Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
musical
stage play |
| gptkbp:adaptedInto |
film
|
| gptkbp:author |
gptkb:Anthony_Burgess
|
| gptkbp:awards |
gptkb:British_Science_Fiction_Association_Award
Hugo Award nomination |
| gptkbp:controversy |
moral panic
film censorship |
| gptkbp:criticalReception |
mixed reviews
|
| gptkbp:culturalHeritage |
literary works
video games art installations fashion television shows music videos |
| gptkbp:culturalImpact |
cult following
controversial reception |
| gptkbp:filmography |
gptkb:Stanley_Kubrick
1971 BAFTA Award nomination Academy_Award_nomination Golden_Globe_nomination |
| gptkbp:genre |
dystopian fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Clockwork Orange
|
| gptkbp:influenced |
art
music literature |
| gptkbp:influencedBy |
gptkb:Russian_literature
existentialism futurism philosophy |
| gptkbp:inspiration |
behavioral psychology
youth subculture |
| gptkbp:language |
Nadsat
|
| gptkbp:mainCharacter |
Alex DeLarge
|
| gptkbp:narrativeStyle |
first-person
satirical |
| gptkbp:notableQuote |
"A clockwork orange"
"I was cured, all right!" "What's it going to be then, eh?" |
| gptkbp:publishedIn |
1962
|
| gptkbp:sequel |
A Clockwork Orange: The Musical
A Clockwork Orange: The Restored Edition |
| gptkbp:setting |
futuristic_England
|
| gptkbp:theme |
free will
violence societal control |