|
gptkbp:instance_of
|
gptkb:film_adaptation
gptkb:musical
gptkb:television_series
gptkb:graphic_novel
gptkb:stage_adaptation
gptkb:video_game
gptkb:short_stories
gptkb:short_story
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:Little_Red_Riding_Hood
gptkb:The_Company_of_Wolves_(1984_film)
gptkb:The_Wolf_and_the_Seven_Young_Kids
gptkb:film
The Company of Wolves (film)
|
|
gptkbp:adapted_into
|
gptkb:graphic_novel
gptkb:theater
gptkb:short_stories
gptkb:stage_play
|
|
gptkbp:art_style
|
surreal
Stylized
Hand-drawn
gothic
|
|
gptkbp:artwork
|
Original
|
|
gptkbp:author
|
gptkb:Angela_Carter
|
|
gptkbp:awards
|
gptkb:Olivier_Award
gptkb:Best_Art_Direction
Best Costume Design
BAFTA nomination
Best Special Effects
Best Makeup
|
|
gptkbp:based_on
|
gptkb:The_Bloody_Chamber
gptkb:Angela_Carter's_short_stories
short stories by Angela Carter
The Company of Wolves (film)
The Company of Wolves (short story collection)
Short stories by Angela Carter
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Stephen_Rea
gptkb:Angela_Lansbury
gptkb:David_Warner
gptkb:Sarah_Patterson
gptkb:Terence_Stamp
Michaela Dicker
|
|
gptkbp:character
|
gptkb:The_Wolf
gptkb:The_Huntsman
gptkb:The_Father
gptkb:The_Girl
gptkb:The_Hunter
gptkb:The_Mother
Rosaleen
The Grandmother
The Girl in the Red Cloak
|
|
gptkbp:character_customization
|
gptkb:Limited
|
|
gptkbp:character_design
|
Unique
|
|
gptkbp:character_development
|
Minimal
|
|
gptkbp:choreography
|
gptkb:Matthew_Bourne
|
|
gptkbp:cinematography
|
gptkb:Roger_Pratt
gptkb:Terry_Stacey
|
|
gptkbp:cinematography_by
|
gptkb:Roger_Pratt
gptkb:Philippe_Rousselot
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:community_support
|
Active
|
|
gptkbp:conflict
|
man vs. nature
|
|
gptkbp:contains
|
gptkb:The_Werewolf_(short_story)
The Company of Wolves (short story)
Puss-in-Boots (short story)
The Lady of the House of Love (short story)
The Tiger's Bride (short story)
|
|
gptkbp:contains_themes
|
gptkb:identity
gptkb:feminism
sexuality
|
|
gptkbp:costume_design
|
gptkb:Judianna_Makovsky
|
|
gptkbp:country
|
gptkb:Ireland
gptkb:United_Kingdom
|
|
gptkbp:cover_artist
|
gptkb:John_Jude_Palencar
|
|
gptkbp:created_by
|
gptkb:Neil_Jordan
gptkb:Angela_Carter
|
|
gptkbp:critical_reception
|
Positive
cult classic
positive reviews
well-received
|
|
gptkbp:cultural_impact
|
inspired literature
inspired art
influenced horror genre
inspired adaptations
inspired other films
inspired adaptations in various media
inspired academic studies
inspired literary analysis
influenced filmmakers
inspired feminist readings
inspired visual art
inspired theater
inspired academic analysis
inspired other adaptations
inspired theater productions
inspired theater adaptations
|
|
gptkbp:developer
|
gptkb:The_Game_Kitchen
|
|
gptkbp:development
|
2 years
|
|
gptkbp:difficulty
|
Adjustable
|
|
gptkbp:directed_by
|
gptkb:Neil_Jordan
|
|
gptkbp:director
|
gptkb:Neil_Jordan
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Cannon_Group
|
|
gptkbp:download_count
|
Approx. 1 GB
|
|
gptkbp:economy
|
gptkb:None
|
|
gptkbp:edited_by
|
gptkb:Tony_Lawson
|
|
gptkbp:engine
|
gptkb:Unity
|
|
gptkbp:environment
|
Detailed
|
|
gptkbp:explores_themes
|
gptkb:transformation
innocence
danger
|
|
gptkbp:fan_base
|
Growing
|
|
gptkbp:features
|
gptkb:vampires
Transformation themes
|
|
gptkbp:film_editing
|
gptkb:Neil_Jordan
gptkb:Tony_Lawson
gptkb:The_Company_of_Wolves_(1984_film)
gptkb:1984
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
dream sequences
|
|
gptkbp:first_aired
|
gptkb:1984
|
|
gptkbp:first_performance
|
gptkb:1984
|
|
gptkbp:first_published
|
gptkb:1979
|
|
gptkbp:game_awards
|
Nominated for several
|
|
gptkbp:game_engine
|
gptkb:Unity_Engine
|
|
gptkbp:game_features
|
Rich narrative
|
|
gptkbp:game_length
|
4-6 hours
|
|
gptkbp:game_modes
|
Single-player
|
|
gptkbp:gameplay
|
Point-and-click
|
|
gptkbp:genre
|
gptkb:musical_theatre
gptkb:Fantasy
gptkb:adventure
gptkb:fantasy
gptkb:horror
Horror
|
|
gptkbp:has_adaptation
|
gptkb:film_adaptation
The Company of Wolves (film adaptation)
The Company of Wolves (novel adaptation)
|
|
gptkbp:has_art_style
|
surrealism
|
|
gptkbp:has_awards
|
gptkb:none
|
|
gptkbp:has_cultural_impact
|
gptkb:significant
|
|
gptkbp:has_lore
|
Extensive
|
|
gptkbp:has_themes
|
gptkb:folklore
gptkb:betrayal
gptkb:loss
gptkb:survival
gptkb:mythology
gptkb:dreams
gptkb:identity
gptkb:Sister
reality
redemption
violence
fear
power dynamics
family dynamics
sexuality
desire
nature vs nurture
myth vs reality
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
2001 DVD
1985 VHS
2011 Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Company of Wolves
|
|
gptkbp:illustrated_by
|
gptkb:Dave_Mc_Kean
|
|
gptkbp:influenced
|
gptkb:The_Company_of_Wolves_(stage_adaptation)
gptkb:The_Witch_(2015_film)
gptkb:The_Wolfman_(2010_film)
modern fantasy literature
subsequent horror films
feminist film theory
fairy tale adaptations
Pan's Labyrinth (2006 film)
The Brothers Grimm adaptations
The Company of Wolves (TV series)
The Company of Wolves (graphic novel)
The Company of Wolves (musical)
The Company of Wolves (video game)
The Secret of NIMH (1982 film)
The Shape of Water (2017 film)
Angela Carter's later works
|
|
gptkbp:influenced_by
|
gptkb:folklore
gptkb:Charles_Perrault
gptkb:Little_Red_Riding_Hood
gptkb:postmodernism
gptkb:Brothers_Grimm
gptkb:horror_genre
gptkb:The_Wolf_Man
gptkb:mythology
gptkb:Gothic_literature
gptkb:fairy_tales
gptkb:feminism
gptkb:film
gptkb:literary_criticism
gender studies
art history
cultural studies
psychological horror
surrealism
Horror Genre
cultural criticism
feminist literature
gothic literature
narrative theory
queer theory
symbolism in art
visual culture
myth criticism
|
|
gptkbp:influences
|
gptkb:Charles_Perrault
gptkb:Little_Red_Riding_Hood
gptkb:The_Brothers_Grimm
gptkb:fairy_tales
gptkb:horror_films
gptkb:feminism
gothic literature
werewolf mythology
Angela Carter's writing
|
|
gptkbp:inspiration
|
gptkb:folklore
gptkb:Little_Red_Riding_Hood
Angela Carter's The Bloody Chamber
|
|
gptkbp:inspired
|
other films
The Company of Wolves (film)
|
|
gptkbp:inspired_by
|
gptkb:Little_Red_Riding_Hood
gptkb:The_Three_Little_Pigs
gptkb:The_Wolf_and_the_Seven_Young_Kids
gptkb:fairy_tales
|
|
gptkbp:is_available_in
|
hardcover
paperback
digital format
|
|
gptkbp:is_available_on
|
various online platforms
|
|
gptkbp:is_cited_in
|
gptkb:scholars
|
|
gptkbp:is_considered_classic_of
|
graphic novels
|
|
gptkbp:is_examined_in
|
feminist literary criticism
postmodern literature studies
|
|
gptkbp:is_influenced_by
|
gptkb:Gothic_literature
|
|
gptkbp:is_influential_in
|
graphic literature
|
|
gptkbp:is_notable_for
|
its thematic depth
its character development
its unique art style
its dark themes
its narrative complexity
its feminist perspective
|
|
gptkbp:is_part_of
|
cultural studies discussions
The Bloody Chamber collection
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_studied_in
|
literature courses
|
|
gptkbp:isbn
|
978-0-575-07880-0
|
|
gptkbp:language
|
English
|
|
gptkbp:language_support
|
gptkb:French
gptkb:Italian
gptkb:Spanish
gptkb:German
English
|
|
gptkbp:last_aired
|
gptkb:1984
|
|
gptkbp:literary_movement
|
gptkb:postmodernism
|
|
gptkbp:main_actor
|
gptkb:Angela_Lansbury
gptkb:David_Warner
gptkb:Sarah_Patterson
|
|
gptkbp:main_character
|
Rosaleen
|
|
gptkbp:makeup_artist
|
gptkb:Nick_Dudman
|
|
gptkbp:merchandise
|
gptkb:Limited
|
|
gptkbp:mod_support
|
No
|
|
gptkbp:motif
|
gptkb:vampires
|
|
gptkbp:multiplayer
|
No
|
|
gptkbp:music
|
gptkb:George_Fenton
|
|
gptkbp:music_by
|
gptkb:Stephen_Warbeck
gptkb:George_Fenton
gptkb:Angela_Carter
|
|
gptkbp:music_composer
|
gptkb:George_Fenton
gptkb:Javi_San_MartÃn
|
|
gptkbp:narrative
|
non-linear
Narrative-driven
frame story
|
|
gptkbp:narrative_style
|
gothic
frame story
|
|
gptkbp:narrative_theme
|
gptkb:folklore
|
|
gptkbp:notable_awards
|
gptkb:BAFTA_Award_for_Best_Production_Design
|
|
gptkbp:notable_cast
|
gptkb:Stephen_Rea
gptkb:Angela_Lansbury
gptkb:David_Warner
gptkb:Sarah_Patterson
Michaela Dicker
|
|
gptkbp:notable_quote
|
' Beware of the wolves.'
' The better to eat you with.'
' The better to see you with.'
' What big eyes you have.'
|
|
gptkbp:notable_scene
|
wolf transformation
|
|
gptkbp:notable_song
|
gptkb:The_Wolf
gptkb:The_Girl
gptkb:The_Hunt
|
|
gptkbp:notable_work
|
gptkb:The_Bloody_Chamber
|
|
gptkbp:number_of_episodes
|
gptkb:1
|
|
gptkbp:original_language
|
English
|
|
gptkbp:original_network
|
gptkb:BBC
|
|
gptkbp:page_count
|
128
192
|
|
gptkbp:performed_at
|
gptkb:The_Lyric_Hammersmith
gptkb:The_Old_Vic
gptkb:The_National_Theatre
|
|
gptkbp:platform
|
gptkb:PC
|
|
gptkbp:players
|
gptkb:Yes
Impactful
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
1984-01-01
|
|
gptkbp:produced_by
|
gptkb:Neil_Jordan
gptkb:Royal_Court_Theatre
gptkb:Stephen_Woolley
gptkb:Marianne_Jean-Baptiste
|
|
gptkbp:production_company
|
gptkb:Palace_Pictures
|
|
gptkbp:protagonist
|
a young girl
|
|
gptkbp:publication_year
|
gptkb:1984
|
|
gptkbp:published_by
|
gptkb:Gollancz
|
|
gptkbp:published_in
|
gptkb:The_Bloody_Chamber
gptkb:1979
|
|
gptkbp:publisher
|
gptkb:Gollancz
gptkb:The_Game_Kitchen
|
|
gptkbp:puzzles
|
Integrated
|
|
gptkbp:release_date
|
gptkb:1984
2021-12-01
December 1, 2021
December 1984
|
|
gptkbp:release_platform
|
gptkb:Windows
|
|
gptkbp:release_region
|
Worldwide
|
|
gptkbp:release_type
|
Digital
|
|
gptkbp:release_year
|
gptkb:1984
|
|
gptkbp:released_in
|
gptkb:1984
|
|
gptkbp:remake
|
gptkb:The_Company_of_Wolves_(2023)
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay
|
gptkb:Angela_Carter
|
|
gptkbp:screenplay_by
|
gptkb:Neil_Jordan
gptkb:Angela_Carter
|
|
gptkbp:sequel
|
gptkb:None
|
|
gptkbp:series
|
gptkb:The_Bloody_Chamber_series
|
|
gptkbp:set_in
|
gptkb:19th_century
a fairy tale world
mythical forest
mythical Europe
A fairy tale world
|
|
gptkbp:setting
|
gptkb:Fantasy
European folklore
19th century Europe
a forest
European forest
|
|
gptkbp:special_effects
|
makeup effects by Rick Baker
makeup effects by Nick Dudman
|
|
gptkbp:starring
|
gptkb:Angela_Lansbury
gptkb:David_Warner
gptkb:Sarah_Patterson
gptkb:Graham_Crowden
Michaela Dicker
|
|
gptkbp:symbolism
|
gptkb:the_wolf
gptkb:blood
wolves
the journey
the moon
the loss of innocence
the forest
sexual awakening
the duality of nature
the beast
the transformation
the predator and prey dynamic
the feminine
|
|
gptkbp:system_requirements
|
Moderate
|
|
gptkbp:target_audience
|
Adults
|
|
gptkbp:theme
|
gptkb:mythology
gptkb:fairy_tales
gptkb:feminism
coming of age
|
|
gptkbp:themes
|
gptkb:mythology
gptkb:feminism
gptkb:transformation
coming of age
sexuality
|
|
gptkbp:trailer
|
Available on You Tube
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:updates
|
gptkb:Regular
|
|
gptkbp:user_reviews
|
Positive
|
|
gptkbp:viewpoint
|
third person
|
|
gptkbp:visual_effects
|
gptkb:John_Richardson
|
|
gptkbp:voice_acting
|
gptkb:Yes
|
|
gptkbp:written_by
|
gptkb:Angela_Carter
|
|
gptkbp:bfsParent
|
gptkb:Angela_Carter
|
|
gptkbp:bfsLayer
|
4
|