|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
Stylized
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:based_on
|
The Double by Fyodor Dostoevsky
|
|
gptkbp:box_office
|
$1.1 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character
|
gptkb:James_Simon
Simon James
|
|
gptkbp:cinematography
|
Erik Wilson
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:directed_by
|
gptkb:Sir_Richard_Ayoade
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:edited_by
|
Nick Fenton
|
|
gptkbp:film_festival
|
Cannes 2013
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
Nick Fenton
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Author
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Double (2017 film)
|
|
gptkbp:influenced_by
|
Kafka's works
Dostoevsky's works
|
|
gptkbp:is_criticized_for
|
gptkb:Indie_Wire
gptkb:The_Guardian
gptkb:Roger_Ebert
gptkb:The_Hollywood_Reporter
gptkb:Empire_Magazine
gptkb:Screen_Rant
gptkb:The_A._V._Club
gptkb:Variety
Collider
The Wrap
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Andrew_Hewitt
|
|
gptkbp:narrative_style
|
Surreal
|
|
gptkbp:plot
|
A man encounters his doppelgänger.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Andrew_Lowe
|
|
gptkbp:production_company
|
gptkb:Film4_Productions
gptkb:concert_tour
|
|
gptkbp:release_date
|
2013-05-17
|
|
gptkbp:release_format
|
gptkb:DJ
Digital
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:runtime
|
93 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Sir_Richard_Ayoade
|
|
gptkbp:setting
|
A dystopian city
|
|
gptkbp:soundtrack
|
gptkb:Original_score
|
|
gptkbp:starring
|
gptkb:Jesse_Eisenberg
gptkb:Mia_Wasikowska
gptkb:Sally_Hawkins
gptkb:Wallace_Shawn
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Isolation
Existentialism
|
|
gptkbp:bfsParent
|
gptkb:The_Double
|
|
gptkbp:bfsLayer
|
5
|