|
gptkbp:instanceOf
|
film
|
|
gptkbp:basedOn
|
The_Birthday_Party_(play)
|
|
gptkbp:boxOffice
|
$1 million
|
|
gptkbp:character
|
gptkb:Stanley_Webber
gptkb:Goldberg
Lulu
McCann
|
|
gptkbp:cinematographyBy
|
gptkb:Peter_Hannan
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:directedBy
|
gptkb:David_K._H._Lee
|
|
gptkbp:distributor
|
gptkb:Cannon_Group
|
|
gptkbp:editedBy
|
gptkb:John_Glen
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Birthday Party (1984)
|
|
gptkbp:influencedBy
|
Theatre of the Absurd
Harold_Pinter's_works
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:John_Altman
|
|
gptkbp:notableFeature
|
atmospheric tension
symbolism
dark humor
psychological themes
ambiguous ending
character-driven narrative
adaptation of a play
Pinter's dialogue
minimalist setting
Diane_Wiest's_performance
Robert_Shaw's_performance
|
|
gptkbp:premiere
|
1984 Cannes Film Festival
|
|
gptkbp:producedBy
|
gptkb:David_K._H._Lee
|
|
gptkbp:productionCompany
|
gptkb:Cannon_Group
|
|
gptkbp:releaseYear
|
1984
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Harold_Pinter
|
|
gptkbp:setIn
|
a seaside boarding house
|
|
gptkbp:starring
|
gptkb:Robert_Shaw
gptkb:Diane_Wiest
gptkb:Murray_Melvin
gptkb:Stephen_Rea
|
|
gptkbp:theme
|
existentialism
identity
isolation
fear
power dynamics
|
|
gptkbp:wrote
|
gptkb:Harold_Pinter
|