|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
black and white
|
|
gptkbp:audience
|
polarizing opinions
|
|
gptkbp:character_arc
|
disillusionment
|
|
gptkbp:character_development
|
minimalist
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
internal struggle
|
|
gptkbp:cinematography
|
gptkb:Ghislain_Cloquet
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:cultural_significance
|
French cinema
|
|
gptkbp:director
|
gptkb:Robert_Bresson
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:edited_by
|
gptkb:Marceline_Loridan-Ivens
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
atmospheric
|
|
gptkbp:filmography
|
academic studies
long takes
austere
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Devil, Probably
|
|
gptkbp:influenced
|
future filmmakers
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:influences
|
art-house cinema
|
|
gptkbp:inspiration
|
gptkb:philosopher
|
|
gptkbp:is_critical_for
|
Bresson's philosophy
|
|
gptkbp:is_motivated_by
|
search for meaning
|
|
gptkbp:language
|
gptkb:French
minimal
|
|
gptkbp:legacy
|
enduring relevance
|
|
gptkbp:main_character
|
gptkb:Pierre
|
|
gptkbp:music_by
|
gptkb:Jean-Jacques_Grunenwald
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_appearance
|
final sequence
|
|
gptkbp:notable_feature
|
Bresson's unique style
|
|
gptkbp:portrayed_by
|
subjective
|
|
gptkbp:release_year
|
gptkb:1977
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Bresson
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:symbolism
|
the protagonist
the devil
|
|
gptkbp:thematic_element
|
alienation
|
|
gptkbp:theme
|
gptkb:existentialism
|
|
gptkbp:visitors
|
thought-provoking
|
|
gptkbp:bfsParent
|
gptkb:The_New_Wave
|
|
gptkbp:bfsLayer
|
4
|