|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:based_on
|
short story by Giovanni Verga
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography_by
|
gptkb:Tonino_Delli_Colli
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:Italian_cinema
Pasolini's work
|
|
gptkbp:director
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:distributor
|
Cineriz
|
|
gptkbp:edited_by
|
gptkb:Nino_Baragli
|
|
gptkbp:follows
|
gptkb:The_Gospel_According_to_St._Matthew
|
|
gptkbp:genre
|
gptkb:comedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hawks and the Sparrows
|
|
gptkbp:influences
|
gptkb:Italian_neorealism
gptkb:theater
surrealism
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_by
|
gptkb:Ennio_Morricone
|
|
gptkbp:notable_quote
|
" The world is a stage"
" We are all actors"
" Life is a dream"
" Reality is a performance"
" The truth is a story"
|
|
gptkbp:precedes
|
gptkb:Salo,_or_the_120_Days_of_Sodom
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:starring
|
gptkb:Totò
gptkb:Ciccio_Ingrassia
gptkb:Silvana_Mangano
gptkb:Franco_Citti
gptkb:Ninetto_Davoli
|
|
gptkbp:themes
|
gptkb:religion
class struggle
social commentary
human nature
|
|
gptkbp:bfsParent
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:bfsLayer
|
5
|