|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:adaptations
|
gptkb:musical_composition
gptkb:theatrical_performances
|
|
gptkbp:author
|
gptkb:Ezra_Pound
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:criticism
|
gptkb:Robert_Lowell
gptkb:T._S._Eliot
gptkb:Charles_Olson
gptkb:William_Carlos_Williams
gptkb:Marjorie_Perloff
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:ezra_pound's_vision
|
gptkb:political_reforms
gptkb:cultural_revival
political critique
|
|
gptkbp:first_canto
|
Canto I
|
|
gptkbp:genre
|
modernist poetry
|
|
gptkbp:has_counter
|
120
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cantos series
|
|
gptkbp:influence
|
gptkb:Imagism
gptkb:Vorticism
|
|
gptkbp:influenced
|
contemporary poetry
postmodern literature
|
|
gptkbp:inspired_by
|
gptkb:Virgil
gptkb:Dante_Alighieri
gptkb:Homer
gptkb:Confucius
gptkb:Chinese_literature
|
|
gptkbp:language
|
English
|
|
gptkbp:last_canto
|
Canto CXCI
|
|
gptkbp:notable_quote
|
What thou lovest well remains
And the dead shall rise
The poem is a world.
|
|
gptkbp:notable_themes
|
gptkb:culture
gptkb:politics
gptkb:philosophy
economics
history
|
|
gptkbp:publication_year
|
gptkb:1917
|
|
gptkbp:published_in
|
gptkb:The_Little_Review
|
|
gptkbp:published_in_parts
|
yes
|
|
gptkbp:related_works
|
gptkb:The_Cantos_of_Ezra_Pound
gptkb:The_Pisan_Cantos
Cantos I-LXX
Cantos LXXI-LXXXI
|
|
gptkbp:style
|
collage
free verse
allusion
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:The_Cantos_of_Ezra_Pound,_Volume_1
gptkb:Martin_Silenus
|
|
gptkbp:bfsLayer
|
6
|