Statements (106)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
cult following.
|
| gptkbp:awards |
nominated for Academy Awards.
nominated for Academy Award for Best Cinematography |
| gptkbp:based_on |
gptkb:The_Dark_Passage
gptkb:novel novel by David Goodis |
| gptkbp:box_office |
$2.5 million
$1.5 million |
| gptkbp:character |
gptkb:Mary_Gray
gptkb:Detective gptkb:Bob gptkb:Vincent_Parry gptkb:Mary_Phillips gptkb:Dr._Walter_Scott Dr. Walter Coley The Cab Driver |
| gptkbp:character_arc |
Vincent Parry's transformation.
|
| gptkbp:character_development |
Vincent Parry's journey.
|
| gptkbp:cinematography |
notable for its use of shadows.
Sidney Hickox noted for its visual style. |
| gptkbp:color |
black-and-white
|
| gptkbp:composer |
gptkb:George_Duning
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
considered a classic of film noir
considered a classic of film noir. |
| gptkbp:cultural_significance |
reflects post-war America.
examines themes of identity and justice. |
| gptkbp:directed_by |
gptkb:Delmer_Daves
|
| gptkbp:distributor |
gptkb:Warner_Bros.
|
| gptkbp:edited_by |
gptkb:Alfredo_E._Zacarías
Warren Low |
| gptkbp:editor |
Warren Low
|
| gptkbp:famous_quote |
notable quotes from the film.
|
| gptkbp:film_festival |
gptkb:film_festival
shown in retrospectives. |
| gptkbp:film_score |
gptkb:George_Duning
|
| gptkbp:filming_location |
gptkb:San_Francisco
|
| gptkbp:filmography |
gptkb:Alfredo_E._Zacarías
complex characters. inspired filmmakers. studied in film schools. adapted into radio plays. notable for its production design. ambiguous conclusion. analyzed for its cinematography. iconic promotional materials. noir aesthetics. post-war San Francisco. |
| gptkbp:genre |
gptkb:Film_noir
film noir |
| gptkbp:home_media_release |
gptkb:DJ
gptkb:film DVD release in 2005 Blu-ray release in 2011 |
| https://www.w3.org/2000/01/rdf-schema#label |
Dark Passage
|
| gptkbp:influenced |
later film noir films
subsequent film noir films. |
| gptkbp:influenced_by |
gptkb:German_Expressionism
gptkb:The_Maltese_Falcon gptkb:The_Big_Sleep hardboiled detective fiction |
| gptkbp:is_criticized_for |
analyzed by various film critics.
|
| gptkbp:language |
English
sharp and witty. |
| gptkbp:legacy |
influential in the genre.
remains influential. |
| gptkbp:merchandise |
available for collectors.
|
| gptkbp:music_by |
gptkb:George_Duning
|
| gptkbp:narrative_style |
non-linear storytelling.
first-person narration. |
| gptkbp:notable_appearance |
the final confrontation
the chase through the streets of San Francisco the plastic surgery scene the reveal of Vincent's new face |
| gptkbp:notable_feature |
first film to use the subjective camera technique.
|
| gptkbp:notable_film |
Bogart and Bacall's real-life marriage.
|
| gptkbp:notable_for |
first-person narrative style
|
| gptkbp:notable_production |
gptkb:Delmer_Daves
|
| gptkbp:plot |
A man escapes from prison and undergoes plastic surgery to change his appearance.
|
| gptkbp:produced_by |
gptkb:Delmer_Daves
|
| gptkbp:production_company |
gptkb:Warner_Bros.
|
| gptkbp:release_date |
April 18, 1947
|
| gptkbp:released |
1947
|
| gptkbp:released_in |
1947
|
| gptkbp:remake |
gptkb:Dark_Passage_(2008)
gptkb:The_Dark_Passage_(2008) |
| gptkbp:restoration |
restored versions available.
|
| gptkbp:runtime |
106 minutes
|
| gptkbp:screenplay_by |
gptkb:Delmer_Daves
considered a classic. |
| gptkbp:set_in |
gptkb:San_Francisco
|
| gptkbp:soundtrack |
released on CD
features jazz music |
| gptkbp:starring |
gptkb:Humphrey_Bogart
gptkb:Lauren_Bacall |
| gptkbp:symbolism |
uses visual symbolism.
|
| gptkbp:themes |
identity and transformation.
explores themes of redemption. explores themes of trust. recurring motifs throughout. |
| gptkbp:bfsParent |
gptkb:Thresh
gptkb:David_Goodis |
| gptkbp:bfsLayer |
4
|