|
gptkbp:instance_of
|
gptkb:album
gptkb:museum
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
2
|
|
gptkbp:bfsParent
|
gptkb:physicist
|
|
gptkbp:accessibility
|
wheelchair accessible
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:film
|
|
gptkbp:artist
|
gptkb:Richard_Tuttle
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
|
|
gptkbp:box_office
|
$6.5 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:University
gptkb:The_Woman
gptkb:Harry
gptkb:James
gptkb:Clare
|
|
gptkbp:contains_track
|
A to Z
Kiedyś będziesz moją królową
Nieprzyzwoite piosenki
Wszystko się może zdarzyć
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
translated into multiple languages
studied in drama schools
performed in festivals
influenced contemporary drama
|
|
gptkbp:directed_by
|
gptkb:Marcus_Dunstan
|
|
gptkbp:director
|
gptkb:Harold_Pinter
gptkb:David_Mamet
Pinter himself
|
|
gptkbp:distributor
|
gptkb:football_club
|
|
gptkbp:established
|
gptkb:2011
|
|
gptkbp:exhibition
|
Various galleries
|
|
gptkbp:exhibits
|
local artists
|
|
gptkbp:features
|
gptkb:soundtrack
various artworks
a deadly game
|
|
gptkbp:filming_location
|
gptkb:Louisiana
|
|
gptkbp:follows
|
gptkb:The_Collector
|
|
gptkbp:founded
|
gptkb:2000
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
world music
|
|
gptkbp:has_location
|
gptkb:Lincoln
|
|
gptkbp:has_sequel
|
gptkb:The_Collection:_The_Final_Chapter
|
|
gptkbp:has_theme
|
gptkb:prison
gptkb:Detective
gptkb:revenge
gptkb:survival
gptkb:cemetery
gptkb:film
gptkb:legal_case
adrenaline
darkness
psychological horror
survival horror
violence
fear
moral dilemmas
suspense
tension
dark humor
survival instincts
psychological
torture
fear of the unknown
slasher
fear of death
twists
cliffhangers
chase
escape
psychological tension
fear of the dark
unexpected turns
gore
intense moments
cat and mouse
dread
trapped
fear of pain
fear of captivity
fear of the hunted
fear of the predator
|
|
gptkbp:hosts
|
exhibitions
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Collection
|
|
gptkbp:includes
|
local artists
|
|
gptkbp:influences
|
gptkb:Theatre_of_the_Absurd
Conceptual art
Existentialism
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Lincoln
|
|
gptkbp:managed_by
|
Lincoln Arts Council
|
|
gptkbp:medium
|
gptkb:Mixed_media
|
|
gptkbp:music_by
|
gptkb:Charlie_Clouser
|
|
gptkbp:notable_character
|
gptkb:Jeremy_Irons
gptkb:Maggie_Smith
gptkb:Alan_Bates
gptkb:John_Gielgud
gptkb:Eileen_Atkins
|
|
gptkbp:notable_production
|
gptkb:musical
gptkb:Royal_Court_Theatre
gptkb:West_End
|
|
gptkbp:notable_quote
|
" What do you want?"
" I’m not a liar."
" You can’t have it both ways."
" You’re not listening to me."
|
|
gptkbp:offers
|
gptkb:Educational_Institution
|
|
gptkbp:open_to_public
|
gptkb:theorem
|
|
gptkbp:owner
|
City of Lincoln
|
|
gptkbp:performance
|
performed in various countries
|
|
gptkbp:premiered_on
|
gptkb:1976
|
|
gptkbp:produced_by
|
gptkb:Brett_Simon
|
|
gptkbp:publishes
|
published in various editions
included in anthologies
|
|
gptkbp:related_works
|
gptkb:The_Birthday_Party
gptkb:Betrayal
gptkb:The_Caretaker
gptkb:The_Homecoming
|
|
gptkbp:release_date
|
gptkb:2005
gptkb:2014
gptkb:2018
November 30, 2012
|
|
gptkbp:release_year
|
gptkb:2010
gptkb:2021
|
|
gptkbp:released
|
gptkb:Rami_Kleinstein
gptkb:Lara_Fabian
gptkb:Katarzyna_Nosowska
|
|
gptkbp:released_in
|
gptkb:2012
|
|
gptkbp:runtime
|
82 minutes
|
|
gptkbp:sequel
|
gptkb:The_Collector
|
|
gptkbp:set_in
|
a nightclub
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:starring
|
gptkb:Emma_Fitzpatrick
gptkb:Josh_Stewart
gptkb:Christopher_Mc_Donald
gptkb:Roxanne_Mc_Kee
|
|
gptkbp:student_enrollment
|
free
|
|
gptkbp:style
|
Abstract
minimalist
non-linear narrative
dialogue-driven
|
|
gptkbp:supports
|
community art initiatives
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:betrayal
sexuality
|
|
gptkbp:type
|
gptkb:art_installation
gptkb:museum
|
|
gptkbp:visitors
|
over 100,000 annually
|
|
gptkbp:written_by
|
gptkb:Harold_Pinter
gptkb:Marcus_Dunstan
gptkb:Patrick_Melton
|
|
gptkbp:year_created
|
gptkb:1970
|