|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:cinematography
|
gptkb:Vladimir_S._Sokolov
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_significance
|
gptkb:Soviet_cinema
|
|
gptkbp:depicts
|
class struggle
|
|
gptkbp:director
|
gptkb:Alexander_Medvedkin
|
|
gptkbp:distributor
|
Soviet Film Distribution
|
|
gptkbp:features
|
gptkb:Animation
|
|
gptkbp:film_editing
|
gptkb:Mikhail_K._Koval
|
|
gptkbp:follows
|
gptkb:The_New_Babylon
|
|
gptkbp:genre
|
propaganda film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Beat the Whites with the Red Wedge
|
|
gptkbp:influenced_by
|
gptkb:Russian_Revolution
|
|
gptkbp:influences
|
gptkb:Futurism
gptkb:Dadaism
Constructivism
|
|
gptkbp:inspired
|
later filmmakers
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:legacy
|
cult following
referenced in other media
influential in film studies
studied in film courses
analyzed for its techniques
|
|
gptkbp:music
|
gptkb:Dmitri_Shostakovich
|
|
gptkbp:narrative_style
|
surrealism
|
|
gptkbp:notable_for
|
political themes
|
|
gptkbp:notable_scene
|
symbolic imagery
animated sequences
visual metaphors
political allegory
battle sequences
|
|
gptkbp:premiere
|
gptkb:Moscow
|
|
gptkbp:release_year
|
gptkb:1930
|
|
gptkbp:runtime
|
50 minutes
|
|
gptkbp:screenplay
|
gptkb:Alexander_Medvedkin
|
|
gptkbp:style
|
avant-garde
|
|
gptkbp:themes
|
gptkb:revolution
gptkb:socialism
gptkb:identity
gptkb:oppression
gptkb:war
freedom
|
|
gptkbp:bfsParent
|
gptkb:Russian_Avant-Garde
gptkb:Russian_avant-garde
|
|
gptkbp:bfsLayer
|
5
|