|
gptkbp:instance_of
|
gptkb:stage_adaptation
|
|
gptkbp:adaptation
|
gptkb:film_adaptations
|
|
gptkbp:adapted_into
|
gptkb:The_Bloody_Chamber
short stories by Angela Carter
The Company of Wolves (short story)
|
|
gptkbp:based_on
|
The Company of Wolves (film)
|
|
gptkbp:conflict
|
human vs. nature
innocence vs. experience
|
|
gptkbp:directed_by
|
gptkb:Robert_Delamere
|
|
gptkbp:explores
|
gender roles
sexuality
|
|
gptkbp:features
|
gptkb:vampires
gptkb:mythical_creatures
|
|
gptkbp:features_song
|
various composers
|
|
gptkbp:focus
|
female protagonists
|
|
gptkbp:genre
|
gptkb:horror
|
|
gptkbp:has
|
multiple acts
|
|
gptkbp:has_adaptation
|
various international productions
|
|
gptkbp:has_cultural_impact
|
on feminist literature
|
|
gptkbp:has_influence_on
|
theatre studies
|
|
gptkbp:has_themes
|
gptkb:transformation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Company of Wolves (stage adaptation)
|
|
gptkbp:influenced
|
modern adaptations of fairy tales
|
|
gptkbp:influenced_by
|
gptkb:fairy_tales
|
|
gptkbp:inspired_by
|
gptkb:The_Little_Red_Riding_Hood
|
|
gptkbp:is_considered
|
a feminist work
a classic of modern theatre
|
|
gptkbp:is_notable_for
|
its unique narrative style
|
|
gptkbp:is_part_of
|
Angela Carter's body of work
|
|
gptkbp:is_recognized_as
|
for its innovative storytelling
|
|
gptkbp:motif
|
gptkb:Moon
gptkb:blood
wolves
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:performed_in
|
gptkb:theater
in festivals
in various languages
|
|
gptkbp:premiered_on
|
gptkb:1984
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:set_in
|
a mythical forest
|
|
gptkbp:style
|
magical realism
|
|
gptkbp:themes
|
gptkb:feminism
coming of age
|
|
gptkbp:uses
|
symbolism
|
|
gptkbp:written_by
|
gptkb:Angela_Carter
|
|
gptkbp:bfsParent
|
gptkb:The_Company_of_Wolves
|
|
gptkbp:bfsLayer
|
5
|