|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Italian_Neorealism
gptkb:Josh_Klinghoffer
gptkb:Leave_It_to_Beaver
gptkb:La_Strada
gptkb:Vittorio_De_Sica
gptkb:Cinema_of_Italy
|
|
gptkbp:artist
|
gptkb:Giorgio_Treves
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
gptkb:Best_Foreign_Language_Film_Oscar
gptkb:David_di_Donatello
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
€10 million
successful in Italy
|
|
gptkbp:budget
|
€3 million
|
|
gptkbp:character
|
gptkb:The_Thief
gptkb:Bruno_Ricci
gptkb:Maria_Ricci
|
|
gptkbp:character_appearance
|
gptkb:Giorgio_Treves
|
|
gptkbp:cinematography
|
gptkb:Giorgio_Ferroni
gptkb:Carlo_Montuori
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
positive
highly acclaimed
|
|
gptkbp:cultural_impact
|
considered a classic
reference in popular culture
inspired filmmakers
influential film
inspired discussions on social issues
study in film schools
|
|
gptkbp:depicts
|
the struggle for survival
post-war poverty
the bond between father and son
|
|
gptkbp:design
|
gptkb:Giorgio_Treves
|
|
gptkbp:directed_by
|
gptkb:Vittorio_De_Sica
|
|
gptkbp:director
|
gptkb:Daniele_Luchetti
|
|
gptkbp:distributor
|
gptkb:Medusa_Film
|
|
gptkbp:editor
|
gptkb:Simona_Paggi
|
|
gptkbp:features
|
non-professional actors
bicycle theft
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Rome
|
|
gptkbp:filmography
|
gptkb:Ernesto_Frigerio
|
|
gptkbp:follows
|
a father and son
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_theme
|
gptkb:justice
gptkb:loss
gptkb:survival
gptkb:Community_Center
gptkb:Saint
gptkb:family
gptkb:chess_match
alienation
hope
class struggle
resilience
the role of community
moral dilemmas
social realism
the importance of family
urban life
the struggle for survival
disillusionment
hope against despair
the human condition
the struggle for identity
economic hardship
human dignity
desperation
the burden of responsibility
the importance of hope
the role of fate
the importance of resilience
father-son relationship
the impact of war
the search for meaning
the search for identity
the impact of loss
the fragility of happiness
the impact of war on families
the quest for justice
the impact of society
the struggle for dignity
the importance of justice
the nature of sacrifice
the struggle against despair
the nature of hope
the quest for dignity
the cycle of poverty
the nature of crime
the impact of social issues
the value of work
the impact of economic conditions
|
|
gptkbp:home_media_release
|
gptkb:2009
gptkb:2010
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Bicycle Thief
|
|
gptkbp:influenced
|
future filmmakers
neorealism
many filmmakers
social realism in film
the Italian film industry
|
|
gptkbp:influences
|
gptkb:Italian_Neorealism
humanism
social realism
post-war cinema
|
|
gptkbp:inspired
|
the term 'bicycle thief' in culture
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_considered_as
|
one of the greatest films of all time
|
|
gptkbp:is_recognized_by
|
gptkb:Sight_&_Sound's_Greatest_Films_Poll
gptkb:AFI's_100_Years...100_Movies
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
influential in cinema history
|
|
gptkbp:main_character
|
gptkb:Antonio_Ricci
|
|
gptkbp:music
|
gptkb:Francesco_De_Gregori
|
|
gptkbp:music_by
|
gptkb:Ernesto_Cortazar
gptkb:Ciccio_Ferrante
|
|
gptkbp:narrative_style
|
realism
non-professional actors
|
|
gptkbp:notable_appearance
|
the ending scene
the bicycle theft scene
|
|
gptkbp:notable_for
|
its emotional depth
realistic portrayal of life
neorealism
its historical context
its cinematography
its direction
its performances
its screenplay
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Giuseppe_Amato
|
|
gptkbp:production_company
|
gptkb:Cecchi_Gori_Group
|
|
gptkbp:rating
|
8.3/10 on IM Db
|
|
gptkbp:release_date
|
2008-12-05
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:release_year
|
gptkb:2008
|
|
gptkbp:released_in
|
1948
|
|
gptkbp:remake
|
gptkb:various_adaptations
|
|
gptkbp:runtime
|
105 minutes
93 minutes
101 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Vittorio_De_Sica
gptkb:Cesare_Zavattini
|
|
gptkbp:set_in
|
gptkb:Rome
post-World War II Italy
|
|
gptkbp:setting
|
post-World War II Rome
|
|
gptkbp:soundtrack
|
gptkb:Francesco_De_Gregori
|
|
gptkbp:starring
|
gptkb:Enzo_Staiola
gptkb:Lamberto_Maggiorani
gptkb:Gina_Lollobrigida
|
|
gptkbp:theme
|
gptkb:survival
gptkb:family
poverty
desperation
|
|
gptkbp:themes
|
gptkb:family
poverty
desperation
|
|
gptkbp:visual_effects
|
gptkb:none
|