|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Jack_Palance
gptkb:Claes_Oldenburg
gptkb:the_Group_Theatre
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:William_Glasgow
|
|
gptkbp:author
|
gptkb:Eugene_O'_Neill
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:play_by_Clifford_Odets
play by Eugene O' Neill
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Max_Cady
gptkb:Mickey
gptkb:Doris
gptkb:George
gptkb:Ruthie
gptkb:Mr._Hargrove
gptkb:Charlie_Castle
gptkb:Stanley_Shriner
Mr. Mc Gowan
Mr. Cummings
Marilyn Castle
Max C. W. D.
|
|
gptkbp:character_appearance
|
Jean Louis
|
|
gptkbp:character_development
|
Charlie Castle's struggle
George Schuyler's ambition
Marilyn Castle's loyalty
|
|
gptkbp:cinematography
|
gptkb:Ernest_Laszlo
gptkb:Joseph_F._Biroc
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:conflict
|
personal vs professional
truth vs deception
loyalty vs ambition
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
depiction of Hollywood
analysis of personal sacrifice
discussions on morality in Hollywood
reflections on celebrity culture
critique of the film industry
exploration of personal integrity
|
|
gptkbp:directed_by
|
gptkb:Robert_Aldrich
|
|
gptkbp:director
|
gptkb:Robert_Aldrich
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Michael_Luciano
|
|
gptkbp:explores
|
the nature of identity
the impact of fame
the cost of success
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Hollywood,_California
|
|
gptkbp:filmography
|
gptkb:Michael_Luciano
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Big Knife
|
|
gptkbp:influence
|
gptkb:American_theater
|
|
gptkbp:influenced
|
later playwrights
|
|
gptkbp:influenced_by
|
film noir.
theatrical drama.
|
|
gptkbp:influences
|
gptkb:Hollywood_film_industry
|
|
gptkbp:inspiration
|
gptkb:Eugene_O'_Neill's_play
|
|
gptkbp:inspired_by
|
Hollywood's film industry
|
|
gptkbp:is_decorated_with
|
gptkb:George_James_Hopkins
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
performed in various theaters
analyzed in film studies.
studied in theater courses
referenced in popular culture.
considered a classic of 1950s cinema.
|
|
gptkbp:main_character
|
gptkb:Charlie_Castle
|
|
gptkbp:music_by
|
gptkb:Frank_De_Vol_Jr.
|
|
gptkbp:notable_appearance
|
the party scene.
the confrontation between Charlie and Max.
the final decision of Charlie.
|
|
gptkbp:notable_character
|
gptkb:George_Schuyler
gptkb:Nat_D._Smith
Marilyn Castle
|
|
gptkbp:notable_production
|
2000 revival
1970 film adaptation
1963 Broadway revival
|
|
gptkbp:notable_quote
|
" You can't be a man and a star."
" You can't be a man and a coward at the same time."
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performed_by
|
gptkb:musical
|
|
gptkbp:plot
|
A Hollywood screenwriter struggles with his conscience and the pressures of fame.
A Hollywood screenwriter struggles with his conscience.
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:premiere_date
|
gptkb:1963
|
|
gptkbp:produced_by
|
gptkb:Robert_Aldrich
|
|
gptkbp:production_company
|
The Associates and Aldrich Company
|
|
gptkbp:published_by
|
gptkb:1955
|
|
gptkbp:release_date
|
April 1955
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1955
|
|
gptkbp:released
|
gptkb:1955
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:James_Poe
|
|
gptkbp:setting
|
gptkb:film
|
|
gptkbp:sound
|
mono
|
|
gptkbp:soundtrack
|
gptkb:Frank_De_Vol_Jr.
Frank De Vol's score
|
|
gptkbp:starring
|
gptkb:Jack_Palance
gptkb:Wendell_Corey
gptkb:Shelley_Winters
gptkb:Ida_Lupino
|
|
gptkbp:style
|
naturalism
realism
|
|
gptkbp:symbolism
|
the knife
the price of fame
Hollywood's allure
|
|
gptkbp:theme
|
gptkb:betrayal
morality
fame
|
|
gptkbp:themes
|
gptkb:betrayal
morality
fame
guilt
personal sacrifice
|