|
gptkbp:instance_of
|
gptkb:short_story
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
|
|
gptkbp:author
|
gptkb:D._H._Lawrence
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$138,000
|
|
gptkbp:cinematography_by
|
gptkb:Nicholas_Musuraca
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
cult classic
|
|
gptkbp:cultural_impact
|
inspired fashion and art
|
|
gptkbp:directed_by
|
gptkb:Jacques_Tourneur
|
|
gptkbp:edited_by
|
gptkb:Mark_Robson
|
|
gptkbp:follows
|
a woman who fears she will turn into a panther.
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cat People
|
|
gptkbp:influenced
|
gptkb:horror_genre
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:modernism
|
|
gptkbp:inspired
|
future horror films
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
the woman
|
|
gptkbp:music_by
|
gptkb:Roy_Webb
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_for
|
atmospheric tension
|
|
gptkbp:notable_scene
|
the swimming pool scene
|
|
gptkbp:produced_by
|
gptkb:Val_Lewton
|
|
gptkbp:published_by
|
The English Review
|
|
gptkbp:published_in
|
1918
|
|
gptkbp:related_to
|
gptkb:Women_in_Love
gptkb:The_Fox
|
|
gptkbp:released_in
|
gptkb:1942
|
|
gptkbp:remake
|
gptkb:Cat_People_(1982)
|
|
gptkbp:screenplay_by
|
gptkb:De_Witt_Bodeen
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:England
|
|
gptkbp:starring
|
gptkb:Simone_Simon
gptkb:Tom_Conway
gptkb:Alice_Moore
|
|
gptkbp:theme
|
gptkb:identity
gptkb:transformation
fear
|
|
gptkbp:themes
|
supernatural elements
identity crisis
fear of sexuality
|
|
gptkbp:bfsParent
|
gptkb:The_Leopard_Man
|
|
gptkbp:bfsLayer
|
4
|