gptkbp:instanceOf
|
film
|
gptkbp:basedOn
|
The_Birthday_Party_(play)
|
gptkbp:boxOffice
|
$1 million
|
gptkbp:character
|
gptkb:Stanley_Webber
gptkb:Goldberg
Lulu
Meg
Petey
McCann
|
gptkbp:cinematographyBy
|
gptkb:Gordon_Willis
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:criticalReception
|
mixed reviews
|
gptkbp:directedBy
|
gptkb:William_Friedkin
|
gptkbp:distributor
|
20th Century Fox
|
gptkbp:editedBy
|
gptkb:John_Bloom
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival_1982
|
gptkbp:genre
|
drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Birthday Party (1982)
|
gptkbp:influencedBy
|
Theatre of the Absurd
Harold_Pinter's_works
|
gptkbp:language
|
English
|
gptkbp:musicBy
|
gptkb:John_Barry
|
gptkbp:notableQuote
|
“I’m just a simple man.”
“What do you want?”
“You’re not going to get away with this.”
“I don’t want to talk about it.”
“It’s all a game.”
“It’s my birthday.”
“I’m not a man, I’m a monster.”
“You can’t escape.”
“You’re a funny man.”
“You’re all mad.”
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:releaseDate
|
1982
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplayBy
|
gptkb:Harold_Pinter
|
gptkbp:setting
|
boarding_house
|
gptkbp:starring
|
gptkb:Robert_Shaw
gptkb:Diane_Wiest
gptkb:Ian_Holm
|
gptkbp:theme
|
identity
isolation
fear
power dynamics
absurdism
|