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gptkbp:instanceOf
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novel
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|
gptkbp:adaptation
|
gptkb:television_series
1963
1997
film
theatre
|
|
gptkbp:author
|
gptkb:Henry_Fielding
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gptkbp:character
|
gptkb:Tom_Jones
|
|
gptkbp:critical_reception
|
well-received
controversial at publication
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gptkbp:cultural_impact
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studied in literature courses
reference in popular culture
influenced modern novels
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gptkbp:genre
|
picaresque novel
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|
https://www.w3.org/2000/01/rdf-schema#label
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The History of Tom Jones, a Foundling
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gptkbp:influence
|
gptkb:Charles_Dickens
gptkb:Jane_Austen
|
|
gptkbp:influenced
|
gptkb:The_Adventures_of_Huckleberry_Finn
The Great Gatsby
The Catcher in the Rye
|
|
gptkbp:ISBN
|
978-0140431447
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|
gptkbp:language
|
English
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gptkbp:narrativeStyle
|
satire
irony
third-person omniscient
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|
gptkbp:notableFeature
|
gptkb:Sophia_Western
gptkb:Squire_Allworthy
gptkb:Lady_Bellaston
gptkb:Mr._Partridge
Blifil
|
|
gptkbp:notableQuote
|
“A man may be a fool and not know it, but not if he is married.”
“The world is a stage, and we are all actors.”
“The greatest of all evils is to be a coward.”
“Love_is_a_great_master.”
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|
gptkbp:pageCount
|
approximately 400
|
|
gptkbp:publishedBy
|
1749
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|
gptkbp:publisher
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gptkb:A._Millar
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gptkbp:setting
|
gptkb:England
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gptkbp:theme
|
love
identity
social class
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