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gptkbp:instance_of
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gptkb:film
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gptkbp:awards
|
Cannes Film Festival nomination
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gptkbp:based_on
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a novel by Alberto Moravia
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gptkbp:box_office
|
$1.5 million
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gptkbp:cinematography_by
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gptkb:Raoul_Coutard
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gptkbp:color
|
gptkb:Color
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gptkbp:country
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gptkb:France
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gptkbp:critical_reception
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Positive reviews
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gptkbp:cultural_impact
|
Considered a classic of world cinema.
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gptkbp:directed_by
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gptkb:Jean-Luc_Godard
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gptkbp:distributor
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gptkb:Columbia_Pictures
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gptkbp:film_editing
|
gptkb:Françoise_Collin
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gptkbp:film_technique
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Narrative experimentation.
Modernist.
Postmodern.
Self-reflexive.
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|
gptkbp:filming_location
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gptkb:Rome
gptkb:Cinecittà_Studios
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gptkbp:genre
|
gptkb:drama
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gptkbp:has_cameo
|
Jean-Luc Godard.
Alberto Moravia.
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|
https://www.w3.org/2000/01/rdf-schema#label
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Le Mépris
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gptkbp:influenced
|
gptkb:French_New_Wave
Filmmakers like Martin Scorsese.
Filmmakers like Quentin Tarantino.
Filmmakers like Wong Kar-wai.
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|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
Hollywood cinema
|
|
gptkbp:inspiration
|
gptkb:The_Odyssey
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gptkbp:language
|
gptkb:French
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|
gptkbp:legacy
|
Studied in film schools.
Referenced in popular culture.
Considered a landmark film.
Cited in academic papers.
Influenced film theory.
|
|
gptkbp:music_by
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gptkb:Georges_Delerue
|
|
gptkbp:notable_quote
|
" I don't want to be a part of your world."
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|
gptkbp:notable_scene
|
The ending scene.
The confrontation between Paul and Camille.
The opening scene with the car.
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|
gptkbp:plot
|
A screenwriter struggles with his work and his marriage.
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|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
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gptkbp:produced_by
|
gptkb:Carlo_Ponti
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|
gptkbp:released_in
|
gptkb:1963
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|
gptkbp:remake
|
Contempt (2018)
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|
gptkbp:runtime
|
102 minutes
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|
gptkbp:screenplay_by
|
gptkb:Jean-Luc_Godard
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gptkbp:set_in
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gptkb:Italy
|
|
gptkbp:soundtrack
|
Georges Delerue's score.
|
|
gptkbp:starring
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gptkb:Jack_Palance
gptkb:Michel_Piccoli
gptkb:Brigitte_Bardot
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|
gptkbp:themes
|
gptkb:identity
Existentialism
Love and betrayal
Art vs. commerce
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gptkbp:bfsParent
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gptkb:Alain_Finkielkraut
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gptkbp:bfsLayer
|
6
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