Statements (122)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
gptkb:play |
| gptkbp:adaptation |
gptkb:ballet
gptkb:television_series gptkb:theatre gptkb:1980 gptkb:opera gptkb:film |
| gptkbp:antagonist |
social norms
|
| gptkbp:art_movement |
Positivism
|
| gptkbp:author |
gptkb:Bolesław_Prus
|
| gptkbp:cast |
gptkb:Wojciech_Jerzy_Has
|
| gptkbp:character |
gptkb:Nils_Krogstad
gptkb:Izabela_Łęcka gptkb:Dr._Rank gptkb:Mieczysław_Wojnicz gptkb:Kristine_Linde the children Książę Julian Ochocki Mr. Zasławski Mrs. Wąsowska Róża Wokulski's acquaintance Wokulski's associate Wokulski's business associate Wokulski's business partner Wokulski's business rival Wokulski's childhood friend Wokulski's competitor Wokulski's confidant Wokulski's confidante Wokulski's employee Wokulski's family member Wokulski's father Wokulski's friend Wokulski's friend from childhood Wokulski's friend from university Wokulski's love interest Wokulski's mentor Wokulski's mentor figure Wokulski's mother Wokulski's neighbor Wokulski's rival Wokulski's romantic interest Wokulski's romantic partner Wokulski's servant |
| gptkbp:character_development |
Nora's transformation
Wokulski's journey |
| gptkbp:conflict |
class struggle
personal vs societal expectations |
| gptkbp:critical_reception |
controversial
widely acclaimed |
| gptkbp:cultural_impact |
inspired discussions on women's rights
influenced Polish identity |
| gptkbp:cultural_significance |
critique of societal norms
influence on modern theatre pioneering feminist work |
| gptkbp:filming_location |
gptkb:Royal_Theatre,_Copenhagen
|
| gptkbp:first_performance |
1879
|
| gptkbp:genre |
gptkb:High_School
realism |
| https://www.w3.org/2000/01/rdf-schema#label |
The Doll
|
| gptkbp:influence |
gptkb:philosopher
Polish literature |
| gptkbp:influenced |
future writers
|
| gptkbp:influenced_by |
naturalism
realism |
| gptkbp:inspiration |
real-life events
|
| gptkbp:is_criticized_for |
analyzed themes
|
| gptkbp:language |
gptkb:Polish
gptkb:Politician |
| gptkbp:main_character |
gptkb:Torvald_Helmer
gptkb:Nora_Helmer gptkb:Stanisław_Wokulski gptkb:Wokulski |
| gptkbp:motif |
materialism
romanticism |
| gptkbp:music_style |
social criticism
modern drama |
| gptkbp:narrative_style |
third-person
|
| gptkbp:notable_production |
20th-century revivals
21st-century adaptations Ibsen's original production |
| gptkbp:notable_quote |
I have been your doll-wife.
I must stand on my own two feet. |
| gptkbp:official_language |
gptkb:Politician
|
| gptkbp:page_count |
over 400
|
| gptkbp:performance |
naturalistic
psychological realism |
| gptkbp:plot |
financial struggles
complex narrative Nora's decision to leave Nora's secret Torvald's reaction Nora's awakening the letter reveal |
| gptkbp:published_by |
gptkb:A_Doll's_House
gptkb:Gebethner_i_Wolff 1890 |
| gptkbp:setting |
gptkb:late_19th_century
gptkb:Norway gptkb:Warsaw |
| gptkbp:style |
detailed descriptions
|
| gptkbp:symbolism |
the doll
the tarantella dance the city of Warsaw the door slam |
| gptkbp:theme |
gptkb:TV_series
gptkb:award love social inequality ambition gender roles |
| gptkbp:translated_into |
English
multiple languages |
| gptkbp:written_by |
gptkb:Henrik_Ibsen
|
| gptkbp:bfsParent |
gptkb:Daphne_du_Maurier
gptkb:The_Doll_Who_Ate_His_Mother gptkb:Bloodborne gptkb:The_Sleeping_Doll |
| gptkbp:bfsLayer |
4
|