gptkbp:instance_of
|
gptkb:book
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gptkbp:adaptation
|
gptkb:Mrs._Dalloway
annotated edition
to explore themes of depression and identity.
|
gptkbp:adapted_into
|
gptkb:film
|
gptkbp:author
|
gptkb:Michael_Cunningham
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gptkbp:available_formats
|
gptkb:audiobook
ebook
hardcover
paperback
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gptkbp:awards
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gptkb:Pulitzer_Prize
|
gptkbp:characters
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
gptkb:significant
|
gptkbp:director
|
gptkb:Stephen_Daldry
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gptkbp:film_editing
|
gptkb:David_Hare
|
gptkbp:first_edition
|
gptkb:1998
|
gptkbp:followed_by
|
gptkb:Specimen_Days
|
gptkbp:genre
|
gptkb:Fiction
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hours (annotated edition adaptation)
|
gptkbp:influenced
|
contemporary literature
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:modernism
gptkb:postmodernism
gptkb:Virginia_Woolf
gptkb:biography
gptkb:historical_fiction
gptkb:literary_criticism
feminist literature
psychological fiction
stream of consciousness writing.
|
gptkbp:isbn
|
978-0375702418
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gptkbp:language
|
English
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gptkbp:literary_significance
|
high
|
gptkbp:narrative_style
|
stream of consciousness
|
gptkbp:notable_quote
|
“ There is no greater agony than bearing an untold story inside you.”
“ For most of history, Anonymous was a woman.”
“ The only way to deal with the future is to function in the present.”
|
gptkbp:page_count
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240
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gptkbp:published_by
|
gptkb:Fiction
|
gptkbp:published_year
|
gptkb:1998
|
gptkbp:publisher
|
Knopf
|
gptkbp:release_year
|
gptkb:2002
|
gptkbp:setting
|
Virginia Woolf's life
|
gptkbp:theme
|
mental illness
|
gptkbp:bfsParent
|
gptkb:Michael_Cunningham
|
gptkbp:bfsLayer
|
5
|