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gptkbp:instance_of
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gptkb:film
|
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Dragon_Ball_Super:_Broly
|
|
gptkbp:art_style
|
noir aesthetics
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Award
César Award nominations
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Henri_Decaë
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
French culture
|
|
gptkbp:director
|
gptkb:Jean-Pierre_Melville
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:edited_by
|
Monique Kirsanov
|
|
gptkbp:features
|
gptkb:watch
|
|
gptkbp:film_score
|
Joseph Kosma's score
|
|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:filmography
|
gptkb:French
100 minutes
|
|
gptkbp:follows
|
gptkb:Army_of_Shadows
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The End of the Battle
|
|
gptkbp:influenced
|
French cinema
modern war films
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
real events
|
|
gptkbp:inspired
|
other films
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
streaming services
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Joseph_Kosma
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_quote
|
" The end of the battle is not the end of the war."
|
|
gptkbp:precedes
|
The Red Circle
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Les_Films_de_la_Pléiade
|
|
gptkbp:release_year
|
gptkb:1962
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Pierre_Melville
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:starring
|
gptkb:Juliette_Gréco
gptkb:Lino_Ventura
gptkb:Jean-Pierre_Cassel
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:betrayal
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:survival
gptkb:Saint
gptkb:war
freedom
resistance
redemption
|