Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
poem
|
| gptkbp:adaptation |
Musical compositions
Theatrical performances |
| gptkbp:author |
gptkb:Ezra_Pound
|
| gptkbp:criticalReception |
Mixed reviews
|
| gptkbp:culturalImpact |
Significant in 20th-century literature
|
| gptkbp:dedicatedTo |
Various historical figures
|
| gptkbp:formFactor |
Free verse
|
| gptkbp:genre |
Modernist poetry
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Cantos
|
| gptkbp:influenced |
gptkb:Robert_Creeley
gptkb:T.S._Eliot gptkb:Charles_Olson gptkb:William_Carlos_Williams Postmodern poetry |
| gptkbp:influencedBy |
Imagism
|
| gptkbp:language |
English
|
| gptkbp:notableFeature |
Aesthetics
Art Civilization Culture Identity Innovation Language Literary criticism Mythology Nature Philosophy Religion Time War Existentialism Humanism Memory Society Tradition Historical criticism Cultural identity Social criticism Cultural criticism Usura Philosophical criticism Political criticism What thou lovest well remains. Economic criticism Ethical criticism Politics of art Psychological criticism The river flowed past, and the sun shone. With_usura_hath_no_man_a_house_of_good_stone. |
| gptkbp:numberOfEpisodes |
120
|
| gptkbp:publishedBy |
1925
|
| gptkbp:publishedIn |
The Little Review
1917 to 1968 |
| gptkbp:style |
Multilingual
Fragmentary Allusive |
| gptkbp:theme |
economics
politics history |