gptkbp:instance_of
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gptkb:ballet
gptkb:opera
gptkb:play
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gptkbp:adaptation
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gptkb:musical
gptkb:ballet
gptkb:opera
gptkb:television
gptkb:film
gptkb:stage_play
A Doll's House (play)
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gptkbp:adaptations
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multiple stage productions
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gptkbp:adapted_into
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gptkb:musical
gptkb:ballet
gptkb:films
gptkb:television
gptkb:film
gptkb:theater_productions
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gptkbp:awards
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gptkb:Grammy_Award
gptkb:International_Opera_Award
multiple dance awards
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gptkbp:based_on
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Henrik Ibsen's play
A Doll's House (play)
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gptkbp:character
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gptkb:Ivar_Helmer
gptkb:Nils_Krogstad
gptkb:Dr._Rank
gptkb:Emmy_Helmer
gptkb:Kristine_Linde
Bob Helmer
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gptkbp:choreography
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gptkb:Pina_Bausch
gptkb:John_Neumeier
gptkb:George_Balanchine
gptkb:William_Forsythe
gptkb:Mikhail_Baryshnikov
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gptkbp:conflict
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Nora's secret
Nora's awakening
Torvald's reaction to the secret
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gptkbp:created_by
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gptkb:Henrik_Ibsen
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gptkbp:critical_reception
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controversial
positive reviews
widely acclaimed
Controversial
Acclaimed
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gptkbp:cultural_impact
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gptkb:feminism
influenced modern ballet
theatrical conventions
Theatrical conventions
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gptkbp:dance_style
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gptkb:pas_de_deux
classical ballet
solo performances
group dances
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gptkbp:demographics
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adults
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gptkbp:duration
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approximately 2 hours
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gptkbp:explores
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marriage and individuality
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gptkbp:explores_themes
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gptkb:sacrifice
gender roles
individual freedom
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gptkbp:features
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gptkb:Torvald_Helmer
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gptkbp:first_performance
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1879
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gptkbp:focus
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gptkb:Nils_Krogstad
gptkb:Torvald_Helmer
gptkb:Nora_Helmer
gptkb:Kristine_Linde
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gptkbp:follows
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gptkb:Nora_Helmer
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gptkbp:genre
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gptkb:Realism
gptkb:drama
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gptkbp:has_produced
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gptkb:2010_production
2015 production
2020 production
2005 production
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gptkbp:has_themes
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gptkb:deception
gptkb:sacrifice
gptkb:feminism
self-discovery
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https://www.w3.org/2000/01/rdf-schema#label
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A Doll's House
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gptkbp:influence
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Modern drama
modern drama
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gptkbp:influenced_by
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naturalism
realism
19th-century realism
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gptkbp:influences
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gptkb:feminism
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gptkbp:inspiration
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Ibsen's own life
Ibsen's exploration of marriage
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gptkbp:is_a_play_about
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Marriage and gender roles
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gptkbp:is_acclaimed_for
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its realistic portrayal of marriage
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gptkbp:is_considered
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a classic opera
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gptkbp:is_considered_as
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a feminist text
a landmark play
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gptkbp:is_considered_to_be
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a critique of marriage
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gptkbp:is_examined_in
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literary studies
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gptkbp:is_influential_in
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theater history
modern opera
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gptkbp:is_notable_for
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its emotional depth
its orchestration
its character development
its cultural significance
its historical context
its innovative staging
its social commentary
its critical reception
its exploration of identity
its character arcs
its musical score
its dramatic structure
its portrayal of marriage
its thematic complexity
its feminist themes
its exploration of freedom
its ending
its critique of societal norms
its audience impact
its contemporary relevance
its impact on opera
its libretto quality
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gptkbp:is_part_of
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gptkb:opera
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gptkbp:is_regarded_as
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a classic of world literature
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gptkbp:is_set_in
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gptkb:Norway
the 19th century
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gptkbp:language
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gptkb:dance
gptkb:Norwegian
English
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gptkbp:legacy
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Considered a classic
Adapted into various media
Influenced playwrights
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gptkbp:libretto
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gptkb:Avery_Brooks
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gptkbp:main_character
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gptkb:Torvald_Helmer
gptkb:Nora_Helmer
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gptkbp:music_by
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gptkb:John_Adams
gptkb:Henrik_Ibsen
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gptkbp:music_style
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gptkb:Set
gptkb:designers
dramatic lighting
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gptkbp:narrative_theme
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gptkb:betrayal
gptkb:sacrifice
freedom
self-discovery
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gptkbp:notable_for
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exploring gender roles
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gptkbp:notable_performances
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international festivals
worldwide tours
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gptkbp:notable_performers
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gptkb:David_Hallberg
gptkb:Marianela_Nuñez
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gptkbp:notable_production
|
gptkb:Bristol_Old_Vic
gptkb:Royal_Dramatic_Theatre
gptkb:The_Old_Vic
gptkb:theater
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gptkbp:notable_quote
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I have been your doll-wife.
I must stand on my own two feet.
You have never loved me.
“ I have been your doll-wife.”
“ I must stand on my own two feet.”
“ You have never loved me.”
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gptkbp:number_of_acts
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two
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gptkbp:original_language
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gptkb:Norwegian
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gptkbp:performance
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Widely performed
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gptkbp:performance_style
|
expressive
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gptkbp:performed_at
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major opera houses
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gptkbp:performed_by
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gptkb:Royal_Opera_House
various theater companies
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gptkbp:performed_in
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theater worldwide
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gptkbp:plot
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Krogstad's blackmail
Nora's decision to leave
Nora's realization of self-identity
Nora's secret
Torvald's reaction to Nora's actions
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gptkbp:premiere
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gptkb:Hamburg_Ballet
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gptkbp:premiere_location
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gptkb:Copenhagen
gptkb:Royal_Theatre,_Copenhagen
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gptkbp:premiered_on
|
gptkb:2005
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gptkbp:production_company
|
gptkb:Hamburg_Ballet
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gptkbp:published_by
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1879
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gptkbp:published_in
|
1879
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gptkbp:recordings
|
gptkb:2020_cast_recording
available on streaming platforms
available on DVD
2010 cast recording
2005 cast recording
2015 cast recording
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gptkbp:score
|
composed by Lera Auerbach
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gptkbp:set_in
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gptkb:Norway
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gptkbp:setting
|
gptkb:Norway
19th century Norway
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gptkbp:style
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neoclassical
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gptkbp:symbolism
|
The tarantella dance
The Christmas tree
The door
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gptkbp:theme
|
gptkb:marriage
gender roles
Individual vs Society
Gender roles
individual vs society
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gptkbp:translated_into
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English
multiple languages
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gptkbp:venue
|
gptkb:Hamburg_State_Opera
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gptkbp:written_by
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gptkb:Henrik_Ibsen
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gptkbp:year
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gptkb:2010
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gptkbp:bfsParent
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gptkb:The_78th_Tony_Awards
gptkb:The_89th_Tony_Awards
gptkb:The_97th_Tony_Awards
gptkb:Henrik_Ibsen
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gptkbp:bfsLayer
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4
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