|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
|
|
gptkbp:based_on
|
The Godfather by Mario Puzo
|
|
gptkbp:box_office
|
57 million USD
$57.3 million
|
|
gptkbp:budget
|
$13 million
13 million USD
|
|
gptkbp:cinematography
|
gptkb:Gordon_Willis
|
|
gptkbp:color
|
gptkb:color
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Highly acclaimed
highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:Significant
considered one of the greatest films of all time
|
|
gptkbp:depicts
|
gptkb:Police_Department
family dynamics
|
|
gptkbp:directed_by
|
gptkb:Francis_Ford_Coppola
|
|
gptkbp:director
|
gptkb:Francis_Ford_Coppola
|
|
gptkbp:editor
|
gptkb:Carmine_Coppola
|
|
gptkbp:features
|
gptkb:Al_Pacino
gptkb:Lee_Strasberg
gptkb:Robert_De_Niro
gptkb:Robert_Duvall
gptkb:Michael_V._Gazzo
gptkb:Diane_Keaton
gptkb:John_Marley
gptkb:Talia_Shire
gptkb:G._D._Spradlin
flashbacks
|
|
gptkbp:follows
|
gptkb:Michael_Corleone
gptkb:Vito_Corleone
|
|
gptkbp:franchise
|
gptkb:The_Godfather_series
|
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
|
|
gptkbp:has_sequel
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:award
gptkb:historical_event
gptkb:Isolation
gptkb:Survival
gptkb:Violence
gptkb:Revenge
gptkb:Trust
gptkb:American_Dream
gptkb:Ambition
gptkb:Betrayal
gptkb:Greed
gptkb:military_base
gptkb:Power_struggles
gptkb:archaeological_site
gptkb:loyalty_program
gptkb:military_conflict
gptkb:superhero
gptkb:Fear
gptkb:Wealth
gptkb:Fate
gptkb:Sacrifice
gptkb:legal_case
Immigration
Consequences
Moral ambiguity
Choice
Family business
Desperation
Family ties
Crime and punishment
Family loyalty
Family vs. business
Tradition vs. change
Power vs. morality
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Godfather II
|
|
gptkbp:influenced
|
gptkb:television_series
many films
|
|
gptkbp:influenced_by
|
gptkb:The_Godfather
Italian-American culture
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Nino_Rota
|
|
gptkbp:music_by
|
gptkb:Nino_Rota
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:The_Godfather_franchise
|
|
gptkbp:precedes
|
gptkb:The_Godfather_Part_III
|
|
gptkbp:predecessor
|
gptkb:The_Godfather
|
|
gptkbp:produced_by
|
gptkb:Francis_Ford_Coppola
gptkb:Fred_Roos
gptkb:Gray_Frederickson
|
|
gptkbp:release_date
|
December 12, 1974
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released
|
gptkb:1974
|
|
gptkbp:runtime
|
202 minutes
200 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
|
|
gptkbp:sequel
|
gptkb:The_Godfather
|
|
gptkbp:set_in
|
gptkb:Borough
gptkb:Cuba
1950s
1960s
|
|
gptkbp:starring
|
gptkb:Al_Pacino
gptkb:Robert_De_Niro
gptkb:Robert_Duvall
gptkb:Diane_Keaton
|
|
gptkbp:successor
|
gptkb:The_Godfather_Part_III
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:Police_Department
gptkb:superhero
gptkb:family
|
|
gptkbp:bfsParent
|
gptkb:The_Godfather:_The_Game
gptkb:Golden_Globe_for_Best_Motion_Picture_-Drama
gptkb:Best_Adapted_Screenplay_Academy_Award
gptkb:Atari_SA
gptkb:Garry_Schyman
|
|
gptkbp:bfsLayer
|
4
|