|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:adaptation
|
None.
|
|
gptkbp:awards
|
Best Director at Venice.
|
|
gptkbp:box_office
|
Moderate success.
|
|
gptkbp:character
|
The Father.
The Son.
|
|
gptkbp:cinematography
|
gptkb:Tonino_Delli_Colli
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
Cult classic.
|
|
gptkbp:cultural_impact
|
Influenced later Italian cinema.
|
|
gptkbp:cultural_significance
|
Explores themes of freedom.
Addresses existential questions.
Critiques modernity.
Examines human relationships.
Reflects Italian society of the 1960s.
|
|
gptkbp:director
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:distributor
|
Cineriz
|
|
gptkbp:editor
|
gptkb:Nino_Baragli
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
|
|
gptkbp:home_media_release
|
DVD.
Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Uccellacci e uccellini
|
|
gptkbp:influenced_by
|
Philosophy.
Italian literature.
Brechtian theatre.
|
|
gptkbp:influences
|
Italian neorealism.
|
|
gptkbp:inspiration
|
Artistic movements.
Theatre productions.
Various filmmakers.
The novel ' The Birds' by Aristophanes.
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
Considered a masterpiece.
|
|
gptkbp:music
|
gptkb:Ennio_Morricone
|
|
gptkbp:narrative_style
|
Surreal.
|
|
gptkbp:notable_quote
|
“ The birds are a symbol of freedom.”
|
|
gptkbp:plot
|
A philosophical journey of a father and son.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:remake
|
None.
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:setting
|
Rural Italy.
|
|
gptkbp:starring
|
gptkb:Totò
gptkb:Ninetto_Davoli
|
|
gptkbp:streaming_platforms
|
Various platforms.
|
|
gptkbp:symbolism
|
Nature.
Birds.
Society.
|
|
gptkbp:themes
|
Existentialism.
Social commentary.
Humanism.
|
|
gptkbp:viewing_platform
|
Theatrical release.
|
|
gptkbp:bfsParent
|
gptkb:Totò
|
|
gptkbp:bfsLayer
|
5
|