Statements (701)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_universe
gptkb:novel gptkb:Professional_Wrestler gptkb:film gptkb:film_series |
| gptkbp:bfsLayer |
2
|
| gptkbp:bfsParent |
gptkb:award
|
| gptkbp:adaptation |
gptkb:musical
gptkb:theatre gptkb:The_Godfather:_The_Game gptkb:video_game gptkb:video_game_series gptkb:The_Godfather:_The_Don's_Edition gptkb:The_Godfather:_The_Musical graphic novels The Godfather novel The Godfather (film) a radio play The Godfather: Part II (video game) |
| gptkbp:adapted_into |
gptkb:musical
gptkb:video_game gptkb:video_game_series gptkb:film graphic novels a series of novels |
| gptkbp:affiliation |
gptkb:Nation_of_Domination
gptkb:WWE |
| gptkbp:artist |
gptkb:Nino_Rota
|
| gptkbp:author |
gptkb:Mario_Puzo
|
| gptkbp:awarded_by |
gptkb:Best_Picture_Academy_Award
gptkb:Best_Actor_Academy_Award gptkb:Best_Adapted_Screenplay_Academy_Award |
| gptkbp:awards |
gptkb:National_Film_Registry
gptkb:award gptkb:Academy_Award_for_Best_Actor gptkb:Academy_Award_for_Best_Adapted_Screenplay gptkb:Academy_Award_for_Best_Picture gptkb:Best_Actor gptkb:Best_Picture_(Academy_Awards) gptkb:AFI's_100_Years...100_Movies Best Adapted Screenplay Best Picture 3 Academy Awards Best Supporting Actor (Academy Awards) for Joe Pesci Best Actor (Academy Awards) for Marlon Brando Best Adapted Screenplay (Academy Awards) Best Supporting Actor (Academy Awards) for Robert Duvall Best Actor for Marlon Brando |
| gptkbp:based_on |
gptkb:novel
The Godfather (novel) The Godfather by Mario Puzo novel by Mario Puzo Novel by Mario Puzo The Godfather (novel) by Mario Puzo |
| gptkbp:birth_date |
January 1, 1961
January 16, 1971 |
| gptkbp:birth_place |
gptkb:Los_Angeles,_California
gptkb:Los_Angeles,_California,_USA |
| gptkbp:born |
January 1, 1961
|
| gptkbp:box_office |
$250 million
250-291 million USD $250-291 million $246-291 million Over $250 million worldwide |
| gptkbp:budget |
6 million USD
$6-7 million |
| gptkbp:cast |
gptkb:Marlon_Brando
gptkb:Al_Pacino gptkb:Robert_Duvall gptkb:Diane_Keaton gptkb:James_Caan |
| gptkbp:championship |
gptkb:WWF_Championship
|
| gptkbp:championships_won |
gptkb:WWE_Tag_Team_Championship
gptkb:sports_event |
| gptkbp:character |
gptkb:Joey_Zasa
gptkb:Sollozzo gptkb:Carlo_Rizzi gptkb:Carmen_'_The_Beast'_Scarpaci gptkb:Anthony_Corleone gptkb:Hyman_Roth gptkb:Michael_Corleone gptkb:Rocco_Lampone gptkb:Kay_Adams gptkb:Vito_Corleone gptkb:Connie_Corleone gptkb:Fredo_Corleone gptkb:Tessio gptkb:Mary_Corleone gptkb:Carmine_Sabatini gptkb:Frank_Pentangeli gptkb:Moe_Greene gptkb:Johnny_Fontane gptkb:Sonny_Corleone gptkb:Tom_Hagen gptkb:Apollonia_Vitelli gptkb:Senator_Geary gptkb:Al_Neri gptkb:Barzini gptkb:Clemenza gptkb:Genco_Abbandando gptkb:Luca_Brasi gptkb:Senator_Pat_Geary gptkb:Vincent_Mancini gptkb:Salvatore_Tessio gptkb:Mikey_Corleone Fabrizio Michael's children Mc Cluskey |
| gptkbp:character_arc |
Michael Corleone's transformation
Vito Corleone's rise to power |
| gptkbp:character_development |
complex characters
Michael Corleone's transformation Vito Corleone's rise to power |
| gptkbp:cinematography |
gptkb:Gordon_Willis
|
| gptkbp:color |
gptkb:Technicolor
|
| gptkbp:composer |
gptkb:Nino_Rota
|
| gptkbp:conflict |
Mafia wars
family betrayal |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:created_by |
gptkb:Mario_Puzo
|
| gptkbp:critical_reception |
Highly acclaimed
widely acclaimed Widely acclaimed highly acclaimed Considered one of the greatest films of all time considered one of the greatest films included in the National Film Registry cited in AFI's 100 Years...100 Movies |
| gptkbp:cultural_impact |
gptkb:Significant
gptkb:significant gptkb:American_cinema gptkb:American_Film_Institute's_100_Years...100_Movies gptkb:AFI's_10_Top_10_-#2_Gangster_Film influence on music Considered one of the greatest films of all time influence on literature inspired video games Referenced in popular culture inspired merchandise iconic quotes influence on art inspired academic studies inspired theme park attractions inspired television series influence on music videos parodied in various media influence on theater considered one of the greatest films of all time influence on video games influential in cinema influence on television influence on fashion influence on filmmakers influence on writers influential film influence on actors influential in film history Influential in film history influenced many films Mafia genre influential in popular culture Iconic quotes and scenes influence on memes parodies and references Influenced many films cited as one of the greatest films of all time influence on parodies inspired documentaries about mafia Highly influential in cinema Defined the gangster genre Legacy of sequels and adaptations Iconic in American cinema Influenced many films and television series influence on catchphrases influence on quotes influence on references in art pieces influence on references in books influence on references in comics influence on references in fashion trends influence on references in music genres influence on references in other films influence on references in songs influence on references in television shows influence on references in theater productions influence on references in video games |
| gptkbp:cultural_references |
numerous films and TV shows
parodied in various media The Godfather characters The Godfather quotes The Godfather scenes |
| gptkbp:cultural_significance |
gptkb:American_cinema
gptkb:Iconic iconic status Considered one of the greatest films of all time explores themes of power and corruption influenced many filmmakers considered one of the greatest films of all time influential in film history reflects societal issues of the time examines family dynamics reference in other media depicts the American Dream |
| gptkbp:debut_year |
gptkb:1990
gptkb:1992 gptkb:1994 gptkb:Don_Vito_Corleone's_office gptkb:Score_by_Nino_Rota gptkb:Wedding_of_Connie_Corleone Amerigo Bonasera's plea for justice Cinematography by Gordon Willis Dialogue-driven narrative Establishes tone and style Foreshadowing of future events Introduction of the Corleone family Symbolism of the cat in Vito's lap Themes of power and loyalty Use of Italian-American culture |
| gptkbp:defeated |
gptkb:The_Big_Show
|
| gptkbp:directed_by |
gptkb:Francis_Ford_Coppola
|
| gptkbp:director |
gptkb:Francis_Ford_Coppola
gptkb:Albert_S._Ruddy |
| gptkbp:distributor |
gptkb:Paramount_Pictures
|
| gptkbp:edited_by |
gptkb:William_H._Reynolds
gptkb:Peter_Zinner gptkb:William_Reynolds |
| gptkbp:editor |
gptkb:William_H._Reynolds
gptkb:Peter_Zinner |
| gptkbp:explores |
Crime and Family
|
| gptkbp:famous_quote |
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli. " I'm gonna make him an offer he can't refuse." " Leave the gun, take the cannoli." |
| gptkbp:features |
gptkb:Michael_Corleone
gptkb:Marlon_Brando gptkb:Kay_Adams gptkb:betrayal gptkb:loyalty gptkb:revenge gptkb:Al_Pacino gptkb:Police_Department gptkb:Robert_Duvall gptkb:Vito_Corleone gptkb:Diane_Keaton gptkb:James_Caan gptkb:Sonny_Corleone gptkb:Tom_Hagen gptkb:power_struggles violence family loyalty family dynamics Mafia families 1950s to 1960s America |
| gptkbp:features_character |
gptkb:Michael_Corleone
gptkb:Kay_Adams gptkb:Vito_Corleone gptkb:Sonny_Corleone gptkb:Tom_Hagen the orange the horse's head |
| gptkbp:feud |
gptkb:Val_Venis
gptkb:The_Undertaker gptkb:D'_Lo_Brown |
| gptkbp:fighting_style |
Brawler
|
| gptkbp:film_score |
gptkb:R
9.2/10 |
| gptkbp:film_series |
gptkb:The_Godfather_trilogy
gptkb:The_Godfather_Trilogy |
| gptkbp:filming_location |
gptkb:Borough
gptkb:Lake_Tahoe gptkb:Politician gptkb:St._Patrick's_Old_Cathedral Coppola's house New York City locations Coppola's family home |
| gptkbp:filmography |
gptkb:Marlon_Brando
gptkb:William_H._Reynolds gptkb:Peter_Zinner gptkb:The_Scorpion_King gptkb:1972 gptkb:Al_Pacino gptkb:Carmine_Coppola gptkb:Diane_Keaton gptkb:James_Caan gptkb:Mac_Gruber gptkb:The_Longest_Yard gptkb:The_Wash 175 minutes 1940s America |
| gptkbp:finale_date |
gptkb:2010
|
| gptkbp:finish |
Pimp Drop
|
| gptkbp:first_published |
gptkb:1969
|
| gptkbp:followed_by |
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II |
| gptkbp:follows |
gptkb:The_Corleone_family
gptkb:The_Godfather_Part_II gptkb:the_Corleone_family gptkb:The_Corleone_Family the story of the Corleone family |
| gptkbp:franchise |
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II gptkb:The_Godfather_franchise gptkb:The_Godfather_(franchise) |
| gptkbp:genre |
gptkb:Detective
gptkb:Police_Department gptkb:High_School gptkb:Nino_Rota Crime Fiction crime drama crime film |
| gptkbp:gimmick |
Pimp
|
| gptkbp:has |
cultural references
memorable characters I'm gonna make him an offer he can't refuse. iconic quotes Leave the gun, take the cannoli. complex narrative It's not personal, it's strictly business. A man who doesn't spend time with his family can never be a real man. " I'm gonna make him an offer he can't refuse." " It's not personal, it's strictly business." " Leave the gun, take the cannoli." " A man who doesn't spend time with his family can never be a real man." " Revenge is a dish best served cold." You can't refuse a request from the Godfather. |
| gptkbp:has_cameo |
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo |
| gptkbp:has_catchphrase |
Pimpin' Ain't Easy
|
| gptkbp:has_character |
gptkb:Anthony_Corleone
|
| gptkbp:has_genre |
gptkb:High_School
crime film |
| gptkbp:has_influence_on |
gptkb:organization
|
| gptkbp:has_merchandise |
gptkb:video_game
gptkb:museum gptkb:novel gptkb:item soundtracks board games |
| gptkbp:has_sequel |
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II gptkb:The_Godfather_Coda:_The_Death_of_Michael_Corleone |
| gptkbp:has_song |
gptkb:The_Godfather_soundtrack
gptkb:The_Godfather_(soundtrack) |
| gptkbp:has_spin_off |
gptkb:The_Sopranos
gptkb:The_Irishman |
| gptkbp:has_theme |
gptkb:TV_series
gptkb:award gptkb:historical_event gptkb:justice gptkb:moral_ambiguity gptkb:revenge gptkb:Police_Department gptkb:Saint gptkb:American_Dream gptkb:Betrayal gptkb:the_American_mafia gptkb:archaeological_site gptkb:loyalty_program gptkb:superhero gptkb:family the nature of power family loyalty the importance of family the consequences of choices the struggle for power the duality of man the importance of respect the role of fate the role of women the complexity of morality the search for identity the conflict between tradition and modernity the nature of evil the immigrant experience the consequences of ambition loyalty vs. betrayal the impact of crime on society the impact of violence on society the cost of ambition the nature of loyalty the struggle for respect the struggle for power and control the importance of family ties the impact of crime on family violence and consequences the complexity of family relationships the impact of crime on the individual the impact of tradition on identity the nature of family loyalty the role of honor in crime the role of violence in society |
| gptkbp:height |
6 ft 2 in
6 ft 5 in |
| gptkbp:historical_context |
reflects 20th-century America
|
| gptkbp:home_media_release |
gptkb:DJ
gptkb:film VHS, DVD, Blu-ray 4 K Ultra HD |
| https://www.w3.org/2000/01/rdf-schema#label |
The Godfather
|
| gptkbp:influence |
gptkb:Actor
gptkb:American_cinema gptkb:Author gptkb:Film_Director American culture Mafia culture cultural discussions on organized crime |
| gptkbp:influenced |
gptkb:musical
gptkb:The_Wire gptkb:Narcos gptkb:The_Sopranos gptkb:Goodfellas gptkb:television_series gptkb:theatre gptkb:Breaking_Bad gptkb:The_Departed gptkb:Video_games gptkb:film_production_company gptkb:Author gptkb:Casino gptkb:The_Irishman gptkb:Boardwalk_Empire gptkb:Peaky_Blinders gptkb:Scarface gptkb:video_game gptkb:literary_work gptkb:artwork gptkb:organization Popular Culture film noir Numerous films video game narratives Film editing techniques film noir genre crime novels literature about organized crime subsequent gangster films Portrayal of organized crime mafia films future crime dramas subsequent crime novels Character archetypes in cinema directors like Martin Scorsese filmmakers and writers storytelling in cinema film-making techniques Filmmaking and storytelling Mafia representation in media television series about organized crime Cinematic portrayals of family dynamics music referencing mafia themes video games about crime the gangster genre the portrayal of mafia in media Character development in film narratives Cinematic depictions of power dynamics Cinematic exploration of morality and ethics Cinematic music scores Cinematic pacing and tension building Cinematic use of symbolism and motifs Cultural perceptions of the Mafia Dialogue writing in screenplays Fashion and style in film characters Film-making techniques Narrative structure in storytelling Portrayal of masculinity in film Themes of betrayal and revenge in storytelling Themes of family and loyalty in storytelling Use of anti-heroes in cinema |
| gptkbp:influenced_by |
gptkb:Film_noir
Italian-American culture film noir Mafia culture American crime films Mafia history American gangster films Mafia films |
| gptkbp:influences |
gptkb:American_cinema
pop culture |
| gptkbp:inspiration |
gptkb:television_series
gptkb:The_Godfather_video_game gptkb:The_Godfather_musical gptkb:Italian-American_mafia Various video games Italian-American mafia culture Numerous parodies |
| gptkbp:inspired |
gptkb:The_Sopranos
gptkb:Goodfellas gptkb:television_series gptkb:The_Godfather_Part_III gptkb:documentaries gptkb:fandom gptkb:The_Irishman gptkb:Scarface gptkb:The_Godfather_Part_II gptkb:The_Godfather:_The_Game gptkb:video_game gptkb:literary_work gptkb:item gptkb:film board games stage adaptations parodies cultural critiques numerous parodies Numerous parodies and references in popular culture documentaries about organized crime numerous parodies and references numerous video games merchandising and collectibles parodies and references literature on organized crime academic studies on crime and morality |
| gptkbp:inspired_by |
gptkb:real_Mafia_families
real-life mafia figures |
| gptkbp:is |
a story of survival
a bestseller a story of legacy a story of tradition a story of ambition a story of the American Dream a story of identity a classic novel a story of redemption a story of love and loss a story of moral ambiguity a story of revenge a story of betrayal a story of justice a story of sacrifice a story of family dynamics a story of loyalty and betrayal a landmark in American cinema a landmark in American literature a story of crime and punishment a story of crime families a story of power struggles a story of the American Mafia a story of the immigrant experience |
| gptkbp:is_aligned_with |
gptkb:Face
|
| gptkbp:is_cited_in |
cultural references
|
| gptkbp:is_considered |
gptkb:memorial
Classic Novel |
| gptkbp:is_considered_as |
one of the greatest films of all time
|
| gptkbp:is_critical_for |
examined in academic studies
|
| gptkbp:is_known_for |
Opening scene sound design
|
| gptkbp:is_promoted_by |
gptkb:Ohio_Valley_Wrestling
gptkb:API gptkb:WCW gptkb:ECW gptkb:NWA gptkb:WWE USWA |
| gptkbp:language |
English
|
| gptkbp:legacy |
considered one of the greatest films of all time
cited in film studies cultural references in various media inspired filmmakers influenced the gangster genre |
| gptkbp:main_character |
gptkb:Michael_Corleone
gptkb:Vito_Corleone |
| gptkbp:manager |
gptkb:Tamina_Snuka
|
| gptkbp:media_appearances |
gptkb:television_series
gptkb:The_Tonight_Show_with_Jay_Leno gptkb:The_X-Files gptkb:Celebrity_Deathmatch |
| gptkbp:music_by |
gptkb:Nino_Rota
|
| gptkbp:narrative_style |
third-person
non-linear storytelling third-person omniscient |
| gptkbp:nesting |
Sequels
|
| gptkbp:nickname |
The Goodfather
|
| gptkbp:notable_appearance |
the final scene
the restaurant scene the wedding scene the baptism scene the horse head scene |
| gptkbp:notable_character |
gptkb:Michael_Corleone
gptkb:Kay_Adams gptkb:Vito_Corleone gptkb:Sonny_Corleone gptkb:Tom_Hagen |
| gptkbp:notable_inductees |
gptkb:2016
gptkb:Hall_of_Fame |
| gptkbp:notable_match |
gptkb:1990
WWF Superstars |
| gptkbp:notable_quote |
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli. A man who doesn't spend time with his family can never be a real man. " I'm gonna make him an offer he can't refuse." " It's not personal, it's strictly business." " Leave the gun, take the cannoli." " A man who doesn't spend time with his family can never be a real man." “ A man who doesn't spend time with his family can never be a real man.” “ I'm gonna make him an offer he can't refuse.” |
| gptkbp:parody |
gptkb:The_Sopranos
gptkb:television_series gptkb:Family_Guy |
| gptkbp:part_of |
gptkb:WWE_Attitude_Era
gptkb:The_Godfather_trilogy |
| gptkbp:precedes |
gptkb:The_Godfather_Part_III
|
| gptkbp:premiere |
gptkb:Borough
|
| gptkbp:premiered_on |
gptkb:Borough
|
| gptkbp:produced_by |
gptkb:Albert_S._Ruddy
|
| gptkbp:producer |
gptkb:Albert_S._Ruddy
|
| gptkbp:production_company |
gptkb:Paramount_Pictures
|
| gptkbp:published_by |
gptkb:1969
|
| gptkbp:publisher |
gptkb:G._P._Putnam's_Sons
|
| gptkbp:rating |
97%
|
| gptkbp:real_name |
gptkb:Charles_Wright
|
| gptkbp:release_date |
gptkb:1972
2008-09-23 1972-03-24 March 24, 1972 |
| gptkbp:release_format |
gptkb:DJ
gptkb:film Theatrical theatrical restored version |
| gptkbp:release_region |
gptkb:United_States
|
| gptkbp:release_year |
gptkb:1972
|
| gptkbp:released |
gptkb:1972
gptkb:DJ March 24, 1972 |
| gptkbp:released_in |
gptkb:1972
|
| gptkbp:remake |
gptkb:None
gptkb:The_Godfather_Part_III gptkb:The_Godfather:_Part_III gptkb:The_Godfather_(musical) gptkb:The_Godfather_(video_game) gptkb:The_Godfather:_Part_II The Godfather: Part III (1990) |
| gptkbp:remastered |
gptkb:2008
gptkb:2022 gptkb:film special features remastered audio newly restored video |
| gptkbp:retired |
gptkb:2010
gptkb:2019 |
| gptkbp:retirement_year |
gptkb:2002
gptkb:2010 |
| gptkbp:ring_name |
gptkb:1992
gptkb:The_Godfather |
| gptkbp:rival |
gptkb:Val_Venis
|
| gptkbp:runtime |
175 minutes
|
| gptkbp:sales |
over 21 million copies
|
| gptkbp:screenings |
gptkb:film_festival
|
| gptkbp:screenplay_by |
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo Mario Puzo and Francis Ford Coppola |
| gptkbp:sequel |
gptkb:The_Godfather_Part_III
gptkb:The_Sicilian gptkb:The_Godfather_Part_II |
| gptkbp:series |
gptkb:The_Godfather_series
|
| gptkbp:set_in |
gptkb:Borough
1940s 1940s and 1950s |
| gptkbp:setting |
gptkb:Borough
|
| gptkbp:signature_move |
gptkb:rally
The Ho Train |
| gptkbp:sound |
gptkb:Walter_Murch
|
| gptkbp:starring |
gptkb:Marlon_Brando
gptkb:Al_Pacino gptkb:Sterling_Hayden gptkb:Robert_Duvall gptkb:Diane_Keaton gptkb:Abe_Vigoda gptkb:James_Caan gptkb:Richard_S._Castellano gptkb:Al_Lettieri |
| gptkbp:symbolism |
gptkb:American_cinema
family and loyalty the American Dream violence and power family as a business the corrupting influence of power the Godfather figure |
| gptkbp:team |
WWE Tag Team Champion
Kama Mustafa |
| gptkbp:theme |
gptkb:Police_Department
gptkb:superhero gptkb:family family loyalty Family loyalty power and corruption mafia |
| gptkbp:themes |
gptkb:betrayal
gptkb:loyalty gptkb:Police_Department gptkb:superhero gptkb:family gptkb:The_Godfather_Waltz family loyalty crime and morality power and family |
| gptkbp:title |
gptkb:The_Godfather
WWE Intercontinental Champion |
| gptkbp:training |
gptkb:Al_Snow
|
| gptkbp:translated_into |
multiple languages
|
| gptkbp:weight |
285 lb
|
| gptkbp:winner |
gptkb:Academy_Award_for_Best_Picture
|
| gptkbp:written_by |
gptkb:Mario_Puzo
|