Statements (117)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
gptkb:poet |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Mark_Elder
gptkb:2000_Grammy_Awards gptkb:Bryan_Hymel gptkb:Benjamin_Britten gptkb:Edward_Elgar gptkb:Los_Angeles_Master_Chorale gptkb:John_Henry_Newman gptkb:Boosey_&_Hawkes gptkb:Sir_Edward_Elgar gptkb:Newman gptkb:2002_Grammy_Awards |
| gptkbp:adaptation |
arrangements for various ensembles
various adaptations for different ensembles |
| gptkbp:adapted_into |
gptkb:Piano_Sonata
|
| gptkbp:artistic_influence |
has influenced choral composition in the 20th century
|
| gptkbp:associated_band |
soprano, alto, tenor, bass
|
| gptkbp:audience |
often evokes strong emotional responses
|
| gptkbp:author |
gptkb:John_Henry_Newman
|
| gptkbp:available_formats |
CD
vinyl streaming services digital download |
| gptkbp:based_on |
poem by John Henry Newman
|
| gptkbp:coaching_career |
considered one of Elgar's masterpieces
|
| gptkbp:composed_of |
gptkb:John_Henry_Newman
|
| gptkbp:composer |
gptkb:Edward_Elgar
inspired composers like Britten and Tippett |
| gptkbp:critical_reception |
initially mixed reviews
initially mixed but later acclaimed |
| gptkbp:cultural_impact |
influenced later choral works
widely performed in choral repertoire |
| gptkbp:cultural_significance |
important work in the choral-orchestral repertoire
important work in British choral tradition |
| gptkbp:dedication |
to the memory of a friend
to Cardinal Newman |
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:filming_location |
gptkb:Birmingham
|
| gptkbp:filmography |
inspired film scores and soundtracks
|
| gptkbp:first_performance |
gptkb:Birmingham
1900 |
| gptkbp:genre |
gptkb:music_festival
religious poetry |
| gptkbp:historical_context |
reflects early 20th-century spirituality
reflects late Victorian attitudes towards spirituality |
| gptkbp:historical_significance |
reflects the transition in British music at the turn of the century
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Dream of Gerontius
|
| gptkbp:influenced_artists |
gptkb:Benjamin_Britten
gptkb:Gustav_Holst gptkb:choir sacred choral music inspired other composers like Vaughan Williams |
| gptkbp:influenced_by |
gptkb:Catholic_theology
|
| gptkbp:influences |
Romantic music
|
| gptkbp:insignia |
' Sanctus' aria
|
| gptkbp:inspiration |
gptkb:Catholic_theology
|
| gptkbp:involved_forces |
soloists, chorus, and orchestra
|
| gptkbp:is_critical_for |
subject of numerous scholarly studies
|
| gptkbp:is_influential_in |
influenced the development of British classical music
|
| gptkbp:language |
English
|
| gptkbp:legacy |
remains a staple in concert repertoire
remains a significant part of his musical legacy |
| gptkbp:music_style |
lyrical and expressive
rich harmonies dramatic orchestration complex counterpoint uses rich harmonic language features recitative and aria forms orchestral interludes and choral sections vocal solos and ensembles |
| gptkbp:notable_conductors |
gptkb:Andrew_Davis
gptkb:Daniel_Barenboim gptkb:Sir_Simon_Rattle gptkb:Sir_Adrian_Boult gptkb:Bernstein Sir Edward Elgar himself conducted early performances |
| gptkbp:notable_performance |
often performed in concert halls
performed by major orchestras worldwide inspired many choral festivals |
| gptkbp:notable_performers |
gptkb:The_London_Philharmonic_Orchestra
gptkb:The_Birmingham_Symphony_Orchestra |
| gptkbp:notable_recordings |
multiple recordings available
numerous commercial recordings exist Sir Adrian Boult's recording |
| gptkbp:notable_song |
mixed choir
|
| gptkbp:orchestration |
large orchestra
strings and brass sections |
| gptkbp:performance |
requires skilled performers
frequently performed in choral festivals |
| gptkbp:performed_by |
gptkb:The_Proms
gptkb:Covent_Garden gptkb:Worcester_Cathedral gptkb:Royal_Albert_Hall gptkb:Sydney_Opera_House youth choirs professional choirs university choirs many amateur choirs |
| gptkbp:premiere_date |
1900-10-03
|
| gptkbp:product_line |
nan
|
| gptkbp:published_by |
1865
|
| gptkbp:social_structure |
two parts
|
| gptkbp:style |
characterized by emotional depth and complexity
|
| gptkbp:text |
through-composed
|
| gptkbp:thematic_element |
explores existential questions
explores the journey of the soul after death |
| gptkbp:theme |
explores redemption and divine judgment
|
| gptkbp:themes |
gptkb:cemetery
life after death redemption afterlife spiritual journey death and the afterlife |
| gptkbp:tradition |
part of the British choral repertoire
|
| gptkbp:wrote |
draws from Newman's religious poetry
|