:film_editing
|
gptkb:The_Hours_(film)
|
|
gptkbp:first_edition
|
gptkb:1998
|
|
gptkbp:followed_by
|
gptkb:Specimen_Days
|
|
gptkbp:genre
|
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hours (sixth edition adaptation)
|
|
gptkbp:influenced
|
gptkb:The_Hours_(film)
|
|
gptkbp:influenced_by
|
gptkb:James_Joyce
gptkb:Virginia_Woolf
gptkb:T._S._Eliot
|
|
gptkbp:isbn
|
978-0375702418
|
|
gptkbp:language
|
English
|
|
gptkbp:motif
|
gptkb:death
gptkb:identity
gptkb:time
|
|
gptkbp:narrative
|
third-person omniscient
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:page_count
|
229
|
|
gptkbp:publication_year
|
gptkb:1998
|
|
gptkbp:published_by
|
gptkb:Fiction
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:related_to
|
postmodern literature
modernist literature
|
|
gptkbp:setting
|
gptkb:London
gptkb:Los_Angeles
gptkb:New_York_City
|
|
gptkbp:setting_time
|
1920s
1990s
|
|
gptkbp:symbolism
|
gptkb:water
flowers
the clock
|
|
gptkbp:themes
|
gptkb:feminism
suicide
mental illness
|
|
gptkbp:won_award
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Actress
|
|
gptkbp:writer
|
gptkb:David_Hare
|
|
gptkbp:bfsParent
|
gptkb:Michael_Cunningham
|
|
gptkbp:bfsLayer
|
5
|