|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
play by Harold Pinter
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Stanley_Webber
gptkb:Goldberg
gptkb:Lulu
Petey
Mc Cann
|
|
gptkbp:cinematography_by
|
gptkb:John_de_Borman
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:directed_by
|
gptkb:David_K._H._Lee
|
|
gptkbp:distributor
|
First Look Pictures
|
|
gptkbp:edited_by
|
gptkb:John_Wilson
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Birthday Party (1998)
|
|
gptkbp:influenced
|
subsequent adaptations
|
|
gptkbp:influenced_by
|
The Birthday Party (play)
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:John_Harle
|
|
gptkbp:notable_aspect
|
social commentary
dark humor
cultural impact
existential themes
psychological tension
psychological thriller elements
character-driven narrative
adaptation of a stage play
character ambiguity
minimalist setting
thematic ambiguity
Pinteresque dialogue
|
|
gptkbp:plot
|
A man is visited by two mysterious strangers.
|
|
gptkbp:produced_by
|
gptkb:David_K._H._Lee
|
|
gptkbp:production_company
|
The Birthday Party Company
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
September 1998
|
|
gptkbp:released_on
|
gptkb:1998
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Harold_Pinter
|
|
gptkbp:starring
|
gptkb:Maggie_Gyllenhaal
gptkb:Michael_Caine
gptkb:Kristin_Scott_Thomas
|
|
gptkbp:theme
|
gptkb:identity
isolation
fear
power dynamics
|
|
gptkbp:bfsParent
|
gptkb:Alessandro_Strehler
|
|
gptkbp:bfsLayer
|
6
|