|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
aesthetic and symbolic.
|
|
gptkbp:audience
|
cult following.
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|
gptkbp:based_on
|
original screenplay by Robert Bresson
|
|
gptkbp:character
|
explores personal growth.
|
|
gptkbp:character_arc
|
significant.
complex and layered.
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|
gptkbp:character_development
|
subtle and understated.
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|
gptkbp:character_motivation
|
deeply explored.
|
|
gptkbp:character_relationships
|
richly developed.
complex and nuanced.
central to the narrative.
subtle and meaningful.
|
|
gptkbp:cinematography
|
noteworthy.
|
|
gptkbp:cinematography_by
|
gptkb:Gérard_Vandenberg
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_analysis
|
examined in film studies.
|
|
gptkbp:critical_reception
|
generally positive.
|
|
gptkbp:criticism
|
analyzed for its artistic merit.
praised for its direction.
|
|
gptkbp:cultural_impact
|
influenced filmmakers.
|
|
gptkbp:cultural_significance
|
important in film history.
|
|
gptkbp:director
|
gptkb:Robert_Bresson
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:edited_by
|
Marcel Moussy
|
|
gptkbp:film_editing
|
Marcel Moussy
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1966
|
|
gptkbp:film_length
|
90 minutes.
|
|
gptkbp:film_score
|
original composition.
|
|
gptkbp:film_technique
|
innovative.
inspired future filmmakers.
artistic and experimental.
|
|
gptkbp:filmography
|
subject of academic studies.
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:home_media_release
|
DVD and Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blue and the Green (1966)
|
|
gptkbp:influenced
|
modern independent cinema.
subsequent French cinema.
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
Italian Neorealism.
literary sources.
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|
gptkbp:inspiration
|
personal experiences of the director.
|
|
gptkbp:is_portrayed_as
|
unique and varied.
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:language_spoken
|
sparse and impactful.
|
|
gptkbp:legacy
|
considered a classic.
remains influential.
|
|
gptkbp:main_character
|
gptkb:Marie
gptkb:Pierre
|
|
gptkbp:motif
|
recurring throughout the film.
|
|
gptkbp:music_by
|
gptkb:Jean-Jacques_Grunenwald
|
|
gptkbp:narrative
|
non-linear.
complex and layered.
|
|
gptkbp:narrative_style
|
minimalist
|
|
gptkbp:notable_awards
|
Best Director at Cannes
|
|
gptkbp:notable_scene
|
introspective moments.
|
|
gptkbp:plot
|
A story about love and betrayal.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:remastered
|
yes.
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
shown at various film festivals.
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Bresson
|
|
gptkbp:setting
|
urban France.
|
|
gptkbp:soundtrack
|
original score.
|
|
gptkbp:symbolism
|
color and light.
representative of broader themes.
richly woven into the story.
|
|
gptkbp:themes
|
exploration of human emotions.
explored in depth.
love, betrayal, and existentialism.
|
|
gptkbp:viewing_format
|
theatrical release.
|
|
gptkbp:bfsParent
|
gptkb:Charles_Pollock
|
|
gptkbp:bfsLayer
|
5
|