gptkbp:instanceOf
|
Film director
|
gptkbp:activeYears
|
1931
1969
|
gptkbp:associatedAct
|
gptkb:RKO_Pictures
gptkb:Val_Lewton
|
gptkbp:awards
|
Best_Director_at_the_Cannes_Film_Festival
|
gptkbp:birthDate
|
1904-02-12
|
gptkbp:children
|
gptkb:Jacques_Tourneur_Jr.
|
gptkbp:collaboratedWith
|
gptkb:Boris_Karloff
gptkb:Robert_Wise
gptkb:Simone_Simon
gptkb:Dana_Andrews
|
gptkbp:deathDate
|
1977-12-19
|
gptkbp:filmography
|
gptkb:The_Last_of_Mrs._Cheyney
Historical context
Social commentary
Moral ambiguity
Symbolic imagery
Visual storytelling
Cinematic techniques
Non-linear storytelling
Cultural critique
Character-driven narratives
Narrative complexity
Ambiguous endings
Psychological tension
Use of sound
Low-key lighting
Use of shadows
Character psychology
Exploration of fear
|
gptkbp:genre
|
Film noir
Horror
|
https://www.w3.org/2000/01/rdf-schema#label
|
Jacques Tourneur
|
gptkbp:influenced
|
gptkb:John_Carpenter
Martin Scorsese
The Shining
Get Out
The Witch
The Babadook
It Follows
|
gptkbp:influencedBy
|
gptkb:Alfred_Hitchcock
gptkb:Fritz_Lang
|
gptkbp:nationality
|
French
|
gptkbp:notableWork
|
gptkb:I_Walked_with_a_Zombie
Cat People
Out of the Past
The Curse of the Demon
The Leopard Man
|
gptkbp:placeOfBirth
|
gptkb:Paris,_France
|
gptkbp:placeOfDeath
|
gptkb:Beverly_Hills,_California,_USA
|
gptkbp:produces
|
gptkb:The_Comedy_of_Terrors
|
gptkbp:signature
|
Psychological horror
Subtle storytelling
Atmospheric lighting
|
gptkbp:spouse
|
gptkb:Marjorie_Wardlaw
|