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gptkbp:instance_of
|
gptkb:playwright
gptkb:Screenwriter
gptkb:poet
|
|
gptkbp:active_years_end
|
gptkb:2008
|
|
gptkbp:active_years_start
|
gptkb:1957
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gptkbp:associated_act
|
gptkb:Royal_Court_Theatre
gptkb:The_National_Theatre
gptkb:The_Royal_Court_Theatre
gptkb:Theatre_Royal,_Bath
The Pinter Festival
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gptkbp:associated_with
|
gptkb:The_Royal_Shakespeare_Company
gptkb:The_Old_Vic
gptkb:The_National_Theatre
gptkb:The_Royal_Court_Theatre
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gptkbp:awarded_for
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gptkb:Nobel_Prize_in_Literature
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Olivier_Award
gptkb:Tony_Award
gptkb:Nobel_Prize_in_Literature
BAFTA Award for Best Adapted Screenplay
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|
gptkbp:biography
|
gptkb:The_Complete_Works_of_Harold_Pinter
gptkb:The_Pinter_Plays
gptkb:Pinter_at_the_Pinter
Harold Pinter: The Birthday Party and Other Plays
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gptkbp:birth_date
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1930-10-10
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gptkbp:birth_year
|
gptkb:1930
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|
gptkbp:born
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October 10, 1930
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|
gptkbp:born_in
|
gptkb:London
gptkb:Hackney
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gptkbp:child
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gptkb:Antonia_Pinter
gptkb:Kate_Pinter
gptkb:Daniel_Pinter
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|
gptkbp:children
|
gptkb:Kate_Pinter
gptkb:Daniel_Pinter
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|
gptkbp:collaborated_with
|
gptkb:David_Mamet
gptkb:John_Osborne
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|
gptkbp:contributed_to
|
gptkb:film_industry
gptkb:television
British theatre
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gptkbp:contribution
|
Pinteresque
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gptkbp:death_date
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2008-12-24
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gptkbp:death_year
|
gptkb:2008
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gptkbp:died
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December 24, 2008
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gptkbp:died_in
|
gptkb:2008
gptkb:London
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gptkbp:education
|
gptkb:Royal_Academy_of_Dramatic_Art
gptkb:London_Academy_of_Music_and_Dramatic_Art
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gptkbp:famous_for
|
The Pinter Pause
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gptkbp:famous_quote
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“ The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.”
“ I think that the theatre is a place where you can explore the human condition.”
“ There are no hard distinctions between what is real and what is unreal.”
“ I am not a playwright. I am a writer.”
“ The speech of man is not a speech of man.”
“ Words are all we have.”
“ I think that the most important thing is to be true to yourself.”
“ The theatre is a place where you can explore the human condition.”
“ The speech of man is the speech of a man.”
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gptkbp:film
|
gptkb:The_Homecoming_(2000)
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gptkbp:film_debut
|
gptkb:The_Caretaker
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gptkbp:film_editing
|
gptkb:The_Birthday_Party_(film)
gptkb:The_Homecoming_(film)
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gptkbp:first_match
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gptkb:Celebration
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gptkbp:first_play
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gptkb:The_Room
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gptkbp:focus
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Human relationships
Power dynamics
Political oppression
Memory and identity
Silence and communication
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gptkbp:founded
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gptkb:Pinter_International
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gptkbp:genre
|
gptkb:poetry
gptkb:drama
gptkb:film
Screenwriting
Absurdist theatre
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gptkbp:has_child
|
gptkb:Kate_Pinter
gptkb:Daniel_Pinter
|
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gptkbp:has_genre
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gptkb:drama
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gptkbp:has_influence_on
|
gptkb:Samuel_Beckett
gptkb:Tennessee_Williams
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gptkbp:honorary_title
|
gptkb:University_of_Leeds
gptkb:University_of_Bristol
gptkb:University_of_Cambridge
gptkb:University_of_Edinburgh
gptkb:University_of_Essex
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|
https://www.w3.org/2000/01/rdf-schema#label
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Harold Pinter
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gptkbp:influenced
|
gptkb:David_Mamet
gptkb:Caryl_Churchill
gptkb:Harold_Pinter's_Theatre
gptkb:Martin_Mc_Donagh
gptkb:Tom_Stoppard
modern drama
absurdist theater
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|
gptkbp:influenced_by
|
gptkb:James_Joyce
gptkb:Samuel_Beckett
gptkb:T._S._Eliot
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|
gptkbp:involved_in
|
Film adaptation of The Birthday Party
Film adaptation of The Caretaker
Film adaptation of The Homecoming
Screenplay for The Comfort of Strangers
Screenplay for The French Lieutenant's Woman
Screenplay for The Go-Between
Stage adaptation of The Comfort of Strangers
Stage adaptation of The French Lieutenant's Woman
Stage adaptation of The Go-Between
Television adaptation of The Birthday Party
Television adaptation of The Caretaker
Television adaptation of The Homecoming
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gptkbp:is_a_supporter_of
|
human rights advocacy
anti-war activism
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|
gptkbp:is_active_in
|
gptkb:20th_century
21st century
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gptkbp:is_married_to
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gptkb:Antonia_Fraser
gptkb:Jude_Law
gptkb:Vivien_Merchant
|
|
gptkbp:known_for
|
gptkb:No_Man's_Land
gptkb:The_Birthday_Party
gptkb:The_Birthday_Party_(1957)
gptkb:Betrayal
gptkb:The_Lover
gptkb:Betrayal_(1978)
gptkb:No_Man's_Land_(1975)
gptkb:Old_Times_(1971)
gptkb:The_Caretaker
gptkb:The_Caretaker_(1960)
gptkb:The_Dumb_Waiter
gptkb:The_Homecoming
gptkb:The_Homecoming_(1965)
gptkb:The_Hothouse_(1958)
gptkb:The_Lover_(1962)
gptkb:Theatre_of_the_Absurd
Political activism
Absurdist theatre
Use of silence
Political plays
The Hothouse
Pinteresque style
Dialogue and pauses
Themes of power and betrayal
Absurdist plays
Screenplays for films
The Dumb Waiter (1957)
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gptkbp:language
|
English
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|
gptkbp:legacy
|
gptkb:Pinter_Prize
Influence on modern theatre
Influence on modern drama
Pinteresque term in literature
Cultural references in film and literature
Pinter Theatre in London
Pinter International Conference
Pinter's exploration of memory and identity
Pinter's exploration of power dynamics
Pinter's impact on film adaptations
Pinter's influence on playwrights
Pinter's political activism
Pinter's use of language
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gptkbp:nationality
|
gptkb:British
|
|
gptkbp:notable_awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Olivier_Award
gptkb:CBE
gptkb:Evening_Standard_Theatre_Award
gptkb:BAFTA_Award_for_Best_Screenplay
gptkb:David_Cohen_Prize
gptkb:Knighthood
gptkb:BAFTA_Awards
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|
gptkbp:notable_work
|
gptkb:The_French_Lieutenant's_Woman
gptkb:The_Trial
gptkb:No_Man's_Land
gptkb:The_Servant
gptkb:The_Birthday_Party
gptkb:Betrayal
gptkb:The_Lover
gptkb:The_Caretaker
gptkb:The_Dumb_Waiter
gptkb:The_Go-Between
gptkb:The_Homecoming
gptkb:The_Collection
gptkb:The_Room
The Hothouse
The Dwarfs
Old Times
|
|
gptkbp:notable_works
|
gptkb:The_Birthday_Party
gptkb:The_Caretaker
gptkb:The_Dumb_Waiter
gptkb:The_Homecoming
|
|
gptkbp:occupation
|
gptkb:Director
gptkb:Actor
gptkb:playwright
gptkb:Screenwriter
|
|
gptkbp:place_of_birth
|
gptkb:Hackney,_London
|
|
gptkbp:place_of_death
|
gptkb:London
|
|
gptkbp:political_position
|
Anti-war activism
Criticism of the Iraq War
Support for human rights
Support for Palestinian rights
Criticism of U. S. foreign policy
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gptkbp:received
|
gptkb:Evening_Standard_Theatre_Award
gptkb:Tony_Award
gptkb:BAFTA_Awards
|
|
gptkbp:signature
|
Harold Pinter's signature
|
|
gptkbp:spouse
|
gptkb:Judi_Dench
gptkb:Antonia_Fraser
gptkb:Lady_Antonia_Fraser
gptkb:Jude_Law
gptkb:Vivien_Merchant
|
|
gptkbp:style
|
gptkb:Minimalism
gptkb:Realism
gptkb:Absurdism
gptkb:Theatre_of_the_Absurd
gptkb:Postmodernism
gptkb:Surrealism
Absurdist
|
|
gptkbp:theater
|
gptkb:Pinter's_Company
gptkb:Royal_Court_Theatre
gptkb:theater
|
|
gptkbp:thematic_element
|
gptkb:Isolation
gptkb:Memory
gptkb:Violence
gptkb:Deception
gptkb:Silence
gptkb:identity
Existentialism
Absurdity
Human relationships
Power dynamics
Communication breakdown
|
|
gptkbp:was_educated_at
|
gptkb:King's_College,_London
|
|
gptkbp:won
|
gptkb:Pulitzer_Prize_for_Non-Fiction_1976
gptkb:Nobel_Prize_in_Literature
|
|
gptkbp:won_award
|
gptkb:Nobel_Prize_in_Literature
|
|
gptkbp:wrote
|
gptkb:The_Birthday_Party
gptkb:The_Birthday_Party_and_Other_Plays
gptkb:The_Caretaker
gptkb:The_Dumb_Waiter
gptkb:The_Homecoming
|
|
gptkbp:bfsParent
|
gptkb:National_Medal_of_Science
|
|
gptkbp:bfsLayer
|
2
|