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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:art_style
|
Naturalistic
|
|
gptkbp:audience
|
Cult following
|
|
gptkbp:awards
|
gptkb:Palme_d'_Or
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
The soldier
The old man
The passerby
The young boy
|
|
gptkbp:character_arc
|
Self-discovery
|
|
gptkbp:character_development
|
Philosophical discussions
|
|
gptkbp:cinematography
|
gptkb:Ramin_Kousha
|
|
gptkbp:country
|
gptkb:Iran
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
Influenced filmmakers
|
|
gptkbp:director
|
gptkb:Abbas_Kiarostami
|
|
gptkbp:editing
|
gptkb:Kiarostami
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
Non-linear narrative
Long takes
Static shots
|
|
gptkbp:filmography
|
Explores existential themes
Rich in symbolism
Explores human emotions
Explores solitude
Reflects on societal issues
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Taste the Cherry
|
|
gptkbp:influenced
|
Contemporary Iranian cinema
Global arthouse cinema
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:French_New_Wave
|
|
gptkbp:influences
|
Existentialism
|
|
gptkbp:inspiration
|
Kiarostami's own experiences
|
|
gptkbp:language
|
gptkb:Persian
|
|
gptkbp:language_spoken
|
Sparse
|
|
gptkbp:legacy
|
Cinematic classic
|
|
gptkbp:main_character
|
Mr. Badii
|
|
gptkbp:music
|
gptkb:Mohammad_Reza_Shajarian
|
|
gptkbp:narrative_style
|
Minimalist
|
|
gptkbp:philosophy
|
Mortality
Existence
Human connection
|
|
gptkbp:plot
|
A man seeks someone to bury him under a cherry tree.
|
|
gptkbp:production_company
|
Kiarostami Film
|
|
gptkbp:release_date
|
May 1997
|
|
gptkbp:release_year
|
gptkb:1997
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay
|
gptkb:Abbas_Kiarostami
|
|
gptkbp:setting
|
gptkb:Tehran
|
|
gptkbp:symbolism
|
gptkb:Cherry
|
|
gptkbp:themes
|
Life and death
|
|
gptkbp:visitors
|
Meditative
|
|
gptkbp:bfsParent
|
gptkb:Coca-Cola_Cherry
gptkb:Cherry_Coca-Cola
|
|
gptkbp:bfsLayer
|
5
|