|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:The_Double
|
|
gptkbp:art_style
|
Stylized
|
|
gptkbp:awards
|
Nominated for Best Director
Nominated for Best Adapted Screenplay
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|
gptkbp:based_on
|
The Double by Fyodor Dostoevsky
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|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character
|
gptkb:The_Boss
gptkb:The_Stranger
gptkb:The_Woman
gptkb:Hannah
gptkb:James_Simon
Simon James
Mr. Papadopoulos
|
|
gptkbp:cinematography
|
Erik Wilson
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:directed_by
|
gptkb:Sir_Richard_Ayoade
|
|
gptkbp:edited_by
|
Nick Fenton
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Thriller
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Double (2018 film)
|
|
gptkbp:influenced_by
|
gptkb:Monarch
Dystopian fiction
Kafkaesque literature
|
|
gptkbp:influences
|
gptkb:The_Trial
gptkb:Nineteen_Eighty-Four
gptkb:The_Metamorphosis
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Andrew_Hewitt
|
|
gptkbp:narrative_style
|
Non-linear
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Cinemax
|
|
gptkbp:rating
|
7.0/10
|
|
gptkbp:release_date
|
2013-05-17
|
|
gptkbp:release_format
|
gptkb:DJ
Digital
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:screenplay_by
|
gptkb:Sir_Richard_Ayoade
|
|
gptkbp:starring
|
gptkb:Jesse_Eisenberg
gptkb:Mia_Wasikowska
gptkb:Wallace_Shawn
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Isolation
Existentialism
|