|
gptkbp:instance_of
|
gptkb:fictional_universe
gptkb:novel
gptkb:Professional_Wrestler
gptkb:film
gptkb:film_series
|
|
gptkbp:adaptation
|
gptkb:video_games
gptkb:The_Godfather:_The_Game
gptkb:The_Godfather:_The_Don's_Edition
gptkb:The_Godfather:_The_Musical
gptkb:stage_play
graphic novels
The Godfather novel
The Godfather (film)
a radio play
The Godfather: Part II (video game)
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:video_games
gptkb:video_game_series
gptkb:film
graphic novels
a series of novels
|
|
gptkbp:affiliation
|
gptkb:Nation_of_Domination
gptkb:WWE
|
|
gptkbp:author
|
gptkb:Mario_Puzo
|
|
gptkbp:awarded_for
|
gptkb:Best_Picture_Academy_Award
gptkb:Best_Actor_Academy_Award
gptkb:Best_Adapted_Screenplay_Academy_Award
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Picture
gptkb:Best_Actor
gptkb:Best_Picture_(Academy_Awards)
gptkb:Academy_Awards
gptkb:Golden_Globe_Award
Best Adapted Screenplay
Best Picture
Best Supporting Actor (Academy Awards) for Joe Pesci
Best Actor (Academy Awards) for Marlon Brando
Best Adapted Screenplay (Academy Awards)
Best Supporting Actor (Academy Awards) for Robert Duvall
|
|
gptkbp:based_on
|
The Godfather (novel)
The Godfather by Mario Puzo
novel by Mario Puzo
Novel by Mario Puzo
The Godfather (novel) by Mario Puzo
|
|
gptkbp:birth_date
|
January 1, 1961
January 16, 1971
|
|
gptkbp:birth_place
|
gptkb:Los_Angeles,_California
gptkb:Los_Angeles,_California,_USA
|
|
gptkbp:born_on
|
January 1, 1961
|
|
gptkbp:box_office
|
$250 million
250-291 million USD
$250-291 million
$246-291 million
Over $250 million worldwide
|
|
gptkbp:budget
|
6 million USD
$6-7 million
|
|
gptkbp:cast
|
gptkb:Marlon_Brando
gptkb:Al_Pacino
gptkb:Robert_Duvall
gptkb:Diane_Keaton
gptkb:James_Caan
|
|
gptkbp:championship
|
gptkb:WWF_Championship
|
|
gptkbp:championships_won
|
gptkb:WWE_Tag_Team_Championship
gptkb:WWE_Championship
|
|
gptkbp:character
|
gptkb:Joey_Zasa
gptkb:Sollozzo
gptkb:Carlo_Rizzi
gptkb:Carmen_'_The_Beast'_Scarpaci
gptkb:Anthony_Corleone
gptkb:Hyman_Roth
gptkb:Michael_Corleone
gptkb:Rocco_Lampone
gptkb:Kay_Adams
gptkb:Vito_Corleone
gptkb:Connie_Corleone
gptkb:Fredo_Corleone
gptkb:Tessio
gptkb:Mary_Corleone
gptkb:Carmine_Sabatini
gptkb:Frank_Pentangeli
gptkb:Moe_Greene
gptkb:Johnny_Fontane
gptkb:Sonny_Corleone
gptkb:Tom_Hagen
gptkb:Apollonia_Vitelli
gptkb:Senator_Geary
gptkb:Al_Neri
gptkb:Barzini
gptkb:Clemenza
gptkb:Genco_Abbandando
gptkb:Luca_Brasi
gptkb:Senator_Pat_Geary
gptkb:Vincent_Mancini
gptkb:Salvatore_Tessio
gptkb:Mikey_Corleone
Fabrizio
Michael's children
Mc Cluskey
|
|
gptkbp:character_arc
|
Michael Corleone's transformation
Vito Corleone's rise to power
|
|
gptkbp:character_development
|
complex characters
Michael Corleone's transformation
Vito Corleone's rise to power
|
|
gptkbp:cinematography
|
gptkb:Gordon_Willis
|
|
gptkbp:cinematography_by
|
gptkb:Gordon_Willis
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:conflict
|
Mafia wars
family betrayal
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Mario_Puzo
|
|
gptkbp:critical_analysis
|
examined in academic studies
|
|
gptkbp:critical_reception
|
Highly acclaimed
widely acclaimed
Widely acclaimed
highly acclaimed
Considered one of the greatest films of all time
considered one of the greatest films
included in the National Film Registry
cited in AFI's 100 Years...100 Movies
|
|
gptkbp:cultural_impact
|
gptkb:Significant
gptkb:significant
gptkb:American_cinema
gptkb:American_Film_Institute's_100_Years...100_Movies
gptkb:AFI's_10_Top_10_-#2_Gangster_Film
Considered one of the greatest films of all time
inspired video games
Referenced in popular culture
inspired merchandise
iconic quotes
inspired academic studies
inspired theme park attractions
inspired television series
parodied in various media
considered one of the greatest films of all time
influential in cinema
influential film
influential in film history
Influential in film history
influenced many films
Mafia genre
influential in popular culture
Iconic quotes and scenes
parodies and references
Influenced many films
cited as one of the greatest films of all time
inspired documentaries about mafia
Highly influential in cinema
Defined the gangster genre
Legacy of sequels and adaptations
Iconic in American cinema
Influenced many films and television series
|
|
gptkbp:cultural_references
|
numerous films and TV shows
parodied in various media
The Godfather characters
The Godfather quotes
The Godfather scenes
|
|
gptkbp:cultural_significance
|
gptkb:American_cinema
gptkb:Iconic
iconic status
Considered one of the greatest films of all time
explores themes of power and corruption
influenced many filmmakers
considered one of the greatest films of all time
influential in film history
reflects societal issues of the time
examines family dynamics
reference in other media
depicts the American Dream
|
|
gptkbp:cultural_symbol
|
gptkb:American_cinema
|
|
gptkbp:debut
|
gptkb:1990
gptkb:1992
gptkb:1994
|
|
gptkbp:defeated
|
gptkb:The_Big_Show
|
|
gptkbp:directed
|
gptkb:Francis_Ford_Coppola
|
|
gptkbp:directed_by
|
gptkb:Francis_Ford_Coppola
|
|
gptkbp:director
|
gptkb:Francis_Ford_Coppola
gptkb:Albert_S._Ruddy
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:William_H._Reynolds
gptkb:Peter_Zinner
gptkb:William_Reynolds
|
|
gptkbp:editing
|
gptkb:William_H._Reynolds
gptkb:Peter_Zinner
|
|
gptkbp:explores
|
Crime and Family
|
|
gptkbp:explores_themes
|
gptkb:power
gptkb:crime
family loyalty
|
|
gptkbp:famous_quote
|
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli.
" I'm gonna make him an offer he can't refuse."
" Leave the gun, take the cannoli."
|
|
gptkbp:features
|
gptkb:Michael_Corleone
gptkb:Marlon_Brando
gptkb:Kay_Adams
gptkb:betrayal
gptkb:loyalty
gptkb:revenge
gptkb:Al_Pacino
gptkb:Robert_Duvall
gptkb:Vito_Corleone
gptkb:Diane_Keaton
gptkb:James_Caan
gptkb:Sonny_Corleone
gptkb:Tom_Hagen
gptkb:organized_crime
gptkb:power_struggles
violence
family loyalty
family dynamics
Mafia families
1950s to 1960s America
|
|
gptkbp:features_character
|
gptkb:Michael_Corleone
gptkb:Kay_Adams
gptkb:Vito_Corleone
gptkb:Sonny_Corleone
gptkb:Tom_Hagen
the orange
the horse's head
|
|
gptkbp:features_song
|
gptkb:Nino_Rota
|
|
gptkbp:feud
|
gptkb:Val_Venis
gptkb:The_Undertaker
gptkb:D'_Lo_Brown
|
|
gptkbp:film
|
gptkb:Marlon_Brando
gptkb:1972
gptkb:Al_Pacino
gptkb:Diane_Keaton
gptkb:James_Caan
1940s America
|
|
gptkbp:film_appearance
|
gptkb:The_Scorpion_King
gptkb:Mac_Gruber
gptkb:The_Longest_Yard
gptkb:The_Wash
|
|
gptkbp:film_awards
|
gptkb:Academy_Awards
Best Picture
Best Actor for Marlon Brando
|
|
gptkbp:film_debut
|
gptkb:Don_Vito_Corleone's_office
gptkb:Score_by_Nino_Rota
gptkb:Wedding_of_Connie_Corleone
Amerigo Bonasera's plea for justice
Cinematography by Gordon Willis
Dialogue-driven narrative
Establishes tone and style
Foreshadowing of future events
Introduction of the Corleone family
Symbolism of the cat in Vito's lap
Themes of power and loyalty
Use of Italian-American culture
|
|
gptkbp:film_editing
|
gptkb:William_H._Reynolds
gptkb:Peter_Zinner
gptkb:Carmine_Coppola
|
|
gptkbp:film_length
|
175 minutes
|
|
gptkbp:film_score
|
gptkb:R
9.2/10
|
|
gptkbp:film_series
|
gptkb:The_Godfather_trilogy
gptkb:The_Godfather_Trilogy
|
|
gptkbp:filming_location
|
gptkb:Lake_Tahoe
gptkb:New_York_City
gptkb:Sicily
gptkb:St._Patrick's_Old_Cathedral
Coppola's house
New York City locations
Coppola's family home
|
|
gptkbp:final_match_date
|
gptkb:2010
|
|
gptkbp:finishing_move
|
Pimp Drop
|
|
gptkbp:first_match
|
gptkb:1990
WWF Superstars
|
|
gptkbp:first_published
|
gptkb:1969
|
|
gptkbp:followed_by
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II
|
|
gptkbp:follows
|
gptkb:The_Corleone_family
gptkb:The_Godfather_Part_II
gptkb:the_Corleone_family
gptkb:The_Corleone_Family
the story of the Corleone family
|
|
gptkbp:franchise
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II
gptkb:The_Godfather_franchise
gptkb:The_Godfather_(franchise)
|
|
gptkbp:genre
|
gptkb:Nino_Rota
gptkb:drama
gptkb:detective_fiction
gptkb:crime
Crime Fiction
crime drama
crime film
|
|
gptkbp:gimmick
|
Pimp
|
|
gptkbp:hall_of_fame_induction
|
gptkb:2016
gptkb:WWE_Hall_of_Fame
|
|
gptkbp:has
|
cultural references
memorable characters
iconic quotes
complex narrative
|
|
gptkbp:has_adaptation
|
gptkb:musical
gptkb:video_game_series
|
|
gptkbp:has_cameo
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
|
|
gptkbp:has_catchphrase
|
Pimpin' Ain't Easy
|
|
gptkbp:has_character
|
gptkb:Anthony_Corleone
|
|
gptkbp:has_cultural_impact
|
gptkb:significant
influence on music
influence on literature
influence on art
influence on music videos
influence on theater
influence on video games
influence on television
influence on fashion
influence on filmmakers
influence on writers
influence on actors
influence on memes
influence on parodies
influence on catchphrases
influence on quotes
influence on references in art pieces
influence on references in books
influence on references in comics
influence on references in fashion trends
influence on references in music genres
influence on references in other films
influence on references in songs
influence on references in television shows
influence on references in theater productions
influence on references in video games
|
|
gptkbp:has_editing_by
|
gptkb:Peter_Zinner
|
|
gptkbp:has_genre
|
gptkb:drama
crime film
|
|
gptkbp:has_influence_on
|
gptkb:popular_culture
|
|
gptkbp:has_legacy
|
considered one of the greatest films of all time
cited in film studies
cultural references in various media
inspired filmmakers
influenced the gangster genre
|
|
gptkbp:has_merchandise
|
gptkb:video_games
gptkb:clothing
gptkb:collectibles
gptkb:novels
soundtracks
board games
|
|
gptkbp:has_prequel
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Coda:_The_Death_of_Michael_Corleone
|
|
gptkbp:has_quote
|
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli.
It's not personal, it's strictly business.
A man who doesn't spend time with his family can never be a real man.
" I'm gonna make him an offer he can't refuse."
" It's not personal, it's strictly business."
" Leave the gun, take the cannoli."
" A man who doesn't spend time with his family can never be a real man."
" Revenge is a dish best served cold."
You can't refuse a request from the Godfather.
|
|
gptkbp:has_sequel
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II
|
|
gptkbp:has_soundtrack
|
gptkb:The_Godfather_soundtrack
gptkb:The_Godfather_(soundtrack)
|
|
gptkbp:has_spin_off
|
gptkb:The_Sopranos
gptkb:The_Irishman
|
|
gptkbp:has_theme
|
gptkb:power
gptkb:justice
gptkb:moral_ambiguity
gptkb:revenge
gptkb:Legacy
gptkb:American_Dream
gptkb:the_American_mafia
gptkb:corruption
gptkb:identity
gptkb:sacrifice
gptkb:family
gptkb:tradition
gptkb:crime
the nature of power
family loyalty
the importance of family
the consequences of choices
the struggle for power
the duality of man
the importance of respect
the role of fate
the role of women
the complexity of morality
the search for identity
the conflict between tradition and modernity
the nature of evil
the immigrant experience
the consequences of ambition
loyalty vs. betrayal
the impact of crime on society
the impact of violence on society
the cost of ambition
the nature of loyalty
the struggle for respect
the struggle for power and control
the importance of family ties
the impact of crime on family
violence and consequences
the complexity of family relationships
the impact of crime on the individual
the impact of tradition on identity
the nature of family loyalty
the role of honor in crime
the role of violence in society
|
|
gptkbp:has_themes
|
gptkb:power
gptkb:Betrayal
gptkb:Loyalty
|
|
gptkbp:height
|
6 ft 2 in
6 ft 5 in
|
|
gptkbp:historical_context
|
reflects 20th-century America
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:4_K_UHD
VHS, DVD, Blu-ray
4 K Ultra HD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Godfather
|
|
gptkbp:influence
|
gptkb:Actor
gptkb:American_cinema
gptkb:Film_Director
gptkb:Screenwriter
American culture
Mafia culture
cultural discussions on organized crime
|
|
gptkbp:influenced
|
gptkb:video_games
gptkb:The_Wire
gptkb:Narcos
gptkb:art
gptkb:film_industry
gptkb:The_Sopranos
gptkb:Goodfellas
gptkb:television_series
gptkb:Breaking_Bad
gptkb:The_Departed
gptkb:Video_games
gptkb:Casino
gptkb:The_Irishman
gptkb:Boardwalk_Empire
gptkb:Peaky_Blinders
gptkb:Scarface
gptkb:theater
gptkb:literature
gptkb:Screenwriter
gptkb:popular_culture
gptkb:music
Popular Culture
film noir
Numerous films
video game narratives
Film editing techniques
film noir genre
crime novels
literature about organized crime
subsequent gangster films
Portrayal of organized crime
mafia films
future crime dramas
subsequent crime novels
Character archetypes in cinema
directors like Martin Scorsese
filmmakers and writers
storytelling in cinema
film-making techniques
Filmmaking and storytelling
Mafia representation in media
television series about organized crime
Cinematic portrayals of family dynamics
music referencing mafia themes
video games about crime
the gangster genre
the portrayal of mafia in media
Character development in film narratives
Cinematic depictions of power dynamics
Cinematic exploration of morality and ethics
Cinematic music scores
Cinematic pacing and tension building
Cinematic use of symbolism and motifs
Cultural perceptions of the Mafia
Dialogue writing in screenplays
Fashion and style in film characters
Film-making techniques
Narrative structure in storytelling
Portrayal of masculinity in film
Themes of betrayal and revenge in storytelling
Themes of family and loyalty in storytelling
Use of anti-heroes in cinema
|
|
gptkbp:influenced_by
|
gptkb:Film_noir
Italian-American culture
film noir
Mafia culture
American crime films
Mafia history
American gangster films
Mafia films
|
|
gptkbp:influences
|
gptkb:American_cinema
pop culture
|
|
gptkbp:inspiration
|
gptkb:television_series
gptkb:The_Godfather_video_game
gptkb:The_Godfather_musical
gptkb:Italian-American_mafia
Various video games
Italian-American mafia culture
Numerous parodies
|
|
gptkbp:inspired
|
gptkb:video_games
gptkb:film_adaptations
gptkb:merchandise
gptkb:The_Sopranos
gptkb:Goodfellas
gptkb:fan_fiction
gptkb:television_series
gptkb:video_game_adaptations
gptkb:The_Godfather_Part_III
gptkb:documentaries
gptkb:The_Irishman
gptkb:Scarface
gptkb:The_Godfather_Part_II
gptkb:The_Godfather:_The_Game
gptkb:literature
board games
stage adaptations
parodies
cultural critiques
numerous parodies
Numerous parodies and references in popular culture
documentaries about organized crime
numerous parodies and references
numerous video games
merchandising and collectibles
parodies and references
literature on organized crime
academic studies on crime and morality
|
|
gptkbp:inspired_by
|
gptkb:real_Mafia_families
real-life mafia figures
|
|
gptkbp:is
|
a story of survival
a bestseller
a story of legacy
a story of tradition
a story of ambition
a story of the American Dream
a story of identity
a classic novel
a story of redemption
a story of love and loss
a story of moral ambiguity
a story of revenge
a story of betrayal
a story of justice
a story of sacrifice
a story of family dynamics
a story of loyalty and betrayal
a landmark in American cinema
a landmark in American literature
a story of crime and punishment
a story of crime families
a story of power struggles
a story of the American Mafia
a story of the immigrant experience
|
|
gptkbp:is_aligned_with
|
gptkb:Face
|
|
gptkbp:is_based_on
|
gptkb:novel
novel by Mario Puzo
|
|
gptkbp:is_cited_in
|
cultural references
|
|
gptkbp:is_considered
|
gptkb:cultural_landmark
Classic Novel
|
|
gptkbp:is_considered_as
|
one of the greatest films of all time
|
|
gptkbp:is_known_for
|
Opening scene sound design
|
|
gptkbp:is_set_in
|
1940s
|
|
gptkbp:is_trained_in
|
gptkb:Al_Snow
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered one of the greatest films of all time
|
|
gptkbp:main_character
|
gptkb:Michael_Corleone
gptkb:Vito_Corleone
|
|
gptkbp:manager
|
gptkb:Tamina_Snuka
|
|
gptkbp:metacritic_score
|
97%
|
|
gptkbp:music_by
|
gptkb:Nino_Rota
|
|
gptkbp:music_composer
|
gptkb:Nino_Rota
|
|
gptkbp:narrative_style
|
third-person
non-linear storytelling
third-person omniscient
|
|
gptkbp:nesting
|
Sequels
|
|
gptkbp:nickname
|
The Goodfather
|
|
gptkbp:notable_awards
|
gptkb:National_Film_Registry
gptkb:BAFTA_Awards
gptkb:AFI's_100_Years...100_Movies
gptkb:Golden_Globe_Award
|
|
gptkbp:notable_character
|
gptkb:Michael_Corleone
gptkb:Kay_Adams
gptkb:Vito_Corleone
gptkb:Sonny_Corleone
gptkb:Tom_Hagen
|
|
gptkbp:notable_quote
|
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli.
A man who doesn't spend time with his family can never be a real man.
" I'm gonna make him an offer he can't refuse."
" It's not personal, it's strictly business."
" Leave the gun, take the cannoli."
" A man who doesn't spend time with his family can never be a real man."
“ A man who doesn't spend time with his family can never be a real man.”
“ I'm gonna make him an offer he can't refuse.”
|
|
gptkbp:notable_rivalry
|
gptkb:Val_Venis
|
|
gptkbp:notable_scene
|
the final scene
the restaurant scene
the wedding scene
the baptism scene
the horse head scene
|
|
gptkbp:parody
|
gptkb:The_Sopranos
gptkb:Family_Guy
gptkb:The_Simpsons
|
|
gptkbp:part_of
|
gptkb:WWE_Attitude_Era
gptkb:The_Godfather_trilogy
|
|
gptkbp:part_of_series
|
gptkb:The_Godfather_series
|
|
gptkbp:precedes
|
gptkb:The_Godfather_Part_III
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
gptkb:New_York_City
|
|
gptkbp:produced_by
|
gptkb:Albert_S._Ruddy
|
|
gptkbp:producer
|
gptkb:Albert_S._Ruddy
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:promotions
|
gptkb:WWF
gptkb:WWE
|
|
gptkbp:published
|
gptkb:1969
|
|
gptkbp:published_in
|
gptkb:1969
|
|
gptkbp:publisher
|
gptkb:G._P._Putnam's_Sons
|
|
gptkbp:real_name
|
gptkb:Charles_Wright
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1972
1972-03-24
March 24, 1972
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
gptkb:4_K_UHD
Theatrical
theatrical
restored version
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:released
|
gptkb:1972
|
|
gptkbp:released_in
|
gptkb:1972
|
|
gptkbp:released_on
|
gptkb:DVD
March 24, 1972
|
|
gptkbp:remake
|
gptkb:None
gptkb:The_Godfather_Part_III
gptkb:The_Godfather:_Part_III
gptkb:The_Godfather_(musical)
gptkb:The_Godfather_(video_game)
gptkb:The_Godfather:_Part_II
The Godfather: Part III (1990)
|
|
gptkbp:remastered
|
gptkb:2008
gptkb:2022
|
|
gptkbp:restored_version_format
|
gptkb:Blu-ray
|
|
gptkbp:restored_version_includes
|
special features
remastered audio
newly restored video
|
|
gptkbp:restored_version_release_date
|
2008-09-23
|
|
gptkbp:retired
|
gptkb:2010
gptkb:2019
|
|
gptkbp:retirement
|
gptkb:2002
gptkb:2010
|
|
gptkbp:ring_name
|
gptkb:1992
gptkb:The_Godfather
|
|
gptkbp:runtime
|
175 minutes
|
|
gptkbp:sales
|
over 21 million copies
|
|
gptkbp:screenings
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:screenplay
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
Mario Puzo and Francis Ford Coppola
|
|
gptkbp:screenplay_by
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
|
|
gptkbp:sequel
|
gptkb:The_Godfather_Part_III
gptkb:The_Sicilian
gptkb:The_Godfather_Part_II
|
|
gptkbp:set_in
|
gptkb:New_York_City
1940s
1940s and 1950s
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:signature_move
|
gptkb:Piledriver
The Ho Train
|
|
gptkbp:sound_design
|
gptkb:Walter_Murch
|
|
gptkbp:starring
|
gptkb:Marlon_Brando
gptkb:Al_Pacino
gptkb:Sterling_Hayden
gptkb:Robert_Duvall
gptkb:Diane_Keaton
gptkb:Abe_Vigoda
gptkb:James_Caan
gptkb:Richard_S._Castellano
gptkb:Al_Lettieri
|
|
gptkbp:symbolism
|
family and loyalty
the American Dream
violence and power
family as a business
the corrupting influence of power
the Godfather figure
|
|
gptkbp:tag_team
|
WWE Tag Team Champion
Kama Mustafa
|
|
gptkbp:television_appearance
|
gptkb:The_Tonight_Show_with_Jay_Leno
gptkb:The_X-Files
gptkb:The_Simpsons
gptkb:Celebrity_Deathmatch
|
|
gptkbp:theme
|
gptkb:power
gptkb:family
gptkb:crime
family loyalty
Family loyalty
power and corruption
mafia
|
|
gptkbp:themes
|
gptkb:power
gptkb:betrayal
gptkb:loyalty
gptkb:family
gptkb:crime
gptkb:The_Godfather_Waltz
family loyalty
crime and morality
power and family
|
|
gptkbp:title
|
gptkb:The_Godfather
WWE Intercontinental Champion
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:weight
|
285 lb
|
|
gptkbp:won
|
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Picture
3 Academy Awards
|
|
gptkbp:wrestling_promotion
|
gptkb:Ohio_Valley_Wrestling
gptkb:WCW
gptkb:ECW
gptkb:NWA
gptkb:WWE
USWA
|
|
gptkbp:wrestling_style
|
Brawler
|
|
gptkbp:written_by
|
gptkb:Mario_Puzo
|
|
gptkbp:bfsParent
|
gptkb:Marlon_Brando
gptkb:Italy
gptkb:United_States
|
|
gptkbp:bfsLayer
|
3
|