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gptkbp:instance_of
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gptkb:book
|
|
gptkbp:adaptation
|
gptkb:Mrs._Dalloway
gptkb:stage_adaptation
gptkb:novel
gptkb:film
|
|
gptkbp:adapted_into
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gptkb:film
|
|
gptkbp:author
|
gptkb:Michael_Cunningham
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gptkbp:awards
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gptkb:Pulitzer_Prize
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|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_motivation
|
desire for connection
search for identity
struggle with societal expectations
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|
gptkbp:character_relationships
|
interconnected lives
|
|
gptkbp:critical_reception
|
acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:literary_analysis
feminist discourse
discussions on mental health
|
|
gptkbp:director
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gptkb:Stephen_Daldry
|
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gptkbp:film_editing
|
gptkb:David_Hare
|
|
gptkbp:genre
|
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Hours (first edition adaptation)
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gptkbp:influenced
|
gptkb:literature
gptkb:popular_culture
|
|
gptkbp:influenced_by
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gptkb:Mrs._Dalloway
gptkb:Virginia_Woolf
|
|
gptkbp:isbn
|
978-0375702418
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|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:narrative
|
first-person
third-person omniscient
interwoven narratives
|
|
gptkbp:narrative_style
|
stream of consciousness
flashbacks
metafiction
foreshadowing
|
|
gptkbp:pages
|
229
|
|
gptkbp:publication_year
|
gptkb:1998
|
|
gptkbp:published_by
|
gptkb:Farrar,_Straus_and_Giroux
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:setting
|
Virginia Woolf's life
|
|
gptkbp:start_location
|
gptkb:London
gptkb:Los_Angeles
gptkb:New_York_City
|
|
gptkbp:symbolism
|
gptkb:death
gptkb:time
flowers
|
|
gptkbp:themes
|
gptkb:feminism
suicide
mental illness
|
|
gptkbp:year
|
early 20th century
|
|
gptkbp:bfsParent
|
gptkb:Michael_Cunningham
|
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gptkbp:bfsLayer
|
5
|