Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:document
|
| gptkbp:art_movement |
gptkb:Minimalism
gptkb:performance_art Conceptual art Environmental art |
| gptkbp:attendance |
over 300,000 visitors
|
| gptkbp:cultural_significance |
challenged traditional art forms
encouraged public engagement with art explored themes of identity and politics promoted dialogue between artists and society reflected social changes of the 1970s |
| gptkbp:curator |
gptkb:Arnold_Bode
|
| gptkbp:duration |
100 days
|
| gptkbp:exhibition |
Contemporary art
|
| gptkbp:exhibition_space |
gptkb:Kunsthalle_Kassel
gptkb:Fridericianum gptkb:orange |
| https://www.w3.org/2000/01/rdf-schema#label |
The 1972 Documenta
|
| gptkbp:impact |
increased visibility for contemporary art
|
| gptkbp:influenced_by |
1968 student protests
|
| gptkbp:is_significant_for |
The Pack by Joseph Beuys
Tilted Arc by Richard Serra Marilyn Diptych by Andy Warhol Bed by Robert Rauschenberg Column by Daniel Buren |
| gptkbp:legacy |
influenced future Documenta exhibitions
|
| gptkbp:location |
gptkb:Kassel
|
| gptkbp:media_coverage |
international press
|
| gptkbp:notable_artist |
gptkb:Joseph_Beuys
gptkb:Richard_Serra gptkb:Andy_Warhol gptkb:Daniel_Buren gptkb:Robert_Rauschenberg |
| gptkbp:notable_installation |
The Factory by Andy Warhol
The End of the World by Joseph Beuys The Wall by Richard Serra The Black Mountain College by Robert Rauschenberg The Mirror by Daniel Buren |
| gptkbp:performers |
approximately 200
|
| gptkbp:related_event |
gptkb:Documenta_5
gptkb:Documenta_6 |
| gptkbp:sponsored_by |
gptkb:Federal_Republic_of_Germany
Kassel municipality |
| gptkbp:theme |
Art and the Environment
|
| gptkbp:year |
gptkb:1972
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:bfsLayer |
5
|