|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_adaptation
|
|
gptkbp:audience
|
cult following
thought-provoking
|
|
gptkbp:awards
|
BAFTA nomination
|
|
gptkbp:based_on
|
The Homecoming (play)
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gptkbp:character
|
gptkb:Max
gptkb:Lenny
gptkb:Ruth
gptkb:Sam
gptkb:Joey
|
|
gptkbp:character_arc
|
Max's authority challenged
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_motivation
|
desire for power
|
|
gptkbp:character_relationships
|
dysfunctional family dynamics
family tensions
tense and confrontational
|
|
gptkbp:cinematography_by
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gptkb:Roger_Pratt
|
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gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_analysis
|
examined in literature studies
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced modern drama
|
|
gptkbp:cultural_significance
|
reflects societal issues
|
|
gptkbp:directed_by
|
gptkb:Matthew_Warchus
|
|
gptkbp:distributor
|
gptkb:BBC_Films
|
|
gptkbp:edited_by
|
gptkb:John_Wilson
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:focus
|
identity and belonging
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Homecoming (1999)
|
|
gptkbp:influenced_by
|
gptkb:existentialism
Pinter's other works
|
|
gptkbp:influences
|
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:inspiration
|
Harold Pinter's life experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
sharp and witty
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:music_by
|
gptkb:John_Dankworth
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:plot
|
A family reunion turns into a power struggle.
|
|
gptkbp:premiere
|
gptkb:London
|
|
gptkbp:produced_by
|
gptkb:David_Pugh
|
|
gptkbp:production_company
|
gptkb:Hampstead_Theatre
|
|
gptkbp:release_date
|
gptkb:1999
|
|
gptkbp:release_format
|
gptkb:film
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:reviews
|
analyzed by film critics
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:screenplay_by
|
gptkb:Harold_Pinter
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:starring
|
gptkb:Michael_Gambon
gptkb:David_Bradley
gptkb:Matthew_Macfadyen
gptkb:Ian_Holm
|
|
gptkbp:style
|
minimalist
|
|
gptkbp:symbolism
|
home as a battleground
|
|
gptkbp:thematic_element
|
power and control
|
|
gptkbp:theme
|
family dynamics
|
|
gptkbp:viewership
|
high
|
|
gptkbp:written_by
|
gptkb:Harold_Pinter
|
|
gptkbp:bfsParent
|
gptkb:Drama_Desk_Award_for_Outstanding_Play
|
|
gptkbp:bfsLayer
|
5
|