Statements (64)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:basedOn |
play_by_Harold_Pinter
|
| gptkbp:boxOffice |
limited release
|
| gptkbp:cinematographyBy |
gptkb:John_de_Borman
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:criticalReception |
mixed reviews
|
| gptkbp:directedBy |
gptkb:Alexis_Kanner
|
| gptkbp:distributor |
gptkb:Channel_4_Films
|
| gptkbp:editedBy |
gptkb:John_Wilson
|
| gptkbp:features |
mystery elements
|
| gptkbp:filmingLocation |
gptkb:England
|
| gptkbp:genre |
drama
|
| gptkbp:hasAwards |
original score
|
| gptkbp:hasCharacter |
gptkb:Stanley_Webber
gptkb:Goldberg Lulu Petey McCann |
| gptkbp:hasTheme |
the passage of time
the nature of reality the struggle for survival the nature of conflict the struggle for power fear of the unknown the role of fate the nature of existence the nature of truth the role of memory the search for meaning the impact of trauma the search for identity confrontation with authority the search for belonging the concept of home absurdity of life the role of the outsider the complexity of human relationships the absurdity of existence the fragility of sanity the nature of fear the nature of friendship the impact of choice the impact of isolation the impact of societal norms the conflict between reality and illusion |
| https://www.w3.org/2000/01/rdf-schema#label |
The Birthday Party (1993)
|
| gptkbp:influencedBy |
existentialism
surrealism theatre of the absurd |
| gptkbp:language |
English
|
| gptkbp:musicBy |
gptkb:John_Altman
|
| gptkbp:notableFor |
its adaptation of a stage play
|
| gptkbp:premieredOn |
gptkb:Edinburgh_International_Film_Festival
|
| gptkbp:producedBy |
gptkb:David_Aukin
|
| gptkbp:releasedIn |
1993
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplayBy |
gptkb:Harold_Pinter
|
| gptkbp:setIn |
a seaside boarding house
|
| gptkbp:starring |
gptkb:Robert_Carlyle
gptkb:Murray_Melvin gptkb:David_Thewlis |
| gptkbp:theme |
identity
isolation power dynamics |