|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Alberto_Moravia
|
|
gptkbp:awards
|
Venice Film Festival nomination
|
|
gptkbp:basedOn
|
gptkb:Il_disprezzo_(novel)
|
|
gptkbp:boxOfficeGross
|
moderate success
|
|
gptkbp:character
|
Camille Javal
Fritz Lang (as himself)
Jeremy Prokosch
Paul Javal
|
|
gptkbp:cinematography
|
gptkb:Raoul_Coutard
|
|
gptkbp:colorProcess
|
gptkb:Eastmancolor
|
|
gptkbp:countryOfOrigin
|
gptkb:France
|
|
gptkbp:criticalReception
|
acclaimed
|
|
gptkbp:director
|
gptkb:Jean-Luc_Godard
|
|
gptkbp:distributedBy
|
gptkb:Les_Films_Concordia
|
|
gptkbp:filmingLocation
|
Casa Malaparte, Capri, Italy
|
|
gptkbp:filmMovement
|
gptkb:French_New_Wave
|
|
gptkbp:genre
|
drama
romance
|
|
gptkbp:homeMediaRelease
|
gptkb:Criterion_Collection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Contempt
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:musicBy
|
gptkb:Georges_Delerue
|
|
gptkbp:notableFor
|
Brigitte Bardot's performance
iconic use of color
meta-cinematic themes
Fritz Lang appearing as himself
|
|
gptkbp:notableScene
|
Casa Malaparte rooftop scene
opening sequence with Bardot
|
|
gptkbp:originalTitle
|
gptkb:Le_Mépris
|
|
gptkbp:producedBy
|
gptkb:Carlo_Ponti
gptkb:Georges_de_Beauregard
|
|
gptkbp:releaseYear
|
1963
|
|
gptkbp:restored
|
gptkb:StudioCanal
|
|
gptkbp:runtime
|
103 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Jean-Luc_Godard
gptkb:Alberto_Moravia
|
|
gptkbp:setIn
|
gptkb:Italy
gptkb:Rome
gptkb:Capri
|
|
gptkbp:starring
|
gptkb:Jack_Palance
gptkb:Fritz_Lang
gptkb:Michel_Piccoli
gptkb:Brigitte_Bardot
|
|
gptkbp:theme
|
alienation
adaptation of The Odyssey
art versus commerce
marital breakdown
|
|
gptkbp:bfsParent
|
gptkb:Ricardo_Villalobos_–_Dexter
|
|
gptkbp:bfsLayer
|
7
|