gptkbp:instance_of
|
gptkb:TV_series
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:film
cult classic
film noir
|
gptkbp:allows
|
Faced cuts for violence.
|
gptkbp:art_style
|
High contrast lighting.
|
gptkbp:associated_with
|
gptkb:Ziv_Television_Programs
|
gptkbp:audience
|
Cult following developed over the years.
|
gptkbp:author
|
gptkb:David_Goodis
|
gptkbp:awards
|
Nominated for several awards.
nominated for Academy Awards
|
gptkbp:based_on
|
novel by David Goodis
The Dark Passage novel
|
gptkbp:box_office
|
$2.5 million
Distributed internationally.
|
gptkbp:cancellation_reason
|
Low ratings
|
gptkbp:character
|
Dr. Walter Mc Graw.
Mary Gray.
The cab driver.
The detective.
Vincent Parry.
|
gptkbp:character_arc
|
redemption
Vincent's journey from fugitive to redemption.
|
gptkbp:character_development
|
gptkb:launch_complex
Mary's role as a love interest.
|
gptkbp:character_relationships
|
Vincent and Irene
Vincent and his past
Vincent and the police
|
gptkbp:cinematography
|
Sidney Hickox
|
gptkbp:climax
|
confrontation with the antagonist
|
gptkbp:color
|
black and white
|
gptkbp:composer
|
gptkb:Paul_Sawtell
|
gptkbp:conflict
|
man vs self
man vs society
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:created_by
|
gptkb:George_W._Trendle
|
gptkbp:critical_reception
|
Mixed reviews
positive
Mixed reviews upon release.
|
gptkbp:cultural_impact
|
influenced other works
Considered a classic of film noir.
|
gptkbp:cultural_significance
|
Represents post-war disillusionment.
|
gptkbp:directed_by
|
gptkb:Delmer_Daves
|
gptkbp:director
|
gptkb:Delmer_Daves
Martin Scorsese.
Quentin Tarantino.
David Fincher.
|
gptkbp:distributor
|
gptkb:Warner_Bros.
gptkb:Ziv_Television_Programs
|
gptkbp:edited_by
|
gptkb:Alfredo_E._ZacarÃas
|
gptkbp:ends_at
|
Summer 1952
|
gptkbp:famous_for
|
Innovative use of first-person perspective.
|
gptkbp:film_festival
|
Screened at the Cannes Film Festival.
Screened at retrospectives.
|
gptkbp:film_score
|
Notable for its atmospheric score.
|
gptkbp:filming_location
|
gptkb:California
California.
|
gptkbp:filmography
|
gptkb:Humphrey_Bogart
gptkb:church
gptkb:Lauren_Bacall
lighting
cinematography
Studied in film schools.
Use of deep focus.
Characterized by its moody atmosphere.
Inspired graphic novels.
use of voiceover
|
gptkbp:finale_date
|
June 1952
|
gptkbp:first_aired
|
1951
|
gptkbp:format
|
Black-and-white
|
gptkbp:genre
|
gptkb:Detective
gptkb:High_School
film noir
|
gptkbp:historical_context
|
Reflects 1940s American society.
|
gptkbp:home_media_release
|
Released on DVD and Blu-ray.
Available on various streaming platforms.
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dark Passage
|
gptkbp:influenced
|
Later films in the noir genre.
Subsequent anthology series
|
gptkbp:influenced_artists
|
established tropes
|
gptkbp:influenced_by
|
gptkb:Film_noir
German Expressionism.
|
gptkbp:influences
|
noir fiction
|
gptkbp:inspiration
|
real-life events
David Goodis's life experiences.
|
gptkbp:is_available_on
|
gptkb:Streaming_services
gptkb:DJ
|
gptkbp:is_critical_for
|
Examined for its psychological depth.
|
gptkbp:is_criticized_for
|
Analyzed for its narrative structure.
|
gptkbp:is_motivated_by
|
Vincent's quest for truth.
|
gptkbp:isbn
|
978-1-60381-001-0
|
gptkbp:language
|
English
|
gptkbp:last_aired
|
gptkb:1952
|
gptkbp:legacy
|
Cult following
Influenced modern thrillers.
Considered a benchmark in film noir.
|
gptkbp:main_character
|
gptkb:marathon
gptkb:Vincent_Parry
|
gptkbp:motif
|
gptkb:Transformation
gptkb:betrayal
darkness
|
gptkbp:music_by
|
gptkb:George_Duning
|
gptkbp:narrative_style
|
gptkb:anthology
first-person
stream of consciousness
Voice-over narration.
|
gptkbp:notable_guest_stars
|
gptkb:Vincent_Price
gptkb:Boris_Karloff
gptkb:John_Carradine
gptkb:Bette_Davis
gptkb:Peter_Lorre
|
gptkbp:notable_quote
|
" I don't know who I am."
" I was a fugitive from justice."
|
gptkbp:number_of_episodes
|
gptkb:39
30 minutes
|
gptkbp:number_of_seasons
|
gptkb:musical
|
gptkbp:original_network
|
gptkb:ABC
|
gptkbp:page_count
|
256
|
gptkbp:plot
|
gptkb:legal_case
A man escapes from prison and tries to find the real killer of his wife.
|
gptkbp:premiere_date
|
October 1951
|
gptkbp:premiered_on
|
Fall 1951
|
gptkbp:production_company
|
gptkb:Warner_Bros.
gptkb:Ziv_Television_Programs
|
gptkbp:published_by
|
1946
|
gptkbp:publisher
|
gptkb:The_Mysterious_Press
|
gptkbp:release_date
|
August 28, 1947
|
gptkbp:release_year
|
1947
|
gptkbp:released_in
|
1947
|
gptkbp:remake
|
Planned but never produced.
The Dark Passage (TV series)
|
gptkbp:resolution
|
truth revealed
|
gptkbp:restoration
|
Restored for modern audiences.
Restored versions available.
Preserved in the National Film Registry.
|
gptkbp:runtime
|
106 minutes
|
gptkbp:screenplay_by
|
gptkb:Delmer_Daves
|
gptkbp:setting
|
gptkb:San_Francisco
San Francisco.
|
gptkbp:significance
|
examines moral ambiguity
explores themes of alienation
|
gptkbp:soundtrack
|
Includes jazz elements.
|
gptkbp:starring
|
gptkb:Robert_Young
gptkb:Humphrey_Bogart
gptkb:Joan_Fontaine
gptkb:Evelyn_Ankers
gptkb:Lauren_Bacall
gptkb:John_Mc_Intire
|
gptkbp:style
|
gptkb:weapon
|
gptkbp:symbolism
|
the city
Use of shadows and light.
the passage
|
gptkbp:theme
|
gptkb:TV_series
gptkb:justice
escape
Identity and transformation.
The Dark Passage Theme
|
gptkbp:viewership
|
3 million viewers
|
gptkbp:bfsParent
|
gptkb:Dark_Passage
|
gptkbp:bfsLayer
|
5
|