Statements (163)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation_year |
gptkb:1997
|
| gptkbp:adaptations |
gptkb:film_adaptation
gptkb:stage_adaptation gptkb:theater gptkb:film |
| gptkbp:adapted_into |
gptkb:theater
gptkb:film |
| gptkbp:author |
gptkb:Virginia_Woolf
|
| gptkbp:available_formats |
gptkb:audiobook
ebook hardcover paperback |
| gptkbp:awards |
gptkb:none
|
| gptkbp:cast |
gptkb:Vanessa_Redgrave
gptkb:Marleen_Gorris gptkb:Natascha_Mc_Elhone gptkb:Rupert_Graves |
| gptkbp:character |
gptkb:Peter_Walsh
gptkb:Richard_Dalloway gptkb:Sally_Seton gptkb:Septimus_Warren_Smith Clarissa's daughter |
| gptkbp:character_development |
gptkb:Richard_Dalloway
gptkb:Clarissa_Dalloway gptkb:Sally_Seton gptkb:Septimus_Warren_Smith Clarissa Dalloway's reflections Septimus Warren Smith's struggles |
| gptkbp:characters |
gptkb:Peter_Walsh
gptkb:Richard_Dalloway gptkb:Sally_Seton gptkb:Rezia_Warren_Smith |
| gptkbp:contains |
social commentary
flashbacks philosophical reflections inner monologues |
| gptkbp:critical_reception |
acclaimed
widely acclaimed |
| gptkbp:cultural_impact |
influenced feminist literature
inspired other authors studied in literature courses adapted into various media inspired art and performances inspired academic essays recognized as a classic analyzed for its narrative structure influenced modernist writers discussed in psychological studies examined for its themes of time and memory influenced adaptations of literary works |
| gptkbp:discusses |
mental health issues
the passage of time gender roles mental health stigma the role of women the impact of war |
| gptkbp:explores |
gptkb:existentialism
gptkb:identity gptkb:memory post-war society |
| gptkbp:features |
gptkb:historical_context
multiple perspectives flashbacks London landmarks |
| gptkbp:first_edition |
1925 edition
|
| gptkbp:genre |
modernist literature
|
| gptkbp:has |
multiple perspectives
|
| https://www.w3.org/2000/01/rdf-schema#label |
Mrs. Dalloway
|
| gptkbp:influenced |
feminist literature
subsequent literature subsequent modernist works |
| gptkbp:influenced_by |
gptkb:Victorian_literature
gptkb:James_Joyce gptkb:Marcel_Proust gptkb:T._S._Eliot modernist writers |
| gptkbp:influences |
gptkb:Henry_James
gptkb:James_Joyce gptkb:World_War_I Virginia Woolf's life |
| gptkbp:inspired |
gptkb:literary_analysis
gptkb:literary_criticism |
| gptkbp:is |
a classic of English literature
often studied in schools considered a landmark work a critique of societal norms a significant feminist text a reflection on life and death a study of human relationships part of the modernist canon a narrative about a single day a portrayal of post-World War I society a reflection of Virginia Woolf's life experiences a work of psychological realism an exploration of consciousness |
| gptkbp:is_character_in |
gptkb:The_Tracy_Ullman_Show
|
| gptkbp:isbn |
978-0156628709
|
| gptkbp:language |
English
|
| gptkbp:length |
approximately 200 pages
|
| gptkbp:literary_significance |
pioneering modernist work
addresses themes of existentialism depicts the complexity of human relationships examines the effects of time on life explores the psyche of characters |
| gptkbp:main_character |
gptkb:Clarissa_Dalloway
gptkb:Septimus_Warren_Smith |
| gptkbp:motif |
gptkb:death
gptkb:identity gptkb:memory gptkb:war love |
| gptkbp:narrative |
non-linear
third-person omniscient |
| gptkbp:narrative_focus |
social interactions
inner thoughts |
| gptkbp:narrative_style |
stream of consciousness
non-linear non-linear narrative |
| gptkbp:notable_quote |
“ Mrs. Dalloway said she would buy the flowers herself.”
“ She felt as if she were a part of the world.” “ She would not say of any of them, ‘ I love you.’” “ For there she was.” “ It is a moment of being.” “ The most exquisite moment.” “ The thing that matters is to be alive.” “ There is an embrace in death.” “ To look life in the face.” “ What a lark! What a plunge!” |
| gptkbp:page_count |
gptkb:200
|
| gptkbp:portrayed_in |
post-World War I society
|
| gptkbp:protagonist |
gptkb:Clarissa_Dalloway
gptkb:Septimus_Warren_Smith |
| gptkbp:published |
1925
|
| gptkbp:published_by |
gptkb:Hogarth_Press
|
| gptkbp:published_in |
1925
|
| gptkbp:publisher |
gptkb:Hogarth_Press
|
| gptkbp:related_works |
gptkb:The_Waves
gptkb:To_the_Lighthouse |
| gptkbp:setting |
gptkb:London
post-World War I England |
| gptkbp:setting_time |
post-World War I
|
| gptkbp:style |
lyrical
introspective descriptive |
| gptkbp:symbolism |
gptkb:Big_Ben
flowers parties the party |
| gptkbp:theme |
gptkb:social_class
gptkb:time mental illness |
| gptkbp:themes |
gptkb:social_class
gptkb:identity gptkb:time mental illness |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:bfsParent |
gptkb:Hours_(1999)
gptkb:Virginia_Woolf gptkb:Chatto_&_Windus gptkb:Clarissa_Vaughan gptkb:The_Hours |
| gptkbp:bfsLayer |
4
|