Statements (29)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film movement
|
| gptkbp:alumni |
2000s
|
| gptkbp:associatedWith |
gptkb:Taiwanese_literature
Taiwanese_culture Taiwanese_history |
| gptkbp:awards |
Best_Director_at_Cannes_Film_Festival
Golden_Lion_at_Venice_Film_Festival |
| gptkbp:characteristics |
realism
social commentary focus on everyday life non-linear_storytelling |
| gptkbp:culturalImpact |
inspired independent filmmakers
influenced_Asian_cinema revived_interest_in_Taiwanese_identity |
| https://www.w3.org/2000/01/rdf-schema#label |
Taiwan New Cinema
|
| gptkbp:influencedBy |
gptkb:French_New_Wave
|
| gptkbp:introduced |
1980s
|
| gptkbp:legacy |
influenced global cinema
recognized in film studies cultural_significance_in_Taiwan |
| gptkbp:notableEvent |
gptkb:Tsai_Ming-liang
gptkb:Hou_Hsiao-hsien Edward_Yang |
| gptkbp:notableFilm |
gptkb:A_City_of_Sadness
Goodbye South, Goodbye The Puppetmaster Dust of Angels |
| gptkbp:origin |
gptkb:Taiwan
|
| gptkbp:reduces |
1990s
|